When Adventures of Superman:Book of El #1 was announced, I was thrilled. Phillip Kennedy Johnson was coming back to Superman! And he was bringing Scotty Godlewski back too! The band was reuniting.
Count me in, smiling all the way. On to the book.
The Action Comics 2021 Annual came out this week, a nice mix of current storylines and the Future State future peeks. Much like the Future State House of El one-shot, this was a very entertaining read by writer Phillip Kennedy Johnson with art by House of El artist Scott Godlewski and with Siya Oum providing the framework story.
I was very impressed with all that Johnson pulls off here. The framing story really builds on the current Phaelosian storyline working its way through the main Action book. This framework is from the past as we see the current teenage Thao-La back when she was more of a young child. This section gives us some backstory as well as a new mystery to unravel.
We then move well into the future as we hear another tale of the House of El. This one predates the House of El one-shot. We get some Supergirl here, learning what she did before she sulked off to the moon in her own Future State mini. These characters descended from Superman are interesting. I like seeing them fight together as a group. And I like the glimpses we get of their culture.
And on top of that, we get a nod to a mini-series from the early 80's, one of my faves and one I have not truly reviewed here on this site. So maybe that will be a little blog mini-project to start up. I am all in favor of the direction Johnson is taking us with the Phantom Zone.
As for the art, Godlewski slips us into the Future State world easily. His pages are mostly battles and he brings us into the fray expertly. I like the designs of the various Els. Siya Oum's pages are the framework and non-Phantom Zone pages. There is a more angular and slightly stylized look to these pages but there are solid moments there as well.
If I have one quibble, it is that many pages are devoted to the Els fighting there way to the center of the Phantom Zone. I think that part could have been told in about half the pages, making this more like a regular issue. No complaints about the art in those sequences. Beautiful.
On to the particulars.
Last week, I reviewed Action Comics #1032, written by Phillip Kennedy Johnson. I raved about it.
Superman #32 was also released last week, also written by Phillip Kennedy Johnson. And while this was a fine issue, it wasn't as mind-blowing as Action. This story just comes to a sudden sort of ending with a couple of bizarre twists that had me stroking my chin.
Prior Johnson stories have focused in on the father/son relationship of Clark and Jon. There is this known turn coming up where Jon takes up the mantle of Superman and takes over. It seems that the purpose of this Shadowbreed story is to once again showcase that relationship but now with Clark realizing his son is not a child anymore and a worthy successor. It also brings in the relationship of the Qarath family and how Thrakkamites have a different parent/child relationship as well. A contrast will always make the focus that much brighter.
But the story built on that premise is a bit muddy. I don't know exactly what the Shadowbreed is. I don't quite understand the aftermath of their defeat. I don't know why Qarath O Bakkis waits as long as he does to make his play in this tale. I don't know how Superman survives this encounter.
That's a lot of 'I don't knows' to roll with.
The art by Scott Godlewski is quite good. He has a good handle on Jon, portraying him as a youth nicely. The action sequences are well paced and drawn. And these aliens look ... well ... alien.
On to the story.
Superman #31 came out last week, the next chapter in the Shadowbreed storyline by Phillip Kennedy Johnson and Scott Godlewski.
The overarching theme of father/son relationships has been heavy in Johnson's plots from the beginning. We have seen Superman's love for Jon, watching him try to hold on to his young son while letting him grow up. And we have seen Jon's love for Superman, coming to terms with the realization of his father's mortality. But the relationship is one of love and mutual respect. It is one of support and caring.
This issue we see the other side of the coin, what comes out of a father/son relationship gone wrong and the toxic outcome of such a thing.
There is also the plot of the Shadowbreed. I don't exactly know what the Shadowbreed is exactly. But it seems to be a living organism that Superman is all to eager to wipe out. I don't know if there is a strict 'no killing' rule with Superman these days but this has me scratching my chin.
Scott Godlewski is on art again. He is inked on some pages by Norm Rapmund. The art is fine but the different inking styles are clear. It is jarring. But Godlewski does make this place quite alien.
On to the book.
Superman #30 came out last week, the next story in the Phillip Kennedy Johnson era on the books.
Once more, Johnson gives us a story involving Superman and Superboy, leaning into the relationship of a father has with a son. Johnson has already showed us how this is going to be a theme in his works starting with the 'Golden Age' discussion of when a child realizes their parents are vulnerable. Here it is Superman trying to hold onto the memories of good days, trying to work towards a day when every day can be perfect. As a dad of 'kids' who are now basically adults, this resonates. But if we keep heading to this emotional well, I wonder if it will start to feel trite.
The story also takes us off-world where we see that Superman is a universal legend, helping a far off planet rid itself of a planetary threat called the Shadowbreed. In some ways, this reminded me of Bronze Age stories I read as a kid where Superman was a presence seemingly everywhere with alien races recognizing the S-shield and knowing how he is a hero.
The Shadowbreed sounds like a serious threat, a sort of smaller version of a Suneater. Will this mega-threat feel a bit more long lasting than any of the others which we have seen recently? Or will seem to fade in my consciousness once the story is over like Ulysses, Rogol Zaar, Synmar Utopica? One thing that I find a bit interesting is that Superman seems to willing go along with killing Shadowbreed. That seems like a sort of misstep.
The art is done by Scott Godlewski and is vibrant. Godlewski is a rising star in my mind. He certainly conveys the alien environment and their rituals dynamically. But for me it is the quiet scenes on Earth that really sparkled.
Finally, on to the book!
When Future State and it's books were announced, I circled the Phillip Kennedy Johnson books as must haves. In the new Infinite DCU and post-Bendis, Johnson is taking up the reins of the super-books. While these stories are in a possible future, the Johnson Future State super-books would at least give me a sense of his take on the character.
Future State House Of El #1 was labeled as the continuation of the Future State Superman Worlds Of War mini-series. But we are once again flung into some future, with some time having passed since the cliffhanger of Superman WoW and left to fill in the gaps.
Now I was pretty impressed with the Worlds of War book for the take on Superman as an inspirational figure, always on the side of truth and justice. If this is where Johnson is going I'll be fine. And truthfully, this one-shot seemed to continue that feeling. We are generations removed from Superman but his family, in all their incarnations and with all their mixed lineages, all continue to espouse his ethics. In fact, even the freed peoples from Warworld, recognizing Superman's role as freedom fighter, have stuck around and fight under his crest. Their mantra is ‘Truth and Justice’. What’s not to like about that.
There are some great new characters here. Ones I hope we see at some point in the future. But it is the plot that I liked here. Superman's inspiration continues.
The art is by Scott Godlewski and is truly gorgeous. It seems to be on the outskirts of Ed McGuinness, although a much finer line. But the scope of this outer space brawl is vast. The characters are many and all dressed in different regalia. It all comes of beautifully. Give this artist a monthly!
On to the book.
The DC Comics solicits for April came out last week and I just get the sense that DC is in a sort of transition period for the Super-titles.
I have listened to interviews with Phillip Kennedy Johnson and he doesn't sound like someone who is on a long run on the Superman titles. We are coming out of Future State and it looks like some of the stories there are being touched upon now. And it seems like he is moving away from the Metropolis-centric Bendis feel to these titles.
Also, Supergirl isn't mentioned pretty much anywhere so I think Kara is on a bit of a hiatus.
For those interested, here is a link to all the solicits:
https://www.gamesradar.com/dc-april-2021-solicitations-and-covers-revealed/
On to the super-books.
Action Comics #1030
written by PHILLIP KENNEDY JOHNSON
art by DANIEL SAMPERE
backup story written by
BECKY CLOONAN and MICHAEL W. CONRAD
backup story art by MICHAEL AVON OEMING
cover by MIKEL JANÍN
card stock variant cover by JULIAN TOTINO TEDESCO
"Warworld Rising" starts here! A new chapter in Superman's life begins as the challenges of Dark Nights: Death Metal are causing Clark Kent to feel...a change in his powers. Is it possible the Metropolis Marvel could be losing a step? His struggles in taking down the creatures from the Breach would suggest as much! If he's going to continue to protect the people of Earth, he'll have to adapt—especially with threats like Mongul out there waiting to launch their biggest attacks on the Earth yet. That's right, those are Warworld battleships just outside our orbit, and they are heading straight for us!
Meanwhile, in the Midnighter backup story, the bad boy of the Authority has to figure out what Andrej Trojan is up to in the present if he ever wants to get back to Future State and swap places with the Midnighter of 2021, whom he left stranded on Warworld.
We have had Mongul show up a couple of times back in the Bendis run. When Superman was named the Earth rep for the UP, Mongul showed up. So it is interesting that we are heading back to that ground. Now I don't know anything about Death Metal. So is Superman depowering? Or changing his powers.
I am not a huge Midnighter fan but seeing the name Andrej Trojan, the implied baddie in FS Superman of Metropolis, is a nice hook. I don't know if Future State considered the future or a possible future. But I am glad some of the ideas will be played out in the current books.
February's DC Solicits were released last week. While there is a glut of Future State books, the second of this two month experiment, there are a few other books out there worth peeking at. But this is a Supergirl blog so here is a link to those books:https://www.gamesradar.com/dc-future-state-superman-family-february-2021-solicitations-and-covers-revealed/
Young Justice #20 came out this last week, the last issue of this title which I am very sad to see end, I have enjoyed almost every book under the Wonder Comic imprint but this book, to me, had the most promise. There were old school characters - Superboy, Robin, Wonder Girl, Spoiler, and Impulse. There was a reimagined Amethyst and Wonder Twins. And there were new characters - Teen Lantern, Jinny Hex, and Naomi. They each had unique personalities. There were mysteries and back stories. And most importantly there was chemistry. This book crackled.
Writer Brian Michael Bendis brought a lot of fun and snark and witty repartee to the proceedings all while dancing around the main mystery ... how did the main characters exist when the countless recent reboots seemed to erase them. I loved every issue of this series even when I wished the underlying plot would move along quicker.
And now, before we even get to answer to the mystery, the book is ending. DC is purging and cancelling in rapid fire. We have another '2 months off' event after Dark Metal finally rusts and crumbles away. And who knows what the future holds?
In the end, like many books, I have to just be thankful I got what I got and return to it when I can.
The art in this issue is by Scotty Godlewski and his style (like cover artist John Timms) is perfect for the book. I love his take on these characters.
On to this series' finale, chock full of goodness.
Sometimes life happens.
And so I am writing my review of Young Justice #19 nearly a week after it came out.
We know that Young Justice #20 is the last issue of the series and so this issue feels like writer Brian Michael Bendis shining the spotlight on Wonder Girl in an effort to tell her story while he has time. Certainly the plot that runs through this story is quick paced, almost rushed. This would have been a fine 3 issue mini-arc.
And I think it is a shame because I feel like this was a nice appetizer to Cassie picking up the 'team leader' responsibilities. But with one issue left, I don't think we'll get to see much of it.
The art is by Scott Godlewski who has grown in my mind. This is a bombastic issue filled with double page spreads and splashes and insane action with a couple of more human interactions sprinkled in. His style brings a sort of freshness to the proceedings. These are young adults who look like young adults. And John Timms cover is a great shot of Wonder Girl.
On to the book.
Young Justice #18 came out this week and was something of a rest issue for this book although taking a good look at the relationship of Spoiler and Tim Drake, a couple I like seeing together. For me, I have been a Stephanie Brown fan forever, loving her time as Batgirl written by Bryan Q. Miller. So seeing her close off part of her past and rekindle her romance with Tim is wonderful.
But this book was just announced to be canceled in the near future and with so much of 'how and why are the key members back in this universe' still unanswered, even a Drake/Spoiler issue feels like space that could have been devoted to the main storylines. Of course, this issue might have been read many months before the decision to cancel was made.
One of the bigger complaints I hear about this book is that it has seemed to meander a bit, always hinting at a bigger, universal story but never quite getting there. I am sad to see that it is being canceled before writer Brian Michael Bendis crosses the finish line. Because I have enjoyed this book. I like all these characters and how Bendis handles them. And I hope that the book ending doesn't mean this team is ending. Come on DC! Give us a special now and then.
The art is an interesting mix by Michael Avon Oeming and Scott Godlewski. Oeming pencils a fight scene at the beginning which is a flashback and brings a sort of 'Batman the Animated Series' energy to the fight with great panels showing the brawl. The remainder is drawn by series regular Scott Godlewski who grounds us more in the feel of this book and also gives us a great melee scene as well.
On to the book.