Showing posts with label Daring New Adventures of Supergirl. Show all posts
Showing posts with label Daring New Adventures of Supergirl. Show all posts

Tuesday, February 15, 2022

Back Issue Box: Supergirl #18


I have been thinking a lot about Argo City in recent times given the reconfiguring of Supergirl's origin in the current Supergirl Woman of Tomorrow mini-series. I have definitely looked at the city's history in the past on this site. 

Today I thought I would showcase one of the weirder wrinkles in the city's history, perhaps one best left unremembered. Supergirl #18 has our hero facing off against the Kraken ... a blackmailer, a sorcerer, a pilgrim looking for enlightenment, a scientist ... all in one?

I don't know if writer Paul Kupperberg remembers writing this particular issue. It is a little all over the place. I don't know if it 100% makes any sense. But there is a lot to think about that's for sure. The one thing that I do love about this issue is that is shows the best parts of these Bronze Age comics - subplots and supporting casts. This issue is as much about Linda Danvers and her love life as it is the Kraken. 

The art is by Carmine Infantino and Bob Oksner and they bring some great visuals here. Again, the Linda stuff is the highlight for me. But I also love the innovative panel layouts. Great stuff. And I love the cover  by Howard Bender and Dick Giordano!

On to the specifics!

Wednesday, June 17, 2020

Review: Supergirl #15


Today I complete my look at the three part Blackstarr story which took place in the (Daring New Adventures of) Supergirl #13-15.

Supergirl #15 is the conclusion of this arc which has pitted Kara against an immensely powerful super-villain in Blackstarr as well as the evil of prejudice. We have a story which has both intense personal level events (Mrs. Berkowitz, a concentration camp survivor dealing with her daughter being alive and a Nazi) as well as super-heroic events of Supergirl battling someone with the entire universe's energies in their arsenal.

By flipping back and forth, from the planet-level threat to the personal emotional trauma, writer Paul Kupperberg is able to weave a solid story. It is easy for Supergirl to fight someone throwing energy blasts. It is harder for Supergirl to fight racism. You can't punch that as a whole. But we know how Supergirl feels. We know she will battle prejudice in all forms. And for that alone I love this story. It does wrap up a bit easily but it is satisfying.

The art by Carmine Infantino and Bob Oksner is once again up to the task here, mixing in civilian scenes of Linda Danvers with impressive scenes of elaborate galactic level energy. I can remember disliking Infantino's work on this when I first read it as a kid. But as a 'grown up', I have really come to appreciate it.

On to the book.

Wednesday, June 10, 2020

Back Issue Box: Supergirl #14


Supergirl #14 continues the Blackstarr storyline mixing incredible super-heroics with the backdrop of racism and prejudice. Feels like a good time in America to review this story.

Writer Paul Kupperberg focuses on Nazis and anti-semitism but the truth is any organized and systemic prejudice is villainous and this is just one example. and Kupperberg has a very goo approach. There are basically three levels to this story. One is the story of the Nazi party organizing in Chicago and how the city is responding. There is the superhero story of Supergirl fighting the immensely powerful Blackstarr, the leader of the Nazis. And then there is the personal story, how this is effecting Kara's landlord, Mrs. Berkowitz who survived the camps in Nazi Germany. By giving us all these perspectives, we get a full and enriching story.

The art is by Carmin Infantino and Bob Oksner who continue to bring their style to the affairs. They need to show their chops given the story layers as well. You need to convey crazy powers on top of personal scenes. These guys are legends so it flows seamlessly. But the show stopper is the Gil Kane cover which dazzles. I am not a Gil Kane fan usually but this one feels dynamic. Kara looks like she is feeling that blast.

On to the book.

Wednesday, June 3, 2020

Back Issue Box: (Daring New) Supergirl #13


One of the decisions I made when I set up this site was that I didn't want it to be a sort of index show where I would review Supergirl's stories in order. Instead, I have tried my best to review older issues which somehow reference current comic or world events.

Once more in the United States, we are divided. Protests over racial inequalities have erupted around the country. And once more I simply worry about the future of this great nation. We just can't seem to get together over basic concepts as life, liberty, and equality.

With that in mind, I decided to look at 1983's Supergirl #13. With this 'anniversary' issue, the title sheds the 'Daring New Adventures Of ..." part of title. We get a new costume for Kara and this rather patriotic cover by Ed Hannigan.

And this is an interesting issue because it has two very different tones in these 22 pages. The front half of this issue is a sort of celebration of Supergirl, recently victorious from a near fatal battle, she is entering a new chapter of her life.

The back half is a solemn story about antisemitism and prejudice and how the fringes of hate can suddenly become mainstream. It is oddly prescient. This issue would be relevant today, 37 years after it was published. In fact, given the rise of white nationalism and the further divide in our country, this feels even more relevant today.

Kudos to writer Paul Kupperberg  (who autographed my copy, seen above). This issue shows us the pain of prejudice on a very individual level. This was a time when you could look at superheroes as pure role models. I learned the concepts of right and wrong from comics.  No big surprise, Supergirl hates Nazis.

Carmine Infantino and Bob Oksner bring their usual great art here. The villain of the piece has a sort of Gene Colan feel to her. And overall, as usual, there is a high polish to the Linda Danvers pages here.

On to the story.

Thursday, January 11, 2018

Artgerm Variant Supergirl #18 - Daring New Adventures #1 Homage


It is a little old but the Artgerm variant for Supergirl #18 was revealed last week. And it is a retro look at the Girl of Steel, right back to her holter top, choker, and hot pants costume. And it is a 'second later' cover, building off of the Daring New Adventures of Supergirl #1 iconic cover.

There is almost too much to love. From the Supergirl title font to the painted appearance of the Chicago skyscape, even the 'weathered' appearance making it look like an old comic ... the details are fantastic.

And then there is Kara herself. Look, Artgerm is a good girl artist. So there is cheesecake here. But Kara looks so beautiful and happy here. She seems confident, with her clenched fists and arms cocked ready for action. Plus, those cascading locks! It is all gorgeous.

Now listen, this isn't the current Kara. This isn't the 16 year old in high school This is the DNAOS Supergirl, a woman in her mid 20s. She looks like that.

And as many know, I have been appreciating this costume more and more lately.

Tuesday, March 28, 2017

June 2017 Solicits


The solicits for June came out a while back so it is time to review what is happening in the super-books. There's some great stuff coming out that made me smile. And luckily, it doesn't look like I'll break the bank!

If you want to see all the solicits, head over to Newsarama:

And now on to the individual issues.

SUPERGIRL #10
Written by STEVE ORLANDO • Art by BRIAN CHING • Cover by ROBSON ROCHA and DANIEL HENRIQUES • Variant cover by BENGAL
“ESCAPE FROM THE PHANTOM ZONE” part two! The Phantom King holds all the cards, and he’s forcing Supergirl and Batgirl to turn to the alien antagonist in order to save themselves and the humans trapped inside the Phantom Zone.

I am definitely pumped for this storyline for many reasons. Batgirl and Supergirl together again for the first time!

I totally love this cover by Rocha and Henriques. Love that determined Supergirl.

Interesting that this story seems to start next week in the Batgirl Annual.


SUPERGIRL: BEING SUPER #4
Written by MARIKO TAMAKI
Art and cover by JOELLE JONES
Having her life torn to shreds and burned to ash has forced Supergirl to choose between the world she was born on and the world that adopted her. Can Kara Danvers find a way to be super—or will she crash and burn?


I have enjoyed this Elseworlds take on Supergirl more than I expected I would. It is a nice coming of age story with gorgeous art. Of course, one of the running themes with Supergirl is her accepting Earth as her home. So seeing this was, I suppose, not surprising. 

One minor quibble is the cover. This is the ending issue. Shouldn't we get something more heroic. Maybe it is the blurred effect that is striking me as odd. Usually we get something more dramatically iconic for a conclusion. 


DC COMICS BOMBSHELLS #28
Written by MARGUERITE BENNETT • Art by LAURA BRAGA and ANEKE • Cover by ANT LUCIA
How can Supergirl convince Power Girl that she is not fighting an enemy—but a sister? Plus, Lois Lane and the Reaper make their way to Hugo Strange’s lab to stop his “superweapon,” unaware that it’s Power Girl herself!
DC COMICS BOMBSHELLS #29
Written by MARGUERITE BENNETT • Art by MIRKA ANDOLFO, RICHARD ORTIZ and CARMEN CARNERO • Cover by MARGUERITE SAUVAGE
Lois Lane and the Reaper join Harley Quinn and Poison Ivy’s travelling circus of mythical Russian creatures, where Poison Ivy uses her powers to alleviate the situation in Leningrad. Plus, Supergirl is forced to fight Power Girl!


Great to see Supergirl prominently on the cover. I was wondering how they were going to place Power Girl into the book. What is their connection? I hope it isn't them being sisters. Perhaps a clone? Given we get a hint about Hugo Strange and the history of the JLU famous Galatea episodes, that would make sense.

And, of course, they need to fight. Because comics.

Lots of Supergirl monthly stuff for this month!



ACTION COMICS #981
Written by DAN JURGENS • Art by JACK HERBERT • Cover by PATCH ZIRCHER
Variant cover by GARY FRANK
“REVENGE” part three! Superman races to save the Suicide Squad from General Zod, Cyborg Superman and Eradicator. Can the Man of Steel escape the Black Vault and stop the carnage before Harley, Deadshot and the rest of Task Force X are forced to make a final stand?
ACTION COMICS #982
Written by DAN JURGENS • Art by VIKTOR BOGDANOVIC • Cover by PATCH ZIRCHER
Variant cover by GARY FRANK
“REVENGE” part four! General Zod takes command as he leads Cyborg Superman, Eradicator, Mongul, Blanque and Metallo against Superman—but his real motives are yet to be revealed and may have far graver consequences for Superman than anyone imagines.

A new Revenge Squad with all these heavy hitters? Fascinating. I don't know I like the look of the new Metallo (if that is who that is) but otherwise bring it.

I am really hoping that Zod comes off well. He was so prevalent a few years ago I felt he was overplayed.


SUPERMAN #24
Written by PETER J. TOMASI and PATRICK GLEASON • Art by DOUG MAHNKE and JAIME MENDOZA • Cover by RYAN SOOK • Variant cover by JORGE JIMENEZ
“BLACK DAWN” part five! The Man of Steel faces the one foe he refuses to fight—his son. An emerging new ability for Superboy proves deadly to Superman as the promise of power appears to lead Jon Kent to betray his father.
SUPERMAN #25
Written by PETER J. TOMASI and PATRICK GLEASON • Art by PATRICK GLEASON, DOUG MAHNKE and others • Cover by RYAN SOOK • Variant cover by JORGE JIMENEZ
“BLACK DAWN” part six! The extra-sized finale to “Black Dawn” reveals the villain tearing the Super-Family apart and destroying everything the Man of Steel holds dear!

Remember when we had a new superpower for Superman? The solar flare? I wonder if we will get that in the Rebirth universe. I wonder if Supergirl can still do it? Maybe her illness and repowering removed that?

Interesting that this cover makes it seem like Jon has a flare power but with Green K power? Now that is a mystery.


SUPER SONS #5
Written by PETER J. TOMASI • Art and cover by JORGE JIMENEZ • Variant cover by DUSTIN NGUYEN
“Battle in the Batcave”! The battle with Kid Amazo leaves Jon and Damian’s friendship in ruins as the boys decide their partnership isn’t working out! It’s a rumble between Superboy and Robin like you’ve never seen as the boys rage through the house Batman built!


I have to assume the story arc is 6 issues. So having the two split in the penultimate issue makes story sense. It will make their coming together next issue more powerful. The idea of the kids trashing the Batcave makes me very very happy.


NEW SUPER-MAN #12
Written by GENE LUEN YANG • Art by BILLY TAN • Cover by PHILIP TAN • Variant cover by BERNARD CHANG
“THE ZERO ULTIMATUM” part two! New Super-Man and the Justice League of China must take back Shanghai from the current emperor—the original super-powered creation of Dr. Omen! While the battle may be winnable, a devastating secret comes to light and shakes the young Super-Man to his core.


I'm glad to see Billy Tan back on art. I liked his prior work.
Is the villain on the cover the original Omen experiment? It has a Superman vibe.
And I wonder what secret comes to life? My guess? Omen is Kenan's actual mom.


SUPERWOMAN #11
Written by K. PERKINS • Art by STEPHEN SEGOVIA and ART THIBERT • Cover by KEN LASHLEY • Variant cover by RENATO GUEDES
“Rediscovery” part three! Former friends duke it out as Superwoman squares off against…Natasha Irons?! In the battle to contain the freed Stryker’s inmates, Lana and Natasha are split over what to do about Natasha’s criminal father, Crash.

Jimenez certainly pumped up Natasha during his run. Maybe too much? It seemed so over the top it felt forced.

And while the solicit is about Lana fighting Natasha, the cover is Lana fighting Steel.

Of course, how does Lana have powers in this post Superman Reborn world? I guess we'll find out.


THE DARING NEW ADVENTURES OF SUPERGIRL VOL. 2 TP
Written by PAUL KUPPERBERG
Art by CARMINE INFANTINO, BOB OKSNER and EDUARDO BARRETO
Cover by ED HANNIGAN and DICK GIORDANO
In these 1980s tales from The Daring NEW Adventures of Supergirl #13 and Supergirl #14-23, the Maid of Might faces neo-Nazis, meets the new threat of Blackstarr, explores the depths of Lake Michigan to find a mysterious monster and is baffled by the Ambush Bug! This collection features appearances by the Justice League of America and the Teen Titans!


I am thrilled that the remainder of the 80s Supergirl title is being collected. Unbelievable. There is a lot to like in this back end of the book including the Ambush Bug as well as the debut of the new costume. We also get a nice anniversary celebration for Supergirl.

Kudos to DC for doing this! 


SUPERGIRL: THE SILVER AGE VOL. 1 TP
Written by OTTO BINDER and JERRY SIEGEL
Art by AL PLASTINO and JIM MOONEY
Cover by MICHAEL CHO
In these stories from ACTION COMICS #252-284, Supergirl adjusts to life on Earth with her adoptive parents. The stories alternate between small-town slice-of-life tales, tales of Supergirl’s efforts to master her new powers, and time-traveling jaunts into the far future and past. Plus, don't miss an early appearance of the Legion of Super-Heroes!


I am also thrilled that this omnibus will now be in softcover for folks who couldn't drop the $75 for the hardcover. And I love the Michael Cho cover. Very classic! A lot of goodness in here!

Good month to get us into the summer months! 

Thursday, June 30, 2016

Daring New Adventures of Supergirl Streaky

Last week, I covered the origin of Streaky the Super-cat from way back in Action Comics #261. It was a fun review of a time when the super-family had pets that survived!

I was reminded that Streaky the Super-Cat should probably be named Streaky I because back in Daring New Adventures of Supergirl #6, Paul Kupperberg introduced us to Streaky II.

Now this isn't a full review of this issue because there is too much fun with Matrix Prime and The Gang. It deserves its own review.

But I am on something of a Streaky high right now so I want to review the introduction of Streaky II.

Thursday, November 5, 2015

Waiting For Doom Podcast: Supergirl and Doom Patrol


While Supergirl is my favorite character, there are plenty of other areas of comics that I absolutely love. The Legion of Super-Heroes has been a part of my comic collecting for almost my entire reading life. A

But another team I adore is the Doom Patrol. I have been dabbling in the Patrol in almost all their incarnations (sorry, no Byrne Patrol for me).

As a fan, I love the Waiting For Doom podcast, a show hosted by Paul and Mike and covering all of the Patrol, from the original Drake/Premiani stuff to the present. It is a show that I look forward to listening to each week. You should listen to it too! Here is the link: http://waitingfordoom.podbean.com/e/episode-39-waiting-for-supergirl-with-dr-anj/

This week, I was a guest on the show! The hosts asked me to come on to talk about the times Supergirl and the Doom Patrol teamed up and I was more than happy to join them. Hope you guys like the discussion.

I figured I would post some panels and briefly bullet review the stories for those who can't listen to the show.

It is an odd team-up. Maybe a team-up in name only. Because even though the story runs in three issues of Superman Family, 191-193, Supergirl and the Patrol only meet up in the last pages of the last issue.

The story starts with Supergirl investigating the odd death of a scientist in Florida, where she resided at the time.

Meanwhile, the Patrol happens to be vacationing in London when gravity goes haywire there, with earthquakes and tremors shaking the town apart.

In an almost scripted call to action, the Patrol sheds their civilian clothes to help the citizens.


Meanwhile, the scientist from Florida, someone name Clement seemed to had died in an experiment at his house, emerges as an enraged villain calling himself The Graviton Man!  When Supergirl arrives he attacks and gravity suddenly goes insane with everyone and everything floating into space.

Clement keeps talking about someone named Tain, someone he needs to get revenge on.


In the next issue, Clement takes off to Europe to find Tain. Meanwhile, Supergirl has to anchor everyone in Florida to the ground.

But that is just the beginning. Atmosphere will be ripped away from the world as well.


Meanwhile in Europe, the man named Tain has emerged and he also is in gravity powered armor.

We then get a long long monologue by Tain where he explains that Tain and Clement are related. But their family split in Colonial times. Clement stayed in American and flourished. Tain stayed in England and lost everything. However, oddly enough, now both of the surviving relatives happened to work in gravity experimentation. Now they can kill each other.

This seemed like an overly detailed history for two guys you know would never be heard from again.

Supergirl arrives to Europe and the two dueling cousins decide to eliminate Supergirl together before finishing their fight. Over the ocean they do foolish things like throwing the Titanic and a shark at the Maid of Might.

Eventually, they do get the upper hand, hammering Kara with the gravity energy directly.


Meanwhile, the Patrol, still in London, have discovered Tain's lab. They can shut down Tain's power from there. But they see on a giant monitor that Supergirl is getting crushed. Cliff sends Val and Joshua to aid Supergirl while he and Celsius shut down the gravity power there.

Over the ocean, Josh blasts Clement's armor to bits eliminating his threat.

Just like that, everything is normal.


I suppose there is some unseen introductions. But basically the team up of the whole Patrol and Supergirl is this last panel where Supergirl says goodbye.

I find it odd that the gravity villains are marched through town naked. Weird.

And yes, that blob of energy was pulling the strings all along. We know that blob is eventually revealed to be Lesla Lar!

The Daring New Adventures issues 8 and 9 are also covered on the show. This was a more classic crossover and also was the first appearance of Reactron!

I have covered those issues here and here.

Please listen to the show and give it some feedback. I love the Patrol and this show is the place for Doom Patrol fans to go!

Tuesday, June 2, 2015

Supergirl Comic Prediction Post-Convergence

We are now three months into a DC world where a Supergirl solo title isn't being published.

Just as Tony Bedard, K.Perkins, Mike Johnson, and Emanuela Lupacchino had righted the ship and despite consistent and relatively solid sales numbers, DC decided to pull the plug.

Some, including myself, have theorized that the appearance of a Supergirl show on the horizon was one of the prompts to shelve the character.

Would DC decide to create a Supergirl book based on the TV show? A digital first book like Flash Season Zero? Or would they try to somehow soft reboot the Kara on Earth 0 to make her more like the TV character?

The New 52 Kara was a teenager, 16 or 17 years old, just learning her way around Earth and just starting to make a name for herself as a hero.

The Supergirl character on the TV show is 24 yrs old, has been living on Earth for 13 years, and is immersed in Earth culture. She is working and trying to make a name for herself as a young woman in the city and only in the pilot does she embrace her powers and become a hero.

It wouldn't be easy to make the New 52 Kara into something like the show Kara.

I wondered just how DC might pull this off.


And then Convergence happened.

It is hard for me to necessarily wrap my head around what happens here. But Brainiac either sends the pre-Crisis Supergirl and Flash back to the Crisis to make sure that history repeats itself or he sends them back there to rewrite the Crisis and bring back infinite worlds while ending the Anti-Monitor threat. Throw in Parallax and a pre-Flashpoint Superman and maybe there is enough firepower to stop the Crisis without the death of Kara?

And if there are infinite Earths and the pre-Crisis Kara is alive ...

Well maybe that Supergirl is going to be the star of the new Supergirl book.


Because if any DC Supergirl is a decent match for the show Supergirl it is the original.

Both are in their early 20s. Both grew up on Earth, living with the Danvers. Both are inspired by their older cousin.

Heck, take away the headband and red shoulders and even their costumes look similar.

Both are young woman living in a big city trying to make a life for themselves.

When we last saw the pre-Crisis Supergirl she had just moved to Chicago and was trying to acclimate herself to the big city. She was a grad student then but that could easily be switched.

I mean, I know it is one panel, but I thought this side by side was fascinating.


Both are trying to find a way to satisfy a side of their lives that they feel they haven't explored.

The pre-Crisis Supergirl at this time was trying to make something out of Linda Danvers, bettering herself while maintaining her life as a superhero and force for good.

The show Supergirl is embracing the Kryptonian side of her, trying to become Supergirl as a way to help others.

So I wonder ...

Could we be getting a pre-Crisis Supergirl book, morphed slightly to mirror the show, taking place on some other DC world?


Now the pattern isn't perfect.
So much of what I have seen from the show borrows liberally from the Sterling Gates/Jamal Igle run.

Kara Danvers looks similar to Linda Lang. Kara's sort of innocence, impetuousness, fierceness, and even smidge of dorkiness all in the show feels so much like this Linda/Supergirl.


And the elephant in the room is Cat Grant, the ruthless self-promoter and journalist who wants to make Supergirl into a household name.

So maybe the tone of the book is Gates while the setting of the book is Kupperberg?


Of course all of this will mean that the ending of the Crisis, and therefore Kara's heroic death will no longer be in continuity. And while I still think the reasoning behind the death was flawed, there is no doubt that Supergirl dying in Crisis #7 is a huge moment for the character, impacting subsequent incarnations and resonating throughout all of comics. I don't know if I want to see that go away.

Regardless of my theory, I think it is only a matter of time before we get a Supergirl solo book, one more in line with the show's Kara Danvers.

Monday, December 8, 2014

Back Issue Box: Supergirl #16


The Convergence event for DC Comics is about a half a year away and one of the solicits that caught my attention was the Keith Giffen written issue starring  Matrix and Ambush Bug . I have some concerns about Giffen's approach to Supergirl and I know his love of Ambush Bug might make Supergirl the butt of any number of jokes and ploys.

But this won't be the first time Supergirl met Ambush Bug! They met way back in late 1983 in Supergirl #16.Writer Paul Kupperberg does his best to keep this a light-hearted story with Ambush Bug providing some yuks along the way. But also in this issue is one of the most bizarre villain plots I have read.

This is early Ambush Bug though, back when he was labeled a super-villain. Here he feels more like his daffy current self, trying to be a hero and generally annoying all who cross his path. It also is a time when his teleportation powers were limited by having a remote 'insect' drones somewhere to act as a receiver.

The art is done by the usual team on this book of penciller Carmine Infantino and inker Bob Oksner. I think Oksner cleans up this late Infantino work very well. But what intrigued me more is the cover by Giffen and Oksner. Giffen created Ambush Bug and so it is appropriate for his art here. But it is the pictures of Superman and Supergirl around Bug that grabbed my attention. They look like the character design art by Jose Luis Garcia-Lopez, or at least Giffen's version of them. Certainly the two of the 'floor' of the cover look very familiar.


"Bug-Out" starts with an elevated train derailing in Chicago forcing Supergirl to jump to the rescue.

I included this opening splash because I think the design is interesting. Supergirl is really a small element in this page, streaking in on the left side. The bulk of the page is the huge train plummeting onto tiny people and cars.

I think by positioning everything like this it makes the threat feel bigger. We know that Kryptonians are more powerful than a locomotive. But by keeping Supergirl small and by putting so many potential victims in the picture, the drama is ratcheted up a notch.


Throughout this book, initially Daring New Adventures of Supergirl and then just Supergirl, Paul Kupperberg has written Kara as being a bit more mature, a bit more assured of herself. We have seen her tell Superman that she is stepping out from his shadow. We have seen her be proactive, taking on Reactron and Blackstarr with confidence and maybe even an edge.

So it was weird to read this internal monologue here, Supergirl saying she is surprised sometimes at what she can do. That inside she still feels like 15 year old Kara on Argo City. Odd.

Maybe she is talking more about her personality or humility.


But if there is one thing I always applaud Kupperberg for it is setting up a true supporting cast in this book. And using them!

Here is a whole scene with Linda Danvers having lunch with her current beau (and Chicago Philharmonic conductor) Phil Decker. Supergirl ... in her secret identity ... having a conversation with a non-super human ... about everyday stuff. It is refreshing. These scenes make all the characters more three-dimensional and helped build up this relationship.

I don't need a whole issue of small talk. But this is great.

But wait ... doesn't this issue guest star Ambush Bug? Isn't he supposed to bug Supergirl?

Well, in a scene I don't cover, we see Ambush Bug escape from a prison transport. I think that might be one of the few times we see Bug without his costume. And using his tech, he blips to Chicago where he decides he'll stick around after he sees Supergirl fly by.

Of course, this being a slapstick issue, we see things such as pratfalls off skyscrapers.


And the Bug decides to turn over a new leaf and become a super-hero.

But rather than take on the big foes, he decides to start small with civic minor offenses.

So people who litter get throttled.


And people who smoke where it isn't allowed get frightened, battered, and eventually hog-tied.

Eventually the two cross paths ... but by chance.

Supergirl is tracking down her/Linda's missing boyfriend. First one of the philharmonics priceless Stradivarius violins has been stolen (one of many priceless instruments that has been pilfered across the nation). And then Phil has gone missing.

Now Ambush Bug is supposed to be addled and crazy. It is part of his charm. So here he confuses Supergirl with Superman! He assumes somehow that they are the same person and that something nefarious has both changed Superman and wiped his memory. That is crazy ... and maybe a little forced?

I love Supergirl's response here. She is busy. She doesn't have time for nonsense. So she asks him what he wants.


One thing worth mention is that page layouts in this comic are very well done including things like inset panels as seen above.

At least Supergirl remembers who Ambush Bug is. But he is annoying, and what she needs least of right now. In an interesting move, Supergirl decides Bug needs to be her priority. Even though he seems relatively harmless, he is an escaped convict with super-powers. There is more of that maturity.

Now remember way back in the intro of this review when I said there was a bizarre villain plot in this issue? Well here it is revealed.

Phil has been kidnapped by this unnamed man. This criminal has been the person stealing all the valuable and antique instruments all over the country. And here he has set all those instruments up ... in the hands of mannequins ... so he can hear how beautiful they sound. Completely insane!

And any mannequin orchestra needs a conductor to bring out their best and so this man kidnapped Phil. He wants Decker to conduct them ...

Now that is bizarre.


Luckily ... maybe serendipitously ... Ambush Bug leads Supergirl right there. Supergirl has been following the Bug all over town.

Within two panels Supergirl is able to bring this whole crazy adventure to an ends. First she disarms the kidnapper. Then she puts boxing gloves on Ambush Bug, interfering with his ability to move his fingers and activate his teleportation tech.

An mannequin orchestra? Boxing gloves put on at super-speed to stop a villain? This is one loony issue.


As the cops sort out the whole mess, Supergirl leaves and re-arrives as Linda to see that Phil is okay.

But the Bug has the last laugh. He recognizes that Linda is Supergirl! He now sort of knows her secret identity!

By the way, check out the next issue blurb! A new haircut for Supergirl! That's right! Linda's hairstyle remains the same but Supergirl's hair gets downright curly next issue!

Will the Convergence issue be as insane as this? Will Supergirl be portrayed as well as she was here? Time will tell.

Outside of Ambush Bug, there isn't much that makes this a key issue in Supergirl history.

Overall grade: B

Thursday, February 27, 2014

Psi Sighting 2: Daring New Adventures Of Supergirl #3


Given her return to the DCU in Forever Evil: ARGUS, I am in the middle of my look back at the Supergirl villain Psi.

Today, that means reviewing Daring New Adventures of Supergirl #3, the last part of Psi's biggest splash in the DCU.  Psi, the mutant psionic powerhouse, has given Supergirl a run for her money on the first two issues of Daring New but it is clear that she is conflicted. Psi might have been raised with with a warped view of life but she seems to know right from wrong. In DNAoS #2, Supergirl basically talked Psi out of laying waste to Chicago. But Psi is also a bit unhinged and seems a bit naive. Last issue ended with her blasting her deluded mentor Mr. Pendergast with her power, inadvertently changing him into the monster Decay.

Powerful, psionic, and just a little unhinged ... no wonder Psi is a great character and rogue for Supergirl.

The art for the book was done by the standard team of Carmine Infantino and Bob Oksner with the usual flair. But for me, the most interesting thing is the cover done by Keith Giffen and Klaus Janson!! There is a sort of early horror comic cover feel to this with the monstrous Decay looming in front of a full moon. I love that he is standing on the word Decay, a bit of Eisner or Steranko. And lastly I love that the word Decay is decaying more under his feet, his own touch eroding the word. Supergirl is almost an afterthought but I love her springing into action.


I have praised this title in the past for portraying a happy, confident Supergirl ... comfortable in her own skin and ready to be the defender of Chicago. And I love that Paul Kupperberg gave Linda's life a big chunk of time in this book as well. She had friends, her schoolwork, and a romantic life as well.

This opening splash page to the issue is a great microcosm of that. We see a smiling Supergirl rushing to get to school on time, happy that she stopped Psi from destroying the city. She even pats herself on the back! 'Way to go, Kara baby!'


And we see more of her life at the University. Linda is majoring in Psychology and is meeting her advisor, Dr. Barry Metzner. Metzner turns out to be something of a disorganized mess, his office a maze of tall stacks of loose papers.

But something about that is endearing to Linda. She even calls him cute! I love that second panel, her finger to her mouth ... a classic Supergirl personality quirk which has carried through from Jim Mooney's Action stories to this day.

In the end Metzner offers Linda a job to be his assistant/secretary, a job she accepts. Metzner continues to putter through the title, eventually becoming a villain!


As for Mr. Pendergast, he has completely embraced his new life as Decay! It is a little weird that he loathed the idea of Decay only to do a complete 180.

It is always interesting to look back at these issues which I read in my youth. I can remember thinking this scene in which Decay basically erodes or digests a homeless alcoholic was absolutely terrifying. In the scene, the man screams until he is nothing but a bunch of bones and rot. Seeing that pile of remains was horrific and pretty graphic for the time. It is somehow sad that this scene would actually be considered understated in this comic world where people get disemboweled, beheaded, etc.


He lumbers through the town, wilting and dissolving everything in his path.

Despite hanging out with her housemate Joan and being 'weighed down' with all her class books, Linda knows what she needs to do. Her super-vision spies Decay and zips on her way.

Again, I have to applaud the great exposure of Linda's life and the interaction between both sides of her persona.

And Decay is pretty vile appearing, like a diarrheal form of Clayface. Yuck!


Remember, this is a Supergirl who is sure of herself, ready to jump into the fray to do what's right. She also is quick with a quip, another sign she feels pretty confident in her capabilities.

So with little delay, she flies up to Decay and takes the fight to him. She has had it with megalomaniacs hoping to rule the world.

And this panel progression is nice as you fill in the action in your mind, Supergirl swooping down in the first panel and making a hairpin turn to fly into Decay in the second.


But this is a Psi-sighting post ... isn't it?

Since Psi's power created Decay, she is linked to him. As I said, at times seems innocent, like a sheltered girl not exposed to the horrors of the world, or even the trials of every day life. Last issue, she seemed to feel pain from the destruction she was causing ... almost like an empath.

And here she feels mental agony from the devastation that Decay is causing. She is the cause of it. And she needs to end it.

I have to admit I also liked this little sequence, showing just how powerful Psi is. She doesn't fly through the window, shattering it. Instead she 'unmakes it', flies through, and then remakes it in her wake. Interesting.


The Decay fight with Supergirl is actually a decent brawl with Supergirl bashing him with cars, concrete walls, construction beams, and her fists. But everything just disintegrates in his grasp.

And here, his touch is sizzling even to Supergirl!


Psi finally shows up and decides to end things.

If she created Decay, she certainly can destroy him, even kill him.


But that doesn't happen. Instead of outright killing Pendergast, she simply strips him of his Decay form, returning him to normal.

And, like last issue, Psi is gone before the dust settles. So is Psi the hero of the piece, saving the day? Or is she a villain? I think she is a little bit of both. Psi seems like there is a good core somewhere in her. But she is clearly an addled young woman, prone to outbursts with her fantastic powers. It isn't a temper ... it is more like a hair trigger. I don't think Psi knows who she is herself. And that makes her scary.

As for Supergirl, she is almost a nonfactor in her own book. While it is great that she flies right into combat, she isn't exactly effective. Direct physical attacks were found to be useless early on. Why not try heat vision, freeze breath, or some other attack?


Psi truly disappeared after this issue, not being seen again in the DCU for 5 years. That means there will be another Psi-sighting in the near future.

As for me, the Supergirl/Decay throwdown was pretty standard superhero fare. What I liked best were the Linda scenes, a great part of this series.

Overall grade: B/B-