Wednesday, April 15, 2026

Review: Action Comics #1097


Action Comics #1097 came out last week and was another fun chapter in this ongoing Superboy run in which Mark Waid explores the earliest days of Clark's super-heroics.

This is a fun chapter as three time-tossed heroes from the present find themselves in the past, meeting a very young Superboy and navigating the troubled waters of time-travelers and a delicate timeline. That happens from both sides of the equation. Mary Marvel, Booster Gold, and Martian Manhunter are trying not to relay too much to Clark. And Clark and the Kents are trying not to ask too many questions. It is that tightrope everyone is walking that is the strongest part of the issue for me, even more than the battle with Epoch, the Lord Of Time. I love this Martha and Jonathan because frankly, given my age, I think I relate to them. 

There are even some philosophoical and emotional moments involving Booster Gold that made me think for a while. I don't usually think of Booster spurring on deep thoughts but that is the magic of Mark Waid. 

Skylar Patridge is back on art and continues to shine here. Patridge has always excelled in showing us the quiet moments. But here, her action pages really sing.

On to the book.

Monday, April 13, 2026

Review: Supergirl #12 (v8)


Supergirl #12 came out last week and continued the Hero of Kandor storyline. I struggled when I read Supergirl #11, an issue in which Supergirl seemed completely outmatched and easily tricked, beaten to a pulp in her own book. Writer/artist Sophie Campbell rebounds tremendously with this issue, pushing the story along, showcasing things I love about Supergirl, and most importantly tackling issues in a nuanced and fair way. Throw in some hardcore action and you have a winning issue, perhaps the strongest in the run yet.

Remember, Supergirl has discovered that a genetic anomaly is keeping Kandorians shrunk and trapped in the city. Surely the Science Council knew about this and didn't act. Maybe they even initiated it. Upset about the whole thing, the Black Flame has organized the youth of Kandor in a rebellion, but she seems just as interested in destruction as she is in solving the problem of the anomaly. The city is being destroyed and the Black Flame is laughing in the wreckage.

And there is Supergirl recognizing that both sides are right and wrong. The Council shouldn't be trapping people in the city and should have helped fix the issue. The Black Flame is right to want freedom but not death and destruction. It is up to Kara to try and mend the rift, not happy with either side.

In our real world we have polarized politics and hate on both sides. We have protests that can grow destructive and entrenched power wanting to maintain control. And when things get extreme on both sides it isn't good for the folks in the middle.

Seeing Kara talk about trying to live in the shadow of someone big, trying to meet impossible expectations, being angry at the Council but willing to risk her life to protect them ...well ... that is everything I love about Supergirl.

The art in the book is incredible. Most of the book is a political debate so we have lots of close-ups and conversational art. But there are tricks Campbell uses to push the narrative visually. The fight at the end is brutal and even here we see some visual clues. But I also need to praise Tamra Bonvillain for bringing a dayglo quality to the fight, making it feel insane.

On to the book.

Friday, April 10, 2026

Review: Adventures Of Superman Book Of El #7


Adventures of Superman Book of El #7 came out this week, turning the corner to the back half of this sweeping mythological story. As I have said in prior reviews, I feel that this series is huge in scope, steeped in a mythology I don't fully grasp, and so I have felt a bit lost.

This issue only skirted all the dense mythology and focused really on one side adventure, Otho trying to save Superman by outracing the Black Racer. Yes, there are elements of the mythic setting in this tale, details you need to just take as comic book science/religion. As a result, I understood the stakes and characters' motivations here more than usual. Understandably, this was my favorite issue of the mini so far.

Maybe because I liked the story so much, I thought Scotty Godlewski's art was strongest here. The space action is pretty slick. And his style seems to be veering a little to anime-esque which works here.
This issue is really Otho-centric but the cover is Osul, trapped behind the S-symbol of the Red King Pyrrhos, estranged son of El. Nice cover for sure. But the Pyrrhos S-shield is sort of different. Some elements feel like political symbols of hammer/sickle. But also maybe a snake wriggling through the classic S? It reminded me of Gene Ha's Corporate Superman symbol.

On to the book!

Wednesday, April 8, 2026

Review: Absolute Superman #18

Absolute Superman #18 came out this week and was another whirlwind of an issue, pushing the old Al Ghul plot forward while introducing not one but two new Absolute characters.

After the wonderfully paced first arc which lasted 14 issues, establishing the world and informing us about Clark, Jason Aaron has really sped things up over the last three months. A battle with Hawkman. A new Parasite. Jimmy and Lois settling into civilian roles. Talia trying to rescue her father.

In this issue, Talia gets to her father and is trying to bring him back to world prominence. At the same time. Lois is ready to get some old school revenge on the Al Ghul's for killing her father. Superman is trying to stop Lois from becoming a murderer. And then ... they show up. 

I am quite impressed with how fully formed all these characters feel. I think I 'know' Kal and Lois and Talia. I truly think that simmering first arc really gave Aaron a defined world to now write fully.

Rafa Sandoval is back on the art and continues to shine. I like his version of Clark on the farm. I like the design of the two new Absolute characters in the book. And, as always, the action is energetic and palpable. 

I continue to be impressed with this book. Kudos to all involved.

Monday, April 6, 2026

Review: Batman/Superman World's Finest #50


Batman/Superman World's Finest #50 came out this week, an oversized special celebration. Since this title hit the stands, it has been one best books on the racks month in, month out. Writer Mark Waid has been here throughout. As I have said time and time again, Waid has a perfect understanding of these characters and is able to walk the tightrope between classic and modern.

Waid crafts two stories for this issue. The first is a pretty fun team-up of our title characters. One of the things that people have asked in the past is how Superman and Batman could be friends when they methods are so different. In the first issue, Waid plays up the differences to a hundred, a level that has been in continuity in the past but no longer. It is fun to see Waid have them arguing with each other. 

But it is the second story that is the big win here. We go to the back-up World's Finest teams, Supergirl/Batgirl and Jimmy Olsen/Robin pairs in an old-fashioned contest to see which team is better. Waid has made the Kara/Dick relationship crackle in this else-when book. We have seen Jimmy team up with Babs here as well. So fun seeing them mix and match here, first racing each other then teaming up. This is a super-fun story.

Throw in some deep DC cuts in both and you have a win.

The first story is drawn by the masterful Dan Mora who gets to stretch his Ditko muscles in a crazy dream world. Whether it is insane action or crazy page layouts, Mora understood the mission. Regular title artist Adrian Gutierrez draws the second story and shines with his usual sound effect flourishes. Yes, I like his Supergirl, always a bonus.

On to the fun!

Friday, April 3, 2026

Review: Superman/Spider-Man #1 Back-Up Stories


I reviewed the main story in the DC released Superman/Spider-Man crossover here. But just as satisfying were the back-up features teaming up members of the Super-family with the Spider-verse. 

I liked all of them, some more than others.  But they all were entertaining and that isn't something I can say about many of the anthologies DC puts out. And obviously on a project this massive, DC brings in the big guns. This isn't some lesser known creators that DC is letting dip their toes in the DCU. These are veterans and superstars. 

The good thing about families as big as the Supers and the Spiders is that there are enough to give us 7 different team-ups. Impressive. 

These will be bullet reviews of these quick stories. 


We'll start with 'The World's Finest' by Tom King and Jim Lee teaming up Lois and MJ.

While Superman and Spider-Man fight off a Sentinel tracking down a surprise guest-star mutant, Lis and Mary Jane talk about life as the better halves. How many times have they hung from bridges, met other-dimensional versions of themselves, and even died.

As someone who thinks Peter should have ended up with Gwen, I like that MJ talks about how Spidey has a thing about bridges.

Wednesday, April 1, 2026

Supergirl Trailer #2

The second trailer for Supergirl the movie dropped on Tuesday and I have to admit that I am feeling just a touch better about the whole thing. Yes, it is based on Tom King's Woman of Tomorrow book and that is quite evident in the trailer. But there are enough elements that are different that make me think this movie is going to end more hopeful than that book.

(To reread my thoughts on the first trailer, head here.)

I'll get to the trailer but I am going to start with the poster. 

Let's look at this. Supergirl staring right into the camera, in the classic three-point super-hero landing pose, her left hand ready to strike. And she dominates the frame. Contrast that to the first posters. 

Remember that one? Supergirl small in the frame. She's drinking. 'Look Out' instead of 'Look up'. Not exactly heroic. The next poster had the infamous 'Truth. Justice. Whatever'.

This poster really feels more like a heroic epic than those. And it is a dramatic departure from those earlier efforts which many people questioned.

I like this poster for sure. That shift away from that party-girl, 'no responsibility' non-hero is evident in the trailer. Instead this leans into the sadness side of things, with a pinch of heroism (maybe). There is clearly a tonal shift.

Anyways, watch the trailer here: https://www.youtube.com/watch?v=s1-pfiVMKAs