Review: Superman #27

Superman #27 came out this week and it felt a little bit like a whirlwind as a lot of plots and subplots were wrapped up in the span of this one issue's pages. Perhaps some upcoming mega-event required writer Josh Williamson to clear the decks. But consider them cleared. I will say up front I was happy to see some of these subplots wrapped up. Others? Not so much.

From the beginning of this title, Joshua Williamson has been firing on all cylinders. The whole book was built on the Lex/Superman relationship as we try to figure out if Lex is evil and doing a long con or actually turned a new leaf. He introduced Pharm and Graft as villains with a long history in Metropolis. He introduced Marilyn Moonlight, a hero that has always been in Metropolis (but somehow has never been seen before). Add in Perry being Mayor, Lois being editor/Superwoman, Jimmy dating Siobhan, Red K rage, and other stuff and these two years have really been fun and entertaining.

After this issue, it looks much of these are either wrapped up, put on ice, or entering a new phase. But this really felt like an ending of sorts. So much of an ending that I immediately went to see if Williamson is still on the book next month.

The art is by the trio of Eddy Barrows, Sean Izaaske, and Eber Ferreira. There is some decent action in the book and Barrows is always a treat. 

On to the book.

Review: Superman #25

The extra-sized Superman #25 came out this week and was a pretty rollicking issue that pushed forward one of the biggest storylines of this comic. The Lex/Superman dynamic has been the foundation of this book since its inception.

 Is Lex an ally? Is he an enemy, a wolf in sheep's clothing? Is this new amnestic Lex truly and ally? Or is the whole thing a ruse? Writer Joshua Williamson let's us peek behind the curtain, bringing us back to the earliest moments of this run and letting us hear Lex say his plans. But the amnesia from Brainiac must have been an unanticipated event, changing things. (I do wonder if Williamson had this all mapped out, including that turn, when the book was initiated.)

But this is a stuffed issue. So we get to see Mercy continue her heel-turn. We see Marilyn Moonlight for the first time in a while. We get to see more of the Red-K poisoning. And substantial movement in the Superwoman arc. And we get the introduction of a villain with a name that I can't believe hasn't been used before. Kudos to Williamson!

The art is done by a trio of superstars - Jamal Campbell, Dan Mora, and Eddy Barrows. It was good to see Campbell back on the book, especially since his pages are the flashback to the beginning of the book, the arc he drew. Gave it some artistic weight. Barrows and Mora finish the book with some flair, including the use of 2 page splashes and oversized panels. Mora also gives us this wraparound cover. 

I know it is going to sound insane but that jacketed Supergirl look has really grown on me. I wonder how much of that is Mora and how much is the look.

On to the book.

Review: Superman #10

Superman #10 came out last week, a sort of 'done in one' chapter in the Dr. Pharm and Mr. Graft vs Luthor storyline. I have been enjoying this title a lot and this chapter is really fantastic. The overall plot in the present in nudged forward. We get a 'Superman in the Old West' story complete with a Bronze Age villain in the perfect environment. And we get the story and art that perfectly complement each other. 

Writer Joshua Williamson is having a ball here. He has Superman square off against Terra Man in the Old West. His Superman is spot on, including a set of morals and some sly strategy. We learn a more about Marilyn Moonlight, Pharm, and Graft. We get a solid cliffhanger. And best of all there is a sense of Bronze Age fun here too. 

Bruno Redondo is on art here and brings such a bright clean style to the whole book that the whole thing just shimmers in my hands. I love the Western stuff in particular. And how could I resist this Lee Bermejo cover. You know this is going to be a hoot just based on this.

On to the book.

Review: Superman #9

Superman #9 came out this week, a truly entertaining comic that I loved. Writer Joshua Williamson basically put the creative foot down on the gas pedal in this issue, rocketing us through a series of scenes that pushed the main plot forward while hinting at a number of subplots bubbling under the surface.

In some ways, this felt like a very classic comic book. I grew up in a time when there were often A, B, and C plots in titles. There was no decompression. There were mysteries and intrigue. There were emotions and consequences. There were guest stars. Things were fun. And it is all here. Plus, there is a tremendous cliffhanger.

Despite all the subplots that are touched on here, the main plot of Pharm and Graft trying to get their revenge on Lex Luthor takes a turn here. I have started to warm up to the new partnership between Lex and Superman as shown in this book. I don't know about Pharm and Graft yet though. They seem a bit too flat right now. Thankfully, Williamson hints at some things here which add some interesting wrinkles to the villains.

Jamal Campbell gets another issue off. Instead, Bruno Redondo, who has been killing it on Nightwing, fills in here and definitely continues to shine. There is a polish to the book which is appreciated. In particular, the Lois scenes are nicely rendered with emotion. I also found the page layouts suited the action well, adding to the story. Colorist Adriano Lucas does great work here, especially in the Marilyn Moonlight scenes.

As I say often, I wanted the next issue to be in my hand right after I read this one which is always a great sign. On to the book.

Review: Superman Annual 2023

Wow.

Superman Annual 2023 came out this week and was phenomenal. I really feel like we are riding a wave of superb Superman stories and this annual was a near perfect reflection of that. In writer Joshua Williamson (and Phillip Kennedy Johnson) I feel we have someone who understands the character, respects Superman's history, and wants to move forward with fresh new stories. 

This Annual isn't really a Superman story. He is on the periphery of this story. Instead we deep dive into Superman's supporting cast, both allies and villains. There is a page that was an emotional gut punch for me. And we end on perhaps the most delicious cliffhanger I have read in a while. There are a couple of new faces to boot, adding new spice to the delicious mix.

We have callbacks to the modern era and Cat Grant. We have callbacks to the Bendis era (I feel I am a bit of a Bendis apologist here). For someone like me, this shows respect for those that came before. 

Add to that a heady mix of excellent artists and you have a winner. Jack Herbert brings his fine-lined detail here. Edwin Galmon has a sort of water color panache. Caitlin Yarsky brings a solid look to Mercy Graves. Max Raynor is ... well .. Max Raynor, bringing energy and polish. And old Supergirl friend Mahmud Asrar is here. I do wish that the book was separated into chapters with each artist getting the credit they deserve. Or give us old school page numbers and list which artist was on which pages. They deserve people to know.

I outright loved this book. It was joyous and raucous and sad between the covers. Brilliant.

On to the details.

Review: Superman #2

Superman #2, the second issue of the Joshua Williamson run on the character, came out this week and continued to dazzle.

Williamson is at the beginning of his world building. So we have an active confrontation with the modified Parasite. But we get a look at the people behind the modifications, just a glimpse, continuing the mystery. We get more of the Lex trying to 'improve' Superman from behind bars, another evolving relationship and plot. And we get the introduction of Marilyn Moonlight, who seems to have mystical powers, time travel capabilities, and a killer look. The book reads quick but is packed with info and scene. But there is still a lot for us to learn here. Williamson is simmering all these plots. The book ends with a great cliffhanger. So storywise, I think this is solid.

Jamal Campbell's art is an incredible array of smooth, crisp art. His art plays out very cinematically. There really is a dynamic nature to the work. A feeling of action. But it is clean and beautiful. This is definitely one of those books that I pause over each page to drink it in a little longer.

So it is so far, so good for this new book which seems to have broken out of the gate and is off and running. 

On to the book.