Review: Future State Legion Of Super-Heroes #2

Future State Legion of Super-Heroes #2 came out this week and I feel like Brian Michael Bendis and Riley Rossmo hit this one out of the park. It must be hard to fully flesh out a completely new timeline in just two issues. But you get the sense that Bendis knew where these characters were heading and with dialogue and plot twists, you can sort of fill in the gaps. (As a fan of 5YL, I am used to mentally filling in time gaps with the Legion.)

As I have said with the 'regular' Legion book, Bendis is walking the tightrope of bringing back classic themes and characterization from the prior runs while making this new and fresh. So last issue, when Element Lad was revealed as the big bad, I thought this was a nod to the Abnett/Lanning run. Of course, there was one more twist and a doozy making this very original.

Rossmo's art is unique and quirky but somehow fits this odd 'possible' timeline. Dystopic, frenzied, action-packed. In particular, Rossmo gives us several splash like pages where we see the same character in multiple action shots, showing how it unfolds in the environment. Gorgeous.

Okay. Now while I liked this story, I do hope that the main title does not pick up where this left off and instead continues that timeline. We haven't learned enough about that team to jump forward.

On to the book.

Review: Future State Legion Of Super-Heroes #1

Remember when DC completely rebooted the universe in the New 52? 

It's sort of a trick question. You might recall that the Batman books and the Green Lantern books, which were selling like hotcakes at the time, didn't reboot at all and just chugged along.

Or maybe you remember the 'One Year Later' jump forward in time with Infinite Crisis where all books jumped forward a year in their timeline, keeping the foundation of the books intact but giving us some plot mysteries.

I was reminded of those a little when I read Future State Legion of Super-Heroes #1. Writer Brian Michael Bendis is guiding the main Legion book. And this Future State book takes place on that timeline somewhere. As he has said, it might be a year, a week, 5 years in the future from Legion of Super-Heroes #12 which we just read. So this is our current Legion, living in the current universe and timeline, just nudged forward. As a result, I felt this book had a bit more skin in the game than the other 'possible futures'. In my mind, this is simply the next issue in the current volume.

And, as he has been doing in the current book, Bendis sort of picks through all the Legion histories, finds the good bits, and adds it to his plot soup. Whether intentional or not, this book had some undertones of the 5YL Legion book as well as the Abnett/Lanning Legion Lost book. That completely works.

Add to that the wild and innovative art of the Riley Rossmo and this is a very solid book. Rossmo brings a style that is wild and stylized but gritty enough to fit this sort of more dystopian future. I once described Frank Robbin's art on Marvel's The Invaders as 'beautiful ugly'. I think that works here too.

On to the book!

February 2021 Solicits

February's DC Solicits were released last week. While there is a glut of Future State books, the second of this two month experiment, there are a few other books out there worth peeking at. But this is a Supergirl blog so here is a link to those books:https://www.gamesradar.com/dc-future-state-superman-family-february-2021-solicitations-and-covers-revealed/ 

Now I don't think I am going much of this side trip to future worlds. In fact I am way more interested in seeing March's solicits. That will be the new norm for DC after the recent layoffs. And looking at the Future State books I do worry that these are books that have agendas. It takes something special to make books with an agenda be story-driven and not agenda-driven.

But here we go.

FUTURE STATE: KARA ZOR-EL, SUPERWOMAN #2

written by MARGUERITE BENNETT

art by MARGUERITE SAUVAGE

cover by PAULINA GANUCHEAU

card stock variant cover by ALEX GARNER

The moon colony built around Superwoman's Fortress of Solitude is under siege! Shape-shifting aliens have come to this place of peace in search of Lynari, a refugee from their homeworld. It's a bad move on the part of these intergalactic bad guys: if Kara Zor-El offers you sanctuary, there's no way she's going to let anyone get their monstrous hands on you. Let's just hope this gamble is worth it, because Lynari's secret—the one that got her in trouble in the first place—could mean bad news for everybody!

So perhaps this is an agenda book about refugees, undocumented aliens, and the need to welcome people running to freedom from oppression.

The question for me is 'will this be a Supergirl story'? Or is this a story about refugees and undocumented people?

We shall see.

Review: Adventures of Superman #1

Adventures of Superman #1 came out last week, at least in print form, and simply floored me with how fantastic it was. A digital first book, then put into print form, Adventures allows great talent to write a Superman story unlinked to the current continuity and this book brings together three great creative teams. I know this is a late review for all those who got this digitally. But this book needs to be reviewed and revered.

This book also showcases a much more classic Superman, looking to help, trying to figure things out before punching, and wearing red trunks on the outside! I find it interesting that none of these first three stories has Superman in his New 52 costume. I also found it interesting that this felt like my Superman, read like the Superman stories I want to read. It has been a while since I felt like that. It was stories like this that made me a Superman fan to begin with.

I was simply blown away by this book, completely entertained and thrilled that Superman still exists out there in stories like this.

'Violent Minds' is the first story, written by Jeff Parker and drawn by Chris Samnee, both creators currently working for Marvel.  In it, an addled young man named Leon is ripping apart a Metropolis city block. It is clear that he is under the influence of some sort of drug which has either unmasked or given him telekinetic powers. Angry, paranoid, and powerful, he is confronted by Superman.

How great is that first panel? After rescuing people and minimizing the destruction, he approaches Leon hands up, recognizing his pain, and offering to get him to medical assistance. Superman is here to help. He doesn't throw the first punch. He tries to talk Leon down.

After further damage, including a fireball from a burst gas line, Leon's mind simply burns out and he dies, leaving Superman with a lot of questions and a lot of rubble to sift through.

And then we get a great denouement. It was a Luthor designed drug which unleashed Leon, a repeat experiment as Lex tries to figure out a way to destroy Superman through others. For me the most chilling panel is the second one. Look at the small smile on Luthor's face as he talks about the information gained and the scientific method. There is no feeling at all for the death of Leon or the damage to the city. That is one evil man.

Just a great story filled with action and ethics! And Samnee draws a spectacular Superman!

The next story is named 'Fortress' and is written and drawn by Jeff Lemire.

In the story, two young boys pretend play to be Superman and just about every Superman villain you can think of. From a 'classic' silver robot Brainiac to Bizarro to Luthor, General Zod, Mt Mxyzptlk, and then back to Bizarro, the two imagine Superman saving the day.

Lemire does a great job shifting back and forth between the kids and the Superman play. I like how the imagination panels have the straight edges while 'reality' is crooked. I had to laugh a bit at the over-the-top dramatics and frank assessments of the villains by the boys.

The story ends on a sentimental note. The boys walk home and discuss how Superman never loses.

And then we see Superman, sitting on a water tower. He was listening to the boys' play seems pretty content about their play.

I thought that the boys' play showed that it is pretty easy to 'get' Superman. Even these kids understand him. This was a sweet and satisfying story.

The last story 'Bizarro's Worst Day' was written by current Superboy scribe Justin Jordan and drawn by Riley Rossmo. Of course, we know that Bizarro's worst day means it is his best day. And, as I did in Superboy #20, I love the lilt of humor that Jordan puts into the story.

Jordan portrays Bizarro as a confused being, not malevolent, but endangering people with his distorted viewpoints. And when Superman tries to talk sense into Bizarro, the two end up fighting.

Of course Superman can't talk sense into Bizarro! He needs to talk nonsense into Bizarro! Even I had a hard time comprehending what Superman is saying here. Superman will help/hurt Bizarro to help/hurt people. And Bizarro would love/hate that. Accckkk!

And again, in a sort of classic way, Superman turns a problem into a solution. He somehow convinces Bizarro to fly around a planet for NASA, photographing and cataloging the planet's surface. And, as a bonus, it will keep Bizarro away form Earth for years.

I loved the backwards dialogue and chuckled that even a super-brain like Superman's seemed to struggle with what to say. And, again, it showed some ingenuity on Superman's part to try to minimize the violence and help people.

Rossmo's art was great hear, showing a sort of broad jawed Superman which felt classic in a early Silver Age sort of way.

Three great Superman stories for just under four bucks. My sort of Superman. Unbelievable!

So if you struggle with the characterization of the current New 52 Superman ... if you are looking for a straightforward interpretation of Superman ... if you want to see Superman handled by great and unexpected talent, this is the book for you.

I can't tell you how happy this book made me.

Overall grade: A+