Sales Review: August 2014

ICv2 has posted their review of August 2014 sales over on their site.

For me, I am always trying to figure out what to do with these sales numbers, especially with books that have multiple covers. Remember, these aren't readers ... these are orders. My store seemed to order more copies of some DC books to give the choice of 'regular' or 'selfie' variant. And that seems to bear out in this list of sales. Harley Quinn #9 had a selfie variant and orders broke 71K. Harley Quinn #10, without a variant, sold 58K. My guess is the second number is more indicative of the books overall popularity.

Now this month I had a lot to mull over. Perhaps the thing that shocked me the most was that Multiversity #1only sold 90K. (I know ... saying only sold 90K in today's market is silly.)

Here is ICv2's list of the top 300 books from August: http://www.icv2.com/articles/news/29603.html

Supergirl #34 was on sale last month.

This was a Superman:Doomed crossover, although in my mind, it was barely a Doomed book.

It also was the first post-Red Daughter storyline, showcasing a new direction for Kara. In this book she seemed to embrace Earth for the first time, told emergency workers she was there to help, met Michael who taught her about being positive and making the most of life, and even added a little romance!

This was a great issue!

Now, most likely because it was a Doomed crossover, sales were pretty robust for the book.

Supergirl has a very steady sales history, always hovering between 22 and 23K. Last month it sold 22802 units.

Supergirl #34 sold 26510, up 16%.

I can only hope that some of the new people reading this for the Doomed aspect might stick around. Of course, this is nearly Tony Bedard's swan song. Will people want to stick around for a 'lame duck' creative direction.

In the end, all that matters is that more people read Supergirl last month than the month before. Hurrah!!

Now I usually take the latter have of this monthly post to look at sales of another book, one whose sales are dropping near a danger zone, a book which should be doing better.

Here I highlight two books.

First off, I will freely admit I bemoaned JH Williams leaving Batwoman. I loved his art. I don't know if I 100% loved his stories which seemed a little trippy and a little clunky. But it was eye candy. And I know the controversial backstory to his leaving.

But I have very much enjoyed Marc Andreyko and Jeremy Haun's run more than the earlier issues. The stories are much tighter. There is great action and character growth. The art is very good, suited for the material. There has been an undercurrent of horror which I believe is going to surge forward.

And here it sits at just below 17K.

And there, right above it is Elektra. In many ways it reminds me of the early issues of Batwoman. Haden Blackman is writing it (as he helped Williams co-write the Batwoman book). And the art, here by Mike Del Mundo, is simply gorgeous, a painted style which flows. It too is selling around 17K. And now it seems like Elektra has been canceled.

Hope Batwoman survives a bit longer.

Review: Supergirl #34

The timing couldn't have been worse, more ironic, more strange.

On Monday, DC released there November solicits including the reveal that there was going to be a new writing team on Supergirl.

On Wednesday, Supergirl #34 was released, the first glimpse at what Tony Bedard had in store for Supergirl. Gone is the red ring. Gone is a reliance on rage. After 33 issues of an often angry and isolated Kara, this issue turned the corner. Instead we see a heroic Supergirl, helping people, and gaining a friend ... maybe a love interest. It felt like a new beginning. Instead, it turns out to be an ending. Ironic.

Despite being labeled a Superman:Doomed crossover, this is a Supergirl story. The events spurring the story along are linked to Doomed but don't overwhelm the narrative. I am glad that DC linked the book to Doomed if only to bring in some completists who might not read the issue otherwise.

The art on the book is done by Karl Moline who brings a nice style to the issue. It is close enough to Emanuela Lupacchino to keep the feel of the book intact. It really showcases a young and fresh-faced Kara. The cover is done by Cam Stewart. I don't know what I like less - an angry Supergirl or a gloomy Supergirl. Here we see the latter, Kara in a rain-soaked, Kryptonite drenched world.

The bottom line is that I loved this issue. But it is a bittersweet experience. Frankly, I want to read more of this Supergirl, finally acting like the Kara I have loved. And just like that it is gone.

 The last issue of Supergirl had her rid herself of the ring, destroy World Killer 1, and swear to make Earth her home. Unfortunately, the Earth isn't too hospitable right now. It is swaddled in a Kryptonite cloud making it literally toxic to Kara.

Now I could comment on how strange it is that the military had a K-Bomb this powerful waiting in the wings. Given the lack of trust in Superman just about everyone has in the New 52, I'm surprised it hasn't been used before! And just how much Kryptonite did they have that they could envelop the planet??

Instead I might comment on how prior to this K-cloud, Supergirl acted like Earth was poisonous to her. Now, just she is ready to embrace the world, it truly is poisonous.

And I am old enough to like the title of The Girl Who Fell To Earth, a nice riff on the Bowie movie. Here Kara has fallen into a building in Queens NY, where a wheelchair bound boy named Michael has been trying to reach his parents in Metropolis.

Seeing Kara incapacitated, Michael realizes the Kryptonite is hurting her. He takes her into the old bomb shelter in his building's basement and covers her in lead blankets. With the Kryptonite effects blunted, Kara awakens. Bedard takes the time to give us a quick recap of Doomed, first from Kara and then from Michael.

I loved this panel. Knowing he needs to leave Earth, Superman tells Supergirl that the world needs her. Earth needs her help. It shows how much he trusts her. It shows how much he believes she can become a hero. And, for a long time Supergirl fan, it sort of harkened back to her role as an 'emergency secret weapon' for Superman, when he wanted her in reserve to protect the world if something happened to him.

Supergirl seems shocked that Michael didn't call the police or army to come scoop her up. She even is surprised that Michael isn't frightened of her.

In a great moment, Michael brings up one of my favorite moments of the New 52 Supergirl - her victory over the World Killers in Supergirl #7. He knows she saved everyone that day. And that he doesn't need to be scared of her.

The follow-up to this panel is Supergirl with a stunned expression saying that is the nicest thing anyone has ever said to her.

I applaud Bedard for incorporating the past of this book and dealing with it rather than just sweeping it all under the rug.

 We get a little back story of Michael as he talks to Supergirl. He injured his spine when he was involved in a car wreck. He actually was briefly dead until he was medically revived.  He has been in the wheelchair since then. But he didn't let that event, that pain, that loss mire him down into anger or despair. Instead he has decided to dedicate his remaining life to make the most of things.

It is, of course, a reflection of Supergirl's life. She has lost everything. She is in pain. Maybe it is time to shed all the emotional weight and instead embrace life. Maybe it is time to make the most of things.

This isn't a ground-breaking literary trick. But it works. And it is the perfect follow-up to Kara's decision to shed the ring. This was the biggest moment in the book.

 Now here is where things unfortunately get a bit fuzzy from a continuity point of view. Remember that this is a Doomed crossover. Right now Brainiac is making the people in Metropolis comatose, draining them of their energy. And Michael's parents are there now. Supergirl decides to find them.

In the Doomed main issues, Brainiac has kept everyone alive even if comatose. The cars simply stop. The planes stay aflight. In this issue, when suddenly comatose, people have crashed their cars. Planes have slammed into the ground. Subways have derailed. As a result, this seems out of synch with the rest of the story. This continuity gaffe will probably knock the book review down half a grade.

But it does give Supergirl an opportunity to show just how much she has changed. After a solar recharge, she flies to Metropolis and tells the police that she is there to help. It again smacks back to classic Superman. A simple declaration of being around to help people. It sways the police who are there.

 And Supergirl is able to help out. Some of the crashes have landed outside the 'coma zone'. And so she is able to help the rescue parties and find survivors.

It is a simple montage of panels but it is wonderful. Hoisting a crashed jet. Ripping the doors of the twisted subway. The police and fire fighters beside her.

These are classic images of what super-heroes do.

Wonderful.

And as a bonus, Kara is able to find Michael's parents alive and relatively unharmed. She flies back to tell him the good news and ... ahhhh ... l'amour.

Can I say that Supergirl falling for an 'ordinary' person, a non-super being, is also classic and wonderful. Now I might call Michael extraordinary. But if this was the romance that Bedard was going to bring to the book, I am said to see it go.

It definitely cements an embrace of the planet, to love one of its people.

We know that Brainiac eventually forces all of Earth into a suspended animation state. Kara watches helplessly as Michael and those around her succumb. It makes her look skyward where she sees the Brainiac ship and the Cyborg.

She has a history with both. But I like how Bedard makes Brainiac a historical bogeyman for Kara. It resonates with how Johns' treated them in his run. And I think that Supergirl would have a feeling of fear and anger for the collector.

And she also has some outright anger for the Cyborg given that he killed her in the Michael Alan Nelson issues.

But this Doomed cliffhanger didn't have the impact that the first part of the issue did. It is Kara, her interacting with Michael, her drive to help, that kiss ... all of that is what I loved in this issue. For the first time, in a long time, this book read like Supergirl. And that made me smile.

I can only hope that Kate Perkins and Mike Johnson don't take the character backwards in characterization. This is the Supergirl most fans of the character want to read.

Overall grade: A- (nudged up)