Review: Absolute Superman #24

Absolute Superman #24 came out this week and was another interesting, world-building issue. As I have said many times before, this book has, for the most part, been a bit of a potboiler, slowly building who Superman is over the initial skirmish with Ra's Al Ghul. But now we know who he is. 

While this is the middle of the 'Find Brainiac' arc, this really would be a perfect jumping on point for this title. If you want to know this world and this Superman, you could pick this up and get a great idea of both those things. And what I like about this issue is that it is told through the view of John Henry Irons. Steel is witnessing Superman up close and he comes out impressed and inspired. There could have been a 'Great Jumping On Point' cover dress here.

Writer Jason Aaron is showing us an interesting take on this Darkseid-fueled world. Yes, it is a darker world. But Superman is able to inspire and change this world. He is still Superman. Moreover, we see it in this issue three times over. This is the first appearance of Absolute Chemo, Atomic Skull, and Bloodsport. All of them are turned by Superman and Steel towards kindness. 

Superman is also shown to be the shy kid who is overworked and too busy thinking about others to think about himself. I wonder if we will eventually see him get to a point where he feels he can take a night off.

Juan Ferreyra is on art and his art here is less color pencil-y than I am used to but it is still gorgeous. I love the designs of the villains. And his Superman is a specimen.

On to the issue.

Review: Absolute Superman #23

When the Absolute Universe was announced, I was unsure if it was going to be for me. The idea of a universe built on darkness and how our heroes would be impacted by that seemed to be a tough sell for me. Turns out that I am reading two of three main books in the imprint. Absolute Wonder Woman I read via trades and have enjoyed greatly. Absolute Superman I read monthly and, for the most part, I have found a very good read showing that even in a dark world Superman can rise above and inspire.

Absolute Superman #23 came out this week and was another good read showing how hard it must be to be Superman in this world. Superman is tracking down Brainiac and instead runs into Toyman and has to battle that villain instead. He is tempted to cross an ethical line, perhaps a bit out of character given the prior 22 issues. We also get shown that rich men have the capability to be evil as well. 

When read back to back with Superman The Stranger #1, I worry we might be heading into 'wealth is evil' and not 'some wealthy people can be evil'. Yes, Superman in this world feels like a populist hero making sure villages and individual people are cared for. Yes, Aaron doesn't say 'wealth equals evil'. So I'll have to see how this pans out. 

The Toyman here is truly scary showing how diabolical he can be. This isn't Schott in a striped suit with giant tops. This is a madman.

Juan Ferreyra's art remains top notch. Love his battle sequences. He amps up the terror in the scary stuff nicely. And we even get a Krypton flashback. Love his take on the landscape and Lara.

On to the book.

Review: Absolute Superman #22

In what feels like a fast turnaround, Absolute Superman #22 came out this week, a mere 2 weeks after the last issue came out. It also starts a new arc for the book with Superman trying to track down Brainiac and, it seems, running into new villains on the way. 

The last arc with Superman fighting Black Adam alongside Hawkman and Steel was a beautiful brawl spanning the world and the moon. This issue, writer Jason Aaron continues to keep the action at a high level with Superman fighting Metallo, the mutated and tortured Christopher Smith Peacemaker. Indeed, the bulk of the issue are these two going at it, blood-soaked and brutal.

But much like the Black Adam story, throughout the brawl, Superman is hoping to make a connection, the de-escalate, and to help Metallo. I think that this is Absolute Superman's biggest strength. In this dark world where Metallo is a mentally addled young man tortured by Brainiac into being a weapon ... a sort of poster boy for the Absolute universe ... here is Superman trying to lift up, not punch down. 

Juan Ferreyra is back on art and brings it. Yes, the violence is gloriously rendered. But the character design is great too. And there is a page layout in the middle of the book that really reminded me of the power of comics, where words and images can mesh. Ferreyra is the perfect partner for a 1-2 punch art combo with Rafa Sandoval for this book. Sandolval does a great job on the cover with the looming Brainiac staring over the impending battle.

This almost felt like a rest issue rather than an opening chapter and was a bit of an exhale after the intensity of the Adam story. On to the book.

Review: Absolute Superman #21

Absolute Superman #21 came out last week and was an all-out melee and very satisfying ending to the Black Adam storyline. If you wanted to see what it would look like for two super-powered beings just laying into each other, this is the issue for you. I think I have said it before but this is on Dragon Ball level. As someone who doesn't mind seeing superheroes brawling (one of the first reasons why I fell in love with comics as a kid) I drank this issue in. What makes this issue even more entertaining is that the brawl is just the front half of the book. The fallout from the brawl, and therefore the conclusion of this arc, is laid out afterwards.

Writer Jason Aaron continues to show us how this Superman is an inspiration for this Darkseid-fueled Absolute Universe. Last issue, we saw the murderous Hawkman, a field agent for the evil running the show on this Earth, see the light and help Superman. In this issue, we see Superman continue to reach out to Black Adam, trying to calm down the villain and remind Adam of his roots. That inspiration sort of bleeds out to Jimmy and Lois as well, although it seems like it impacts one more than the other.

I have said before, the first year plus of this title was a slow-burn reveal of the world and Superman. Since the Parasite story, this book has been going full throttle and Aaron shows he can write both of those styles. In truth, this arc 'feels' more like the Absolute-style of Batman and Wonder Woman. 

Rafa Sandoval is on art and his works just leaps off the page, especially in the combat sequences. You feel the punches, the hammers to the face, the environment-pulverizing blasts. I have always enjoyed Sandoval's work. But he has elevated his game here.

What is next for this book? Can't wait to find out. But first, this issue's events.

Review: Absolute Superman #20

Absolute Superman #20 came out last week, the next chapter in the pretty brutal King Shazam storyline. One thing for sure, there is a lot of action in this issue ... a lot. We see what happens when four immensely powerful beings battle across the globe. 

What I like about this issue is that we see, again, how writer Jason Aaron shows this young Superman is inspirational in a Darkseid-fueled world. We have seen him turn Ra's Al Ghul. In this issue, we see Hawkman, someone we have seen be a killer, soften in the face of Superman's actions. I think that Hawkman seeing Superman and King Shazam, so similar in powers, next to each is probably a bold contrast. 

That contrast is highlighted by the brawl that dominates the issue, a fight that goes King Shazam's way mostly. It shows what Superman could have been while Shazam slept. Watching Hawkman and Steel sort of be more like gnats in the face of this power shows what unchecked power can do. 

Rafa Sandoval is on art and brings the kinetic energy to the proceedings. The fight is huge in scope and power and you feel every punch and blast. I think he slightly tilts the panels and even word balloons in some place to give the whole thing an off-kilter feel. 

Throw in a new mini-mystery and a great cliffhanger and you have another solid issue in this book.

On to some details.

Review: Absolute Superman #19

Absolute Superman #19 came out this week, continuing a new arc introducing 'King Shazam' and Absolute Steel into the universe. It is a high octane brawl of an issue showcasing our title character's emerging heroism and some new mysteries to contemplate. Add in the 'origin' of Steel and you have a solid issue.

Jason Aaron is continuing to grow this universe now that we are in the sort of second act of the book. With Ra's Al Ghul's plot to turn Superman done, it is time to broaden the view to the world. In fact, the Ra's story is truly ended here with an exclamation point. The biggest hook for me here is the mystery of King Shazam. Last issue we saw he was a slave in ancient Egypt given power by Brainiacs with a Father Box. Why were Brainiacs on Earth then? With a Father Box no less? Now we see how Shazam's powers seem to mimic Superman's down to the crystal cape? How are those echoes possible? Didn't Lara create Sol with sun crystals? Alas, these are just mysteries to contemplate now.

Rafa Sandavol continues to shine on art. There are action panels where you don't truly see the blows, hidden in energy and swirling sands. But the character moments are well rendered. And his take on the Steel origin is brutal and gorgeous. 

This book continues to intrigue as we peel back the layers. On to the book.

Review: Absolute Superman #18

Absolute Superman #18 came out this week and was another whirlwind of an issue, pushing the old Al Ghul plot forward while introducing not one but two new Absolute characters.

After the wonderfully paced first arc which lasted 14 issues, establishing the world and informing us about Clark, Jason Aaron has really sped things up over the last three months. A battle with Hawkman. A new Parasite. Jimmy and Lois settling into civilian roles. Talia trying to rescue her father.

In this issue, Talia gets to her father and is trying to bring him back to world prominence. At the same time. Lois is ready to get some old school revenge on the Al Ghul's for killing her father. Superman is trying to stop Lois from becoming a murderer. And then ... they show up. 

I am quite impressed with how fully formed all these characters feel. I think I 'know' Kal and Lois and Talia. I truly think that simmering first arc really gave Aaron a defined world to now write fully.

Rafa Sandoval is back on the art and continues to shine. I like his version of Clark on the farm. I like the design of the two new Absolute characters in the book. And, as always, the action is energetic and palpable. 

I continue to be impressed with this book. Kudos to all involved.

Review: Absolute Superman #17

Absolute Superman #17 came out this week, the finale of a quick two parter bringing Absolute Hawkman and Absolute Superman together to fight the Parasite. The first arc of this book was something of a slow burn, world-building and introducing our cast and fleshing them out. So this fast, action packed and brief story was an interesting change of pace.

Quick doesn't mean light or superficial. Writer Jason Aaron infuses the whole story with a comparison of Hawkman and Superman, their approach to 'heroics' and morality. Hawkman is an 'ends justify the means' guy. Superman is a much more inspirational figure, willing to sacrifice himself to save anyone else. Add in the Parasite, who seems more of a victim than a villain here, perhaps another way the Absolute Universe is a new angle and approach to characters. But the hero here is still Superman, who has matured in this book already, becoming the hero this world needs.

Juan Ferreyra again brings a sort of pastel panache to the proceedings. He brings the horror of the Parasite as well a Brainiac as well. This book has, at times, veered into body horror and we see that here. It is all gorgeously if not grotesquely rendered. 

I wouldn't mind a few more of these mini-arcs to help increase the mythos of this Superman.

On to the book.

Review: Absolute Superman #16

Absolute Superman #16 came out last week and was another fast-paced book for this title which was a sort of simmering pot for the first 13 issues. Writer Jason Aaron was doing a wonderful job of world-building in the first year of this title, layering depth so we understood this Kal's history and world. It stood out as a stark contrast to the go-go-go world of Absolute Batman. But with the Ra's book behind us, Aaron is putting his foot on the gas.

That isn't to say that Aaron has moved away from character moments and world-building. This issue gives us a lot of new threads and seeds to follow. Obviously, we get a lot of Absolute Hawkman in here, first seen in the Absolute Evil one-shot. We see his origin and we learn about his mission. And he is a brawler much like his main-universe counterpart. But we also get Lois moment, Clark moments, and the addition of an Absolute version of a classic Superman villain. I say it all the time. I didn't think I'd love this book. But this feels like an inspirational Superman doing his best in a dark world. Aaron is truly building this world.

Juan Ferreyra is again on art and brings a lot of action to the proceedings. He also is on color and I love how everything pops. There are flashback scenes in a sepia overtone. The color of the Sol-less cape blazes against the sort of washed out Hawkman. The action really is palpable. If this series becomes a 'Rafael Sandoval on one arc, Ferreyra on the next', I'd be happy!

On to the book!

Review: Absolute Superman #15

Just a couple of weeks ago, I reviewed Absolute Superman #14, the ending of a long, world-building arc for our hero. I thought perhaps the ending seemed a little too quick with Ra's Al Ghul almost laying down after a gruesome battle. But that was that, the opening arc teaching about this Kal and his fight against the Lazarus Corporation was over.

Last week, Absolute Superman #15 came out, a 'new story' trumpeted on the cover, complete with a new artist Juan Ferreyra. This new direction has been earned by writer Jason Aaron whose deliberate pace gave us wonderful world-building here. With Ra's defeated and the existence of the Superman a bit more public, it is time for our hero to come into the sunlight.

And that is what this issue is about. Superman is a public hero now, trying to do everything he can to help people, perhaps overdoing it. He is an inspiration in action all over the world. But he also is trying to be an inspiration to the defeated Ra's. What I really like is how while trying to do what's right, it is clear this Superman is a little uncomfortable in this role, a little taxed. 

All that said, this is an issue filled with hope, something I haven't seen much of in the absolute universe.

You can tell immediately the change in tone and direction by comparing the covers by Rafa Sandoval.

Issue #1, black-garbed Superman, face looking down, in shadows walking through a parched field.

Issue #15, blue-garbed, flying upwards, face in the sun, birds flying around him, angelic.

A new story indeed.

Part of that new feel is artist Juan Ferreyra. His style is strong and energetic in the heroic scenes. It is quiet enough in the smaller moments to convey emotion. I hope he is on the book for a long time.

On to the book.

Review: Absolute Superman #14

Absolute Superman #14 came out this week, the culmination of a long first arc building the world and showing us who this Superman is. It was clear that the end of this was going to be a bare-chested sword fight with Ra's Al Ghul, perhaps a nod to the early O'Neil/Adams Batman stories with Ra's himself.

Now all along I have been praising writer Jason Aaron for the pacing of this book. Unlike the frenzy of Absolute Batman, Absolute Superman was a very deliberate title, showing us Krypton, this new world, and giving us a lot of backstory for not only Superman but also Jor-El, Lara, Lois, Jimmy, and even the Al Ghul's. This is a fully formed world. I feel we have learned who this Clark is. 

The action has been ramping up over the last few issues as Ra's kept pushing Clark to take a step towards evil. And we finally get it in this issue, a bloody, brutal brawl that has me questioning how either combatant survives. Unfortunately, while the opening is a bang, the end of the fight is a whimper. This tremendously layered, long, complex arc just sort of ends. 

Rafa Sandoval is back on art and gives us in incredible issue of melee and gore. I have loved Sandoval's work for a long time but I feel that his work on this title has been his best. I'll be sad to see him go. 

Should this sudden ending to this arc sully the tremendous work which got me here? I'm not sure yet.

On to the book.

Review: Absolute Superman #13

Absolute Superman #13 came out last week, the penultimate chapter in this longform opening arc showing us the Absolute world that this Superman lives in. The Lazarus Corporation and the anti-fascist Omega Men revealed as organizations run by the Al Ghul family who are hellbent to turn Superman to their view. He hold out leading to war ... the Battle of Kansas.

I have been very impressed with Jason Aaron's pacing on this title, a slow burn of us seeing this world, learning about Superman and the supporting cast, and their goals. Even though we were barreling to the battle we see in this issue, Aaron pumped the brakes last month giving us an issue about Superman and Sol. 

But now we are back in it. Kansas is under assault.

Still Aaron gives us so much characterization amid to warfare. Superman still feels isolated, still feels 'other', still feels lost. It feels a little strong here after hearing how he defends the underrepresented, how he loved the Kents, how he is honoring his parents. But it again shows us we are in that Absolute world. If anyone isn't mired in the darkness it is Lois and Jimmy, both of whom look very much like their main Earth counterparts here, being journalists and getting the truth out there.

Rafa Sandoval continues to blow me away on art. This read like a war book, with tanks and planes, and bombs. But mixed in are these powerful character moments and Sandoval captures them too. I am so impressed with Sandoval on this book and glad we are getting him on this finale.

On to the book.

Review: Absolute Superman #12

I have been reading comics for almost 50 years. I have seen a lot of things. So when I see something surprising, something creatively fascinating, I have to compliment it. I have to admire. 

Absolute Superman #11 was one of the most brutal, horrific books I have read in a long time. It was firmly entrenched in this Darkseid-fueled universe. Skin was flayed. Blood was spilled. Throats were crushed. Chests were stabbed.

So how does writer Jason Aaron follow-up this grand guignol in Absolute Superman #12? By slowing everything down. By giving us an issue filled with flashbacks of how this Kal was raised by a gentle, loving AI program named Sol. It is the exact opposite of the prior issue. It really struck me. Just brilliant to put this issue on the heels of that one.

One thing I have said about this book is that Aaron has really built up this world. From Krypton to Kansas, this feels like a three-dimensional world. These scenes with Sol, which cover years, add to that depth. 

It helps that Rafa Sandoval is back on art. His style is a little more polished than the cruder, rougher stuff that Carmine Digiandomenico. This feels more calm and more peaceful, reinforcing that thematic change as well. 

We are heading to a big confrontation. But this issue was just the sort of deep cleansing breath I needed.

On to the book.

Review: Absolute Superman #11

Absolute Superman #11 came out last week and continued down a brutal and bloody road to the conclusion of this first long form story of Superman fighting the Lazarus Corporation. And I mean, this is a terrifying issue with body horror and violence in a Superman book that could only happen in a Darkseid-based universe.

Jason Aaron uses an interesting technique to have the story unfold. Brainiac is implanting visions into Superman's head to try and make the hero break. Each false memory pushes Superman to violence and murder. As a reader, we know some of the pages are these implants immediately - scenes of Krypton and in Smallville. But then Aaron has some pages seem to be 'real events' only to have them later revealed sneakier mental prompts. It made reading the issue a bit fascinating as a reader as you needed to see if what you were reading was 'real'. 

But the most frightening part of this is Brainiac. The android is berated by Ra's. He has created drones of himself to aid him but tortures them. His dream is to have Superman kill him. He clearly is a crazed entity, filled with suicidal thoughts, self-loathing, and sadism. When you have your creations cut out their own tongues, you are a psychopath.

Rafael Sandoval gives us the vivisection cover of Brainiac about to cut into our hero's brain. Carmine DeGiandomenico provides the gory interiors. And he brings it from blood and guts to flayed skin and gunfire, this is an intense issue and the art brings it.

On to the book.

Review: Absolute Superman #10

With the con happening and 2day trip shoved in the middle, everything has been pushed back and a little late. Apologies.

Absolute Superman #10 came out two weeks ago and after almost a year of slow burn, this issue seemed like we turned a bit of a corner. There are revelations in this issue and a major cliffhanger which upends everything we know.  I haven't minded the world building pace writer Jason Aaron has been using here. I feel like I know his Absolute World a little better than the other titles. But the high energy here is appreciated.

On top of the plot progression, we continue to learn about the characters. Superman won't kill, no matter how much he is goaded. Ra's has little respect for almost everyone ... except Superman ... which is fascinating. And Lois and Jimmy continue to slyly work against their old crews to help our hero.

Carmine DeGiandomenico is on art here and brings a thick lined energy to the proceedings. There is action here and he moves the 'camera' well as we circle the scenes. 

So settle in! Here we go!

Review: Absolute Superman #9

Absolute Superman #9 came out last week and again showed that this Absolute World is a dystopia where there aren't many heroes and both sides are so extreme that our hero isn't sure he even wants to remain on Earth.

This issue shows us the 'Omega Men' political group, the freedom fighters battling The Lazarus Corporation, up close. And it isn't pretty. We start with them saving Superman. The next mission is heading out to save political prisoners. It ends with the leaders of Omega being as violent as Lazarus.  Jason Aaron continues to peel the onion back, building this world. More Ra's. More Lois. More Jimmy. But also Talia and Father Boxes. All of this leads to some despair in our hero.

We knew that this was a different Earth and a different Superman. But I always hoped this Superman would be the shining light in the darkness. This issue he sounds like a beaten man.

The art is split between Rafa Sandoval and Fico Ossio. Ossio seems to do the bulk of the issue and is doing his best to channel Sandoval's work to keep the feel of the book consistent. And Arreola's darker hues contribute to the consistency. 

Nine issues in and this remains a slow burn. But I still don't know exactly who this Superman is. So much of the world is being defined that our hero remains blurry.

On to the book.

Review: Absolute Superman #8

Absolute Superman #8 came out last week and the trade dress touts it with 'a new story starts here!'

This book has been an interesting one so far, using the first 7 issues to slowly world build, giving us a taste of the Absolute world while filling in the Krypton history and showing us this new Superman. In comparison to the 'Batman AF' pace of the Absolute Batman book, Absolute Superman has been a much slower burn. It has felt like half the issues haven't even had Superman in them. 

Writer Jason Aaron does kick things into a little higher gear here. We finally see the main villain, Ra's Al Ghul .. and I have a theory. We get our first super-villain fight with Peacemaker/Metallo (or what I will be calling Metallo, he isn't given a code name here). We get to see some weakness in this Superman character which we haven't seen yet. And we get to see some Lois/Jimmy/Superman interactions which seems to be building up to a true relationship. There is a lot of action here but also some little dollops of new information that continues to make this place feel three-dimensional.

Rafa Sandoval is back on the book on art and his stuff continues to floor me. From the crazy battle scenes to his use of sound effects within the art to the quiet emotional moments, his stuff is on fire. 

If you have felt the book has been a bit meandering or even a bit plodding, which I must admit at times I have, I hope you have stuck around. This issue turns that on its head, giving us a brutal, physical action comic while still pushing on the plot.

On to the book.

Review: Absolute Superman #7

Absolute Superman #7 came out last week and was another interesting look at the Absolute Universe, showing how different this universe's Brainiac is from the one we know from the main DCU. It also once again shows the different take writer Jason Aaron is taking on this Absolute title from books like Batman.

Aaron is doing this complete slow burn on this book, world-building and showing us this world slowly. Last issue was an almost complete flashback issue looking at Smallville and Superman's arrival. This issue is entirely focused on Brainiac. Superman is barely even name-checked. No Superman in a Superman book? 

That isn't to say this book isn't interesting. It is. And it's horrifying. Much of this issue looks like a David Cronenberg movie. Brainiac is a sadist. He is murderous. He is unhinged in a way the robot from Colu has never been. It's terrifying. It also raises as many questions about Brainiac as it answers. There is more to mine here. It even sets up the next big arc and I assume the next Absolute take on a classic villain.

Artist Carmine DiGiandomenico is unleashed in this issue. This is a crazy violent and over-the-top grotesque issue and DiGiandomenico leans in. Don't eat a big lunch before you read this. There is enough vivisection and tissue mutilation in this book to last a year.

I have praised this book for it's slower tempo and building up this world. But even I am starting to wonder if this book is lacking enough Superman to keep my interest 100% focused. I read this book to learn about this Kal. Where is he?

On to the book.

Review: Absolute Superman #6

Absolute Superman #6 came out last week, another mostly flashback issue filling in the back story of this universe's Kal. With the destruction of Krypton behind us, we focus on Smallville. After the slow burn of the first issue, this one feels brisk opening and seemingly closing the Smallville portion of Superman's origins. We also get a major reveal which I felt was coming but never said outright. You'll have to trust me.

Writer Jason Aaron shows us that overlying despair of this Absolute Universe, especially in the early pages of Kal lost in space. But he also gives us some light, showing us a Jonathan and Martha Kent that feel pretty much our typical Kents. They take Kal in as a miracle. And Kal feels a bit of comfort in this Kansas environment with a kindly couple. Interesting to see just where the classic origins blur with the new stuff. But most importantly, as I said above, this is definitely a bit of a brisker pace for the flashback than the prior. 

The art this issue is by Carmine DiGiandominico and he's sort new to me.  Despite a slew of book, I only know him from the digital only covers of the end of the last Supergirl run. There is a sort of Chris Sprouse energy to his work. I love Rafa Sandoval but DiGiandomenico is a decent fill-in. Sandoval is on the cover which displays something which doesn't appear in the story. 

So with the brisk Smallville chapter done and the true villain revealed at the end, I think we can call this the 'opening arc' and that it is officially closed. Looking forward to what comes next.

On to the book.

Review: Absolute Superman #5

Absolute Superman #5 came out this last week and it felt like the closing of a first sort of arc. We end on a cliffhanger of a sort for sure. But it feels Krypton is finally behind us.

Writer Jason Aaron has been doing a ton of world building in this series so far. We have had issues focusing on Lois Lane and Krypton and Jor-El and Lara. In some ways it means that Superman has been in the background. We have seen young Kal and heard his thoughts. But grown-up Superman? We know him more from his deeds than his words. 

This issue is similar in approach. We see current day Superman reacting to the death of the villagers last issue, now trying to track down the Christopher Smith Peacemaker. And there is a lot of action for sure.

But the meat of the issue is the flashbacks to Krypton leading us up to its destruction ... finally! Aaron uses Krypton as a cautionary tale for Earth, for sure. There is literal battles between the haves and have-nots. There is the damage to the environment that leads to the planetary explosion. It nears ham-fisted in its telling but doesn't go over the line. And while Krypton is gone, Kryptonians are not. Hmmm ...

The art remains spectacular. Rafa Sandoval is hitting it out of the park here. This is a global destruction issue with earthquakes, spaceships, and civil unrest. It is filled with an angry Superman battering his way through troops. Sandoval makes the whole thing beautifully flow.

We are still world building for sure. On to the book.