Review: Supergirl #14 (v8)

Supergirl #14 came out this week, the next chapter in Supergirl's battle with the Black Flame in Kandor during the Reign of the Superboys mini-event. For folks like me who wanted more action in the earlier in this title, writer/artist Sophie Campbell is answering the bell giving us another heavy action issue with more brutal fighting between Supergirl and Black Flame.

The violence is tempered with solid characterization here. We see Supergirl as an inspiration for others because of her heroism and tenacity. And yet, at the same time, we see Kara questioning herself, wondering her role in the El family. She is a good friend and ally hoping to help people by talking them through their problems. But she also has no time for injustice and is ready to throw down when ready.

It is this wonderful contradiction that makes me love Supergirl as a character. She is young and learning and caring and maybe a bit unsure of herself. She is also accomplished and capable and inspirational and maybe a bit fierce when necessary. Campbell, perhaps because she seems to be a fan of Supergirl's history, has been able to grasp that conundrum and showcase it.

That love by Campbell of all things Supergirl has been evident from the beginning of the book with her packing the title with nods and references to Supergirl's Silver and Bronze age history.

I didn't think she would be able to lean into the Matrix Supergirl history in this book. It starts with the cover, an homage to a Tom Grummett Matrix Supergirl pin-up in the Supergirl and Team Luthor special from way back when. 

But there is even more inside. Let's get to the book.

Wizard Superman Tribute Edition

One of my latest side quests has been scouring the shops, conventions, and warehouses I go to and see if I can find the old comic magazines that were published, especially around creators and topics that I love. I read Back Issue currently for similar reasons.

These magazines are almost time capsules of a sort. Reading creators' ideas about upcoming titles and stories and then comparing to them now that they are in the rear view mirror. In particular, Comics Interview, Comics Journal,  and Amazing Heroes are my faves as they seemed to take the material and the discussions seriously.

At the summer end's Time Capsule warehouse sale, I found a box filled with them and grabbed a few. That included this "Superman Tribute Edition" from Wizard Magazine. Now Wizard has it's critics (and I might be one of them). The book was more hype and journalism but at the time ruled the roost as THE comic book magazine on the shelves. 

But I will admit this one was solid, a magazine that kept out right before Reign of the Superman hit the racks. It was still polybagged, complete with collector card. The cover is a die-cut, chromium enhanced fold-out by Jurgens and Breeding showing the Doomsday fight. 

The table of contents shows this was a mix of historical retrospectives (both pre-Crisis and post-Byrne), a mini sort-of who's who, and a very interesting article looking vaguely at the four 'Supermen' who made up the Reign. The creators can't go into too much detail as the books hadn't been released yet, so speak a bit veiled. Very interesting hearing them talk about these characters so entrenched now.

But I'll cover the Supergirl specific stuff in the book for this site (not that there is much).

Bullet Review: New History Of The DC Universe #3

When the New History of the DC Universe was announced, I was thrilled.

Three issues in and I am confused at best and dissatisfied at worst. 

Writer Mark Waid is working with a smorgasbord of great artists on the book. This issue has art by Dan Jurgens and Doug Manhnke, which makes sense given some of the events covered here.

This issue Waid takes us from the aftermath of the Crisis of the Infinite Earths to Final Crisis. But it seems like DC has decided that everything has happened. Like, everything. 

So in essence, this becomes a bit more like a list of events rather than a historical epic. And sometimes things don't seem to make sense. 

Let's take a look at New History of the DC Universe #3 solely from Supergirl perspective. I already talked about how in History #2, Kara's age and the very presence of COIE in a non-multiverse universe was pretty confusing.

So how do we get to the current Supergirl? And what do you do with the Matrix Supergirl adventures? 

You say they happened ... 

Amazing Heroes #136 And Jerry Ordway

Earlier this month, I reviewed Amazing Heroes #136, including some interesting comments from Jerry Ordway and Mike Carlin about the (then) upcoming Supergirl Saga, the ideas around the new Supergirl character and the Pocket Universe from where she came.

I had a few questions percolating in my brain, especially knowing how that whole storyline ultimately played out, with John Byrne leaving, Matrix going mad and eventually becoming Supergirl, and the utter destruction of the the Pocket Universe.

I reached out to Jerry Ordway who was kind enough to answer most of my questions and provide his recollections on things. 

As a long time fan, the peek into the creative process is always appreciated. So I can't thank Mr. Ordway enough for sharing! Here is the brief interview.

Anj: How far did this 'Power Girl' idea go? A mention? A deep discussion? Matrix IS found in the Arctic. Was that piece of your pitch kept? Or just coincidence?

Jerry Ordway: The Power Girl idea was likely only a brief paragraph I wrote out, to pitch as a story.
My Power Girl idea became Supergirl being found in the arctic. 

Amazing Heroes #136 - Superman at 50 and 'The Supergirl Saga'

One of the holiday presents I got this year was a copy of Amazing Heroes #136, a Superman-centric issue celebrating the Man of Steel's 50th birthday. 

I am a big fan of Amazing Heroes and definitely have been looking in back issue bins for ones that cover interesting topics for me so this was a gold mine. The issue includes a section where comic professionals give brief reflections on why they love Superman. There is a 'gallery' section of Superman pics from up-and-comers including one from a some guy named Adam Hughes who is about to break on the scene.

But for me, the article I found most interesting was an interview with Superman editor Mike Carlin and Superman creator Jerry Ordway about the state of Superman in the DCU and some upcoming storylines. The biggest one on the horizon at that point? The Supergirl Saga.

Remember, we were only about 2 years into the Byrne reboot so things were still a bit fresh. The Superman line was still settling in. Hearing Carlin and Ordway's thoughts, especially knowing where things end up going, was interesting. 

But far and away, the look back at the origin of the 'Supergirl Saga', the publicity for it, and how it seemed a bit still in flux is fascinating for this Supergirl fan. 

On to the details.

Matrix Monday (On Wednesday): Jerry Ordway's Matrix Design

As a long time reader and a longtime Supergirl fan, I really enjoy peeking behind the curtain of the creative process. 

After the Crisis, we went a while without a Supergirl. And then Matrix came around, a sort of stand-in Supergirl. Matrix was the protoplasmic creation of Lex Luthor in the pocket universe, based on Lana Lang. I was a little skeptical of Matrix when she first arrived but her character journey was fantastic (one I chronicled about 4 years ago with Matrix Mondays).

I assumed that the plan was always to have Matrix become Supergirl (even though she pretended to be Clark and sort of disappeared for a while). 

But over on X/Twitter, I read this Jerry Ordway tweet and his ideas about Matrix. I figured this was Supergirl adjacent and therefore worth re-posting here. See the pic above and then his thoughts on this 'new character'. 

Back Issue Box: Guy Gardner Warrior #24

 Death Metal has happened and the DCU has been re-written. We are in a Future State. But as far as I can tell, Supergirl didn't have much to do with the victory over the Batman Who Laughs.

It got me thinking about Supergirl's place in other mega-events. Obviously, she played a huge part in Crisis on Infinite Earths. But otherwise? 

In 1994, DC rewrote the timeline again in Zero Hour. This time instead of Kara Zor-El heading into battle, it was Matrix Supergirl. And instead of a major role, this Supergirl was only seen in background shots of the main title. In fact the biggest role she had to play was in Guy Gardner #24, a Zero Hour crossover issue. And even in this, she is but one of many,

And remember, this is an odd time in Guy Gardner's history. He is a true warrior now, with Vulderian shape-shifting powers, making him a living weapon. The issue is written by Beau Smith, the main writer on the title. Art is by a smorgasbord of artists, many of whom are favorites of mine - layouts by Jackson Guice with pencils by Phil Jimenez, Howard Porter, and Mike Parobeck among those listed.

How does Matrix fare in a battle against time despot Extant? Well, let's take a quick good at the extent of her fight against Extant.

A Little Bit Of Kandor: Superman #107

I continue my brief look at Kandor stories with a look back to Superman #107 from 1995, a middle chapter in the overly long and mediocre Trial Of Superman arc.

Remember, when John Byrne took over Superman, he made him once again the Last Son of Krypton, the only survivor of the exploding planet. So Supergirl, the Phantom Zone villains, and the bottled city of Kandor all went away.

But that IP is too good to waste and so we got new, different versions of these characters. Remember, this is the time of  the Matrix Supergirl!

On to the book!

The appropriately named 'Bottled Up' was written by Dan Jurgens, with art by Ron Frenz and Joe Rubinstein.

Briefly, in the Trial of Superman, Superman is being tried by the intergalactic Tribunal for the crime of being responsible for the destruction of Krypton. Apparently, one of Kal's ancestors was somehow responsible for the people of Krypton being unable to leave the planet. So Kal, through the generations, is going to be the stand-in for his familial crime.

Team Superman, including Alpha Cneturion, bands together to head into space and rescue the Man of Steel.

So this issue starts out with a nice shot of the Super-family cruising on an asteroid, following a trail to where Superman went.

I like this group shot as the body positions tell us a bit of the characters' personalities. Love the upright Eradicator and somewhat youngish, demure Supergirl.

I like the concept of Team Superman.

Back Issue Box: Supergirl #5

 Last week I reviewed DC Superhero Girls #SuperWho, an animated short in which Supergirl (and Superman) fight Chemo.

With that in my mind, I thought I would review Supergirl #5 from the Peter David run in which, you guessed it, Supergirl fights Chemo. Although, as you'l see, it isn't so much a physical fight as an existential crisis.

One thing that David did brilliantly in this run is walk a fine line between superheroics and metaphysical. This was the Matrix Supergirl, trying to figure who she was in this new universe she was in. She had questions about herself. Was she 'alive'? Was she a creature? Was she real?

And when she merged with the sinful Linda Danvers, there were even bigger questions. What was redemption? Did she have a soul? What was she?

In the end, we find out that this merging of Matrix and Linda makes her something even more than the sum of the parts. She is an Earth Angel. But here, early in the book, we don't know that. And Supergirl herself is pretty unsure of who or what she is. She is figuring out what powers she still has. She is trying to figure out whose life she should be living. And she is still asking those deep questions. Is she truly alive?

Who would ever expect Chemo to be a mirror for her to look into?

Gary Frank and Cam Smith are on art and the book is absolutely gorgeous. This is before Frank started to draw everyone gaunt with extra cross-hatching. The art is smooth, glossy, stunning. It was this book and its look that made me a lifelong Frank fan. Just brilliant.

On to the book.

Matrix Monday: Superman #83

 Just last week I called for a hiatus to Matrix Monday.

Sorry, that was premature.

Even though I had gone right up against the beginning of Peter David's reimagination of the character, I was reminded of Superman #83, an epilogue to the Funeral For A Friend arc, and a sort of closure to the entire Reign of the Supermen storyline.

This issue came out 4 months before the beginning of Matrix's mini-series, Supergirl #1, to put this in the right context. (Had I thought about this in a more organized way, I would have done this purely chronological. I came pretty close.)

I have said before that I found Funeral For A Friend to be something of a turning point for the Matrix character. It was there that she seemed to become more independent, began to think more like a hero, and seemed determined to fill the shoes of the departed Superman.

Here, I think, we see more of that. I really want to hear what people think about a certain scene near the end.

I think Roger Stern had her take a little step backwards in that independence at the beginning of that mini-series. But I think he did that to make her eventual break away from Lex that much more impactful.

On to the book.

Matrix Monday: Showcase '95 #12

For the past couple of months I have been devoting Mondays to the Matrix Supergirl, covering her introduction to the DCU by John Byrne, to her more solid re-introduction to the universe by Roger Stern and Jackson Guice, to her mini-series, and then to her solo stories thereafter.

Today I conclude this dedicated look with Showcase '95 #12. This story follows the Dichon story which was told in Showcase '95 #1 and 2 (reviewed here last month). The next solo story after this is in Showcase '96 #8, a prelude to the Peter David Supergirl book.

So this issue sort of is the capstone for the Matrix Supergirl. Sure, she continued to flit in and out of the Superman books. But for now, I think I will put the Matrix Monday idea on hiatus.

So let's see where 1995 left this Supergirl.

Before we jump in, figured I'd showcase (pun intended) that I have had the luck of getting this issue signed by Tom Grummett (cover artist) and Phil Jimenez who did the pencils on the Matrix story inside.

Matrix Monday: Showcase '95 #2

My on again/off again Matrix Monday series returns today as I finish the Showcase '95 story written by Charles Moore with art by Stuart Immonen. In part 1,a newly sentient AI, housed in a robot body came to Earth to collect crystals in which to download his essence. Along the way, he ran into Supergirl and felt that the Matrix body would be a more suitable receptacle.

This was a story that focused mostly on the true form of Supergirl, really showcasing the purple gloppiness of the Protomatter form. In some ways, focusing on that aspect of her on the heels of her self-title mini-series felt like a step backwards. In the mini-series, Matrix seemed to grow as a person. Here I was reminded a bit too much that she is 'other'.

The art by Immonen is very good. I have always been a fan.

On to the book!

Matrix Monday: Showcase '95 #1

 Last Monday I covered the finale of the 1994 Supergirl mini-series. In the end, the Matrix Supergirl finally left Lex Luthor and found a mentor with Lex's ex-wife Elizabeth Perske.

In the immediate aftermath, Action Comics #700 came out with Lex attacking Metropolis. Oh, yeah, and then something called Zero Hour happened. Matrix was involved like everyone was in that event but did not have a big role. She receded a bit into the background.

Then 1995 rolled around and early on Supergirl was a bit more visible. In January of 1995, she was the cover star of the David Michilenie/Butch Guice  Action Comics #706 , a nice fill-in which reminded folks that she was part of the super-family.

She also was the cover star of Showcase '95 #1. The Showcase books at this time had yearly themes and 1995 was the year of Superman characters to headline the book. So this issue we get not only Supergirl but Alan Scott Sentinel and Argus. This also was a sort of try-out book for DC. Not only were more minor characters given the spotlight but newer talent were given a shot.

It is a weird convergence that she headlines two books in one month.

That is a great cover by Tom Grummett sporting a beautiful Supergirl.

And yes, I had this one signed by Tom Grummett a couple of years ago in Boston.

On to the book.

Review: Supergirl #4 (1994 miniseries)

And so Matrix Monday reaches Supergirl #4 from the 1994 mini-series, the finale. Finally, we get a Supergirl who is her own woman, free from the influence of those who wish to use her. Finally, we got a Supergirl that old-school Supergirl fans could get behind.

Of course, it was also the 90's, so we need to get there with leg bands and spikes. But that's okay.

As I have said many times in the past, The Death of Superman, Funeral for a Friend, and Reign of the Supermen were all sort of catalysts for the Matrix Supergirl character. With Superman gone, she seemed to step up. She wanted to fill his void as a hero for Metropolis. And she wasn't going to sit by when his body disappeared or when newcomers tried to claim his name.

In the aftermath of those mega-selling books, we got a Superboy book and a Steel book. At least Supergirl got this mini-series. And writer Roger Stern took all the progress we saw in the character in those earlier arcs to its logical conclusion. Supergirl was finally going to see Luthor for the manipulative villain he was and strike out on her own.

It would have been easy to make her *extreme* !!! It was the 90's after all. And we do see elements of that here. She initially is a destructive force, lashing out at Luthor, and almost (as we'll see) killing him. Thankfully, Stern back pedals a bit keeping the more innocent and optimistic side of Supergirl dominant.

The art by June Brigman and Jackson Guice is as solid as it has been in the series. But with the darker turn in plot, they employ more moody settings and shadows. It all blends nicely.

I wonder how many people go to Roger Stern at a convention with all four issues of this mini-series to get signed. I should have asked him.

In fact, I hope I do run into him again at a convention so I can ask about this story. At Terrificon, there was a line waiting behind me to meet him so I was brief in my interaction.

Matrix Monday: Supergirl #3 (1994 mini-series)

We are into the back half of the 1994 Supergirl mini-series, a story our Matrix realizes that Lex Luthor has been using and manipulating her. For two straight issues we have seen LexCorp test her physically and mentally. It is time to break free.

In Supergirl #3, Supergirl comes face to face with Luthor's ultimate goal regarding all those tests. He wants a new body. His own cloned body is dying. And he also wants an army of Supergirls to control. Writer Roger Stern does a great job of showing us how the truth slowly sinks into our innocent heroine's mind. She has been looking for love and purpose and Lex gave her both. Now she knows that was all a ruse.

Stern also does a wonderful job leaning into this Supergirl's short history in the DCU. All the major events are brought up here, showing us the highlights. Moreover, Stern shows how all of this has been building up for a couple of years. The seeds were planted, the lines laden with foreshadowing said. It shows a sort of respect for a character that could have been a joke. Kudos to Stern for treating Supergirl well.

The art here is by the usual team of June Brigman and Jackson Guice. The art this issue feels a little looser than the prior two. Some of that might come from the major action sequence which the book revolves around. This approach works for Supergirl given the mayhem and destruction happening around her.

Lastly, this does what a penultimate issue should do. We are brought to a point were we can see the climax coming up. I also feel like the story is at a place where a satisfactory ending is within the reach of one issue's pages.

And yes, I got this issue signed by Stern last year at Terrificon.

On to the story.

Matrix Monday: Action Comics #676

I have been enjoying my look back at the early days of the Matrix Supergirl these last few months. From the early appearances to The Supergirl Saga to her self-exile, it has been interesting to see just how low her character went at points only to emerge from the other side.

I am halfway through the 1994 Supergirl series and yet her I am taking a break in the middle to review the last few pages of Action Comics #676 by writer Roger Stern and the series new artist Jackson Guice. To place this issue in the timeline, this is the first issue after Panic In The Sky. I mean, check out the UPC box text. "After Panic In The Sky, Thing get back to normal in Metropolis - NOT!"

Why pump the breaks on the mini-series reviews? Well, in the review of Supergirl #1, there was a panel of Matrix meeting Lex Luthor II for the first time. I loved this Sistine Chapel like look at their meeting. And I realized, given that the Matrix/Luthor romance is a key part of that mini-series that I should look at their first meeting.

Now understand that the majority of this issue is Luthor II being introduced to Metropolis and Superman fighting the Hellgrammite. But I am not covering those pages.

Instead I am covering the last few. Here we go!

Matrix Monday: Supergirl #2 (1994 mini-series)

Supergirl #2, the second issue in the Matrix mini-series from 1994, playfully has the word Supergirls as it's trade dress, showcasing last issue's reveal that Luthor is creating a clone army of his innocent girlfriend. There are a lot of Supergirls in a lot of bubbles. If this doesn't grab your eye, not much will.

The truth is we don't see much of this part of the story in this very good issue. Instead, we have Supergirl finally realizing just how much of a toxic relationship she is in with Lex. For months she has been creating excuses for Lex for his poor behavior. She has accepted his apologies and inane rationalizations for his actions at face value, always leaning on her belief that Lex is ultimately a good man. Even hearing from trusted sources like Clark and the Kents has done little to dissuade her.

In this issue, Supergirl finally listens to herself and realizes that Lex is mistreating her. She hears others say how she is being used and abused. And maybe because she hears it not from the viewpoint of Lex being evil but from the angle that she is complicit in her own abuse does she shake away the cobwebs. It's about time.

Writer Roger Stern does a great job in these first two issues showing us just how terrible Lex is. And he does a very good job in showing us just how slowly Supergirl comes to seeing through the lies.

The art by June Brigman and Jackson Guice also is strong here. We get action sequences in the book. We get to see how graceful Supergirl can be even while fighting. And we see some quieter, more civilian moments, reminding is that she is a young woman as well.

All in all, this is a great second issue as it pushes the plot forward but in a more character-driven way.

On to the book.

Matrix Monday: Supergirl #1 (1994 mini-series)

The Matrix Monday sometimes series rolls on this month with a look at the 1994 Supergirl solo mini-series written by Roger Stern with internal art by June Brigman and Jackson Guice and covers by Kerry Gammill. Supergirl #1 had a cover date of February 1994, a busy month in the Superman Family for DC Comics. Coming off the wildly successful Death of Superman , Funeral for a Friend, and Reign of the Superman story arcs, DC decided to showcase some of the heroes who emerged from that historic arc. That month there wasn't just a Supergirl first issue. Steel #1 and Superboy #1 were also on the shelves.

During the Death/Funeral/Reign arcs, the Matrix Supergirl character took some big leaps in character growth. She started to act independently, thinking like a hero, and embracing her role in the Superman family. She even started to recognize that maybe Lex Luthor wasn't the purest of hearts. At times, in those stories, she defied him.

This mini-series marks a major turning point for the Matrix character. Finally she sees Luthor for the evil person he is. She finally breaks away from him. She starts out on her own with a new mentor. I know ... spoiler alert. But I am giving away the ending just so that you can see how profound that turnaround is given how she acts here.

The art in this is also stunning. I am used to Guice inking his own pencils. Here, his lines over Brigman have a nice synergy.

I had the luck of meeting Roger Stern at last year's Terrificon and got him to sign these issues.

On to the book.

Matrix Monday: Action Comics #678 Review

With last week being a 'no new comic to review' week, I thought I'd continue my Matrix Monday theme.  And I thought that Matrix's early stories are still important in laying down the foundation of the 'new' Supergirl who was going to stick around in the Superman books.

Action Comics #678 carries the cover blurb 'They Saved Luthor's Brain!' and is a wonderful issue in setting up major changes for the landscape of the Superman family. Seriously, when I reread this issue for this review, I was impressed at how this really is a seed for major upcoming plots.

Action Comics #677, review on this site way back in late 2011 (!), showed just how smitten Matrix was with the son of Lex Luthor. She was so taken with him that she was willing to fight Superman! Here, the mystery of Luthor's son is solved. But further shenanigans with Cadmus, Dabney Donovan, and yes Matrix Supergirl all play into the deep plot. Writer Roger Stern really lays down a ton of plot with threads coming off of the main idea that would spread throughout the titles for the next couple of years. I have come to recognize how great Stern's work was on the Superman books, especially picking up the pieces post Byrne.

Jackson Guice is on art and I have gushed about his art in the past. Here he does a great job with angles and shadows, especially in the second half, to give this book a sort of Film Noir feel.

And there is no denying how fantastic this cover by Art Thibert is. What a great shot of Supergirl, flying in front of bullets aimed at Luthor. She is stunning. But the big win is the white surprint of the central nervous system overlying the young Luthor's body. Hmmm ...

Seriously, how could you pass by that cover on the rack and not want to buy it?

 And you might have missed it but I got this issue signed by Stern at last year's Terrificon. I was happy to thank him for his work on the Super-books.

On to the book!

Matrix Monday - 90s House Ads

I am taking a small break from Matrix comic reviews this week to post some Matrix House Ads that I stumbled across this last week.

Supergirl was prominently displayed in two house ads from a comic cover dated April 1998. Supergirl #20, a Millenium Giants crossover of all things, was on the shelves. She was two issues out from sprouting her flame wings and really exploring the angelic aspect, something which had been hinted at throughout the initial issues.

I know how big my love of Supergirl is. And I know how fascinated I was with the Peter David series in the late 90s, a semi-Vertigo spin on the character with tons of references to her prior incarnation.

But what I don't know is how she was being accepted by the comic community at large. And I don't know how embraced this new concept of Earth Angel was either.

Still, I think it is encouraging to think DC thought well enough of her character to have her on the subscription ad. (Remember those days when comics were mailed to people!) Yes it is a double play on words on how hot the deal is. One, I suppose there are people who think Supergirl is 'hot'. Two, fire is a big part of the art here (replicating the cover from Supergirl #14).

Still, they could have come up with any other quip - 'super' deals, deals 'as good as Gold', etc.

Instead they chose Supergirl!

But there was another!