Review: Superman #20

Superman #20 came out last week and was a crackling issue. This one sizzles. Kudos to all involved.

I guess you don't need to read the rest of the review because you know what I think. But there is a lot of goodness in this issue. A LOT of goodness. So please keep reading.

I have really enjoyed Joshua Williamson's run on this book. But he is firing on all cylinders here. I will start with the obvious. He has made Doomsday interesting. The reveal last issue that Doomsday is intelligent and the Time Trapper makes perfect sense. We see both that future Doomsday and the current mindless marauder in this issue. But there is a lot of ideas built on top of even that great idea. What does the Time Trapper Doomsday really want? What about all the hints about the future he drops? Real seeds for upcoming arcs? 

And what about Superman's Red Energy? Superwoman? What about Doomsday's origins and how that is going to impact things based on a killer cliffhanger? What about amnestic Lex doing good? 

There is a lot of great plot happening here but it is wrapped in solid super-hero action. Brilliant.

Not to be forgotten is Dan Mora being on the book. Mora is my favorite current comic artist. He dazzled on World's Finest. So to see his take on the skinny Time Trapper Doomsday, the current hulking Doomsday, Superwoman, even Superman in the total Liefeld-90s Superman/Doomsday Hunter/Prey mini-series makes my eyes smile. Incredible work throughout, no surprise. Slap a gorgeous Dan Panosian variant cover of Lois and you have a treasure trove of visual sizzle.

I wanted to read the next part when I finished this book. 

On to the details. 

Review: Action Comics #1077 Superman Story

Action Comics #1077 came out last week, another weekly chapter by Mark Waid, Clayton Henry, and Michael Shelfer. The side-trip to Krypton is over so we are back in the Phantom Zone trying to stop Aethyr from torturing the Kryptonians stranded there. 

I have been very pleased with this story so far. Waid is doing his usual polish on a number of people and events in classic DC history, bringing them into the modern age. Jor-El didn't want to use the Zone for a prison and perhaps was a bit daffier than his usual stolid depiction. Zor-El is climate denier and a hot head. Aethyr is a powerful being trying to do good in the worst way. Mon-El has had to do some dark deeds to maintain some sanity.  Somehow these small changes have all worked, although some of them have worked for me more than others. (Poor Zor-El!)

But we are heading to the end of this story so we need to push the plot forward and back on Earth. The events that seemingly get us there are a bit fast and sort of out of the blue. But there are still two more chapters in the arc so maybe more is yet to come.

The side plot of Kenan and Conner also comes to an abrupt conclusion after being a fun diversion all along. Still solid stuff there as well.

The art remains very good throughout with Clayton Henry on the main story and Michael Shelfer on the subplot. I swear Clayton Henry was aping Gene Colan on some Aethyr shots. On to the book.

Review: Action Comics #1077 - Supergirl Story

Action Comics #1077 came out last week, the eighth weekly issue during this Mark Waid run.

That also means it is the eighth entry in Mariko Tamaki's Supergirl story which has plodded along in the most dull way. I feel like my reviews have been repetitive. Nothing happens; Supergirl seems ineffective. But wait ... something happens this time.

In fact, something potentially interesting happens this time. I am not saying this is a good chapter. But at least there is some progression. And after 7 chapters of nothing happening, I am nearly giddy that at least we got something.

The prisoner gives us some background on who she is. 

Also, Tamaki brings in Tom King's Supergirl Woman of Tomorrow. Is she praising it? Retconning it? I think I know what it happening but I am hoping you all will tell me what you think as well.

Now Supergirl still does nothing in this chapter. This is the prisoner's story, not Kara's. 

Meghan Hetrick is back on art and brings an open style to things. 

On to the details.

Review: My Adventures Of Superman #6

One of the things that happens when there is a sudden glut of books to review (weekly Action Comics with 2 reviews a week for example) is that inevitably something will get forgotten or pushed back.

Sorry My Adventures of Superman #6. 

The book came out a while ago and was the final chapter of the six part mini-series which bridged seasons 1 and 2 of the television show.

Writer Josie Campbell, a creative on the show, maintained the tap dance nature of the show being all things at once and somehow being cohesive. Wholesome? Yes. Action forward? Yes. Progressive? Yes. Funny and charming? Yes. 

It isn't easy to juggle so many significantly different feels but somehow Campbell does it. And here, she has the ending line up nicely with the 'upcoming' story of Season 2. Superman and the team has to help Amazo understand that each individual gets to determine who they are. Here it is Amazo coming to understand that they are more than a mechanized weapon; they are a being with choice. In season 2, they have to convince a brain-washed and traumatized Kara the same. It resonates.

Artist Pablo Collar continues to bring that anime-style to the proceedings. Here, the finale feels like a big robo show with a mecha trying to stop a doomsday device. The battle is wild and writ large and looks great. But, much like a good anime, there are the quiet family moments that also need to shine.

I don't know how this sold. I wonder if another mini will come out to bridge season 2 and the upcoming season 3. I hope so because giving us a peek at a Kara acclimating to Earth would be great. On to the book. 

Review: Batman/Superman World's Finest #33

Batman/Superman World's Finest #33 came out last week, the finale to the Eclipso story arc which has been a tidy three issues. That length is unusual for this title (typically 5 issue arcs with a done-in-one every 6 issues) and comics in general these days which are either trade length mega-stories or just ongoing narratives.

I do wonder if this story is three issues because writer Mark Waid really wasn't sure what he wanted to do here. For sure, this has been the least cohesive story on this title which I have routinely said is the best on the rack. But there is a lot going on here and much of it not really fleshed out. There are some plot elements that happen almost magically making me thing Waid knew what he wanted to have happen but wasn't sure how to get there. There is Eclipso and the oddly possessed Bruce Gordon trying to rule the world by controlling satellites. There are heroes quickly possessed by Eclipo's evil and then just as easily shaken from the possession. There is a subplot of the JSA and the JLA trying to figure out how they relate to each other. There is a fantastical rescue early in this issue and a fantastical conclusion at the end. I don't know ... it is sort of blurry.

Could Waid be overworked? He has this book, the upcoming JLU, Batman/Robin year one, and any other titles he is on. 

Artist Adrian Gutierrez is again on art but even his work, in places seems less polished than prior issues. Still solid but it did make me miss Dan Mora a little. 

That said, the story is over. 

On to details. 

Review: Action Comics #1076 Superman Story

Action Comics #1076 came out last week and Mark Waid and Clayton Henry continue to weave an interesting story, rewriting the continuity around the Phantom Zone and its Kryptonian origins.

Waid has been clicking on all cylinders with this story, giving us a new look at Mon-El, Aethyr, and Jor-El. But these new looks are more like updated takes on classic continuity. Mon-El is back to a Daxamite Clark met as a kid. But his time in the Zone has made him tougher. Jor-El discovered the Phantom Zone but didn't want it to be used as a prison recognizing how maddening it would be.

In this issue, we see Clark on Krypton trying his best to not upend the timestream by revealing to people their future. But he also needs to get his solar gauntlets charged to get back home. I like how Waid has Clark on the razor's edge of not leaking too much info.

Sadly, I was hoping that Waid my do a redemption take on Zor-El. Poor Zor was morally gray in the New 52 and then turned into the Cyborg Superman in Rebirth. In Venditti's World of Krypton, he was an obsessed neurotic, desperate to save Kara. Could Waid just bring him back to another caring father and scientific genius? We'll see.

Clayton Henry continues to bring this smooth look to the proceedings. I like the Krypton sequences. Michael Shelfer continues to bring some levity and action to the side plot.

On to the book!

Review: Action Comics #1076 Supergirl Story

Action Comics #1076 came out this week. This included the seventh part in the Mariko Tamaki Supergirl story.

And once again I have to say I am frustrated. Because once again, the story goes nowhere in this chapter. It once again makes little sense. It once again has Supergirl doing pretty much nothing. And it is horribly padded with 5 of the 10 pages being splashes or near splashes that don't warrant that much story space.

We are 70% done with this story. Think about that. And even Supergirl doesn't know what her mission is or how this prisoner is. 

I can't rail against Tamaki any more. I have to accept that this is her writing style: slow, plodding, confusing, and worst of all boring. Now maybe this will wrap up in some amazing way. But knowing what I know of prior Tamaki works I doubt it.

The person I really blame is editor Brittany Holzherr. Someone should have recognized the mess this story is. It is a shame. Because it doesn't shine a light on how great a character Supergirl is.

Of note, Skye Patridge is not on art for this chapter, replaced by Meghan Hetrick. The two artists are close enough in style to have the feel of the story remain consistent. 

On to the story, what there is of it.