Showing posts with label Sami Basri. Show all posts
Showing posts with label Sami Basri. Show all posts

Monday, December 4, 2023

Review: Steelworks #6


Steelworks #6 came out last week, the last issue of a very entertaining mini-series focusing on John Henry Irons wondering if he should change his life and rid himself of his Steel persona all while dealing with some revenge-driven people from his past.

Michael Dorn, that's right Worf from Star Trek fame, writes a fun story that has pushed John Henry forward a bit while keeping him pretty much embedded within the super-family. John is worried he is becoming Steel and losing himself. He wants to protect Metropolis making the supers superfluous. He wants to create limitless energy. And he wants to marry Lana. In the end, he realizes that perhaps he doesn't need to change things so dramatically. 

But to get there, he needs to fight the former CEO or Amertek. While all the character stuff about Steel is played seriously, Dorn gives me something I realize now that I needed ... an old school villain. Mr. Walker could walk away with the zero energy generator. Instead he loses his mind, screaming insanity, and being hell bent on revenge with a giant mecha. Glorious!

There is some loose comic book science, done to keep the Kryptonians on the sideline so Steel can save the day. But that also felt classic to me.

Sami Basri and Vicente Cifuentes bring pleasing art to the proceedings. Everyone just looks great. If a 'Lana as Super-Woman' story get put in the Action Comics anthology, I vote they be on art. It all looks top notch here. 

I doubt we'll get a sequel but this was worth it. Kudos to Dorn for stepping in. On to the book.

Monday, November 6, 2023

Review: Steelworks #5


Steelworks #5 came out a couple of weeks ago, the penultimate issue of a very entertaining mini-series.

I have been pretty impressed with how celebrity writer Michael Dorn has crafted this tale. The spine of this story is John Henry Irons looking into mirror and trying to figure out who he wants to be moving forward. He is truly afraid that the Steel part of his life is taking over. Is he still Irons? I wonder how much of this is some personal experience on Dorn's part. Is he Michael Dorn? Or 'the guy who played Worf'? Or even 'Worf'? Seeing the man struggle with the super-man is interesting and has been handled well.

But Dorn has tacked on a revenge plot. Former employees in Amertek are out to ruin Irons ... and ruin Steel. This issue takes a pretty funny turn, an almost silly Bronze Age super-villain move that made me smile and somehow works. 

I don't usually have high hopes for celebrities who come in to write but Dorn has acquited himself well.

Sami Basri and Vicente Cifuentes remain on art and bring a fun atmosphere. I like the art here a lot, just veering to the cartoonish without crossing it. 

I'll be sad to see this end. On to the book.

Friday, September 8, 2023

Review: Steelworks #4


Steelworks #4 came out this week and was a decent middle chapter as we enter the back half of this mini-series. I have overall been very pleased with this book but this book is built on a plot point that I found a little hard to swallow.

Writer Michael Dorn has been weaving a solid story of John Henry Irons hoping to bring clean energy to Metropolis. A side bonus of this energy would be to install a technological defense system that would make super-heroes unnecessary, including Henry's Steel persona. Embedded into the story are a few character beats. Natasha wondering why John wants to stop being Steel. Lana and John and their love story is unfolding. And, of course, the villains from Amertek wanting to control the energy.

This issue is really focused around the new energy source, fueled by the Genesis stone from Warworld. John wants to use it. The Silver Mist wants to steal it. It has serious side effects to those around them. But there are some problems for me in how it unfolds. John's protection of the zero energy globe is suspect in my mind. The explanation around the side effects has a big plot hole. And even how it ultimately gets in the hands of the villains seems wrong. This was a bumpier ride than the prior issues.

The art by Sami Basri and Vicente Cifuentes continues to be smooth and polished. There are some hyper-stylized expressions But the page layouts and panel shapes really help drive the story forward. I've always like Basri.

So overall, a decent issue. On to the issue.

Monday, August 7, 2023

Review: Steelworks #3


Steelworks #3 came out last week and remains an unexpected delight in my reading pile. I have admitted in the past that I thought Michael Dorn as a comic writer was a stunt. But dang, he is killing it on this book, respectful of DC history while carving a new path for Steel. 

One of the underlying plots here is John Henry Irons trying to make Metropolis a safe city through technology. He wants to shed himself of his armor. He wants to make the super-family superfluous in Metropolis. And he wants to bring free energy to the wall. But at times he sounds almost like a fanatic. Those aims could veer into Luthor-ville. 

What I find interesting is that each issue seems to show that Irons probably isn't going to get there. On this world, it'll be hard to be completely safe. It'll be hard to be completely magnanimous. Steel is the straw that stirs the drink of this book. But the super-family, especially Natasha, are around to help.

I find this book a very interesting read. It is dense and heady. But Dorn knows he needs to put action in the story to keep it moving. It's working.

The art is again mixed by Sami Basri and Vicente Cifuentes. There is a polished feel to the pages. They certainly know their way around the super-family. 

On to the book.

Monday, July 10, 2023

Review: Steelworks #2


Steelworks #2 came out last week and was another interesting issue for this new series. I feel there is a lot of potential in this book with multiple plots and character points all sort of being unveiled as the book progresses.

Writer Michael Dorn has sort of jumped into the deep end of the DCU, diving into continuity, bringing in the super family, and concentrating on technology as the sort of spine of the book. Steelworks against versus Amertek is a solid plot, like Stark against Hammer. Amertek giving powers to disgruntled workers who feel wronged by Irons is great. And this all is built on this idea Irons has to keep Metropolis safe solely through technology. This issue brings us a new villain amping up the threat.

But on top of that plot undercurrent are great character threads. Steel wanting to shut out the super-family from protecting Metropolis is very interesting. His wanting to have tech completely protect humans could spin down a 'is this villainous' take. But what I like most about this is how Natasha is not on board. Some friction between those two is very interesting. Add this simmering Lana romance and you have some fodder for a solid book. 

Both Sami Basri and Max Raynor are listed as artists on the book. The book flows well. There is no specific breakdown on who is doing so hard for me to know exactly. Good action, some fun page layouts, and an appearance from the Super-family makes this is a visually strong issue as well.

I am pretty excited about this book so far! On to some specifics.

Wednesday, June 21, 2023

Review: Steelworks #1


Steelworks #1 came out last week and was a wonderful first issue. I have to admit that I was a bit worried when actor Michael Dorn was revealed as the writer for this book because it seemed like a stunt. After all, I know him as 'actor' Michael Dorn, not writer Michael Dorn. But Dorn crafts a great tale here, doing all the things a first issue should do to grab a reader and have them want to read more. Add some lovely Sami Basri art and I am already looking forward to issue two.

We'll start with the character of John Henry Irons, Steel. We recently saw in the lead-in back-ups of Action Comics that Irons is trying to turn Metropolis into some high-tech paradise. Dorn builds on those in a way that feels more like a natural progression of Irons' character. He is an inventor. He became Steel to honor Superman and protect people. So his wanting to use his skills to invent to save Metropolis on a city-level, it reads like a progression. 

What is the interesting hook is that he wants to protect Metropolis so that the Superman family doesn't have to be active, doesn't have to save people. Now I suppose what Henry means his that he's got Metropolis so the Supers can be elsewhere. But in some places it sounds Luthor-ian, that the people need to save themselves and not rely on Superman. It makes Henry suddenly 'gray' and makes me want to see where it will all go. Still charming, still humble ... but with the potential go dark if he thinks his way is the way.

So we have an interesting direction there. But even better, Dorn wants to embrace Steel's history and DC continuity. From rapid fire recaps of his early career to his relationship with Lana to Lena Luthor, Dprn dives in deep. 

Lastly, if technology is going to be the hero, then it looks like technology will be the villain. An enemy company is the first villain. But I get the sense that the upcoming villains are also tied into the technological world. 

I have been a fan of Sami Basri since his work on the Power Girl series way back in the day. The art here is great. Basri knows how to draw super-heroes and the Super-family. I love his Supergirl, seen briefly here. But everything is polished and sharp. Basri is a great fit here.

On to the book.

Wednesday, January 25, 2023

Review: Lazarus Planet: Assault On Krypton


Lazarus Planet: Alpha #1 was a brilliant opening to the latest DC event. The story had legitimate stakes, moved at a brisk pace, showcased some of my favorite characters, and had beautiful art. 

Now the aftermath of the Lazarus volcano are being felt throughout the DC Universe. We'll see this in one-shots and mini-series, setting up the next year of stories. Today it is Lazarus Planet:Assault on Krypton. Really it should have been called Assault on the Super-Family. This book takes a peek at Dreamer, Jon Kent, Mercy, and Power Girl, all characters with connections to Superman. 

Each character gets their own story in the anthology. We know Jon and Power Girl will be getting their own stories, in the Adventures of Superman and Action Comics anthology respectively. I don't know where Dreamer and Mercy will end up, although the Lex-centric new Superman book is a good place for the latter. 

The stories themselves are quite solid, each ending on a sort of cliffhanger to get us interested in reading more. The Jon story was probably the best of the bunch, introducing a new villain, charming and irreverent. 

The art includes stories by veterans like Scott Godlewski,Sami Basri, and Marguerite Sauvage. Skylar Partridge pencils the Dreamer story and is a new name for me. Her work is stylish enough to work in the dreamscape. Partridge draws a pretty good Supergirl to boot.

If you're a fan of the Super-Family, I'd say this is worth the $4.99. On to the stories.

Friday, March 12, 2021

Review: Superman #29

The Philip Kennedy Johnson era of Superman officially began this week with the release of Superman #29

Johnson wrote the Future State books of Superman:Worlds of War and Superman House of El. I thought both books were solid and showed that Johnson seems to have a very good understanding of Superman is. How Superman is always going to help and always puts others ahead of himself. Suffice it to say, I was relieved. And as a result, I was looking forward to these books.

Then Infinite Frontier #0 came out and Johnson's story was all about Jon and how the Spectre seemed to think Jon was on a dark path to being a tyrant. 

Suddenly I was less excited. Hasn't Jon been through enough? Haven't we had enough 'dark takes' on super-family characters?

Superman #29 seems to build on that, focusing on Jon. We see him back from the Legion future and dealing with the knowledge that he gained there. He's withdrawn, upset, and seems poised to have some emotional turmoil send him spiraling. While Jon's concerns are valid, I thought this was just a little off.

Artwise, the book is very solid. We start with this tremendous wraparound cover by John Timms showing the extended family and a bunch of villains. I really love Timm's Supergirl so I was happy to see it one last time. Inside art is done by Phil Hester who brings an economy of lines that allow the story to unfold perfectly. It really has an energy. And his expressive work is brilliant, showing so much.

On to the book.

Tuesday, October 17, 2017

Review: Superwoman #15


Superwoman #15 came out last week and was another very interesting issue in this run by writer K. Perkins. I am an unabashed Lana fan and I have been very intrigued in seeing her as a super-hero. I sort of suffered through the slapdash, ill-focused early run of the book. And Perkins has done her best to try to shore this book up. Lana is much more likeable under her pen than she was before.

This book has always been about Lana discovering herself and dealing with her personal issues. And it was feeling like Perkins was bringing Lana to a place of stability. She was dealing with her anxiety. She was reconciling with Steel. She found out her powers were from Red K exposure. Turns out that stability was a fake-out. Lana is back on unsteady ground again. And while I understand all too well that life's ups and downs can bring peaks and valleys in your personal life and sanity, I keep hoping this book gives Lana a chance to breathe a bit and just do some heroing.

The art on this issue is by Sami Basri, someone I know mostly from the tail end of the last Power Girl book. It has a slightly cartoony, slightly anime feel to it but it works.

And heck, I haven't even talked about the new villain or the guest stars in the book. Let's get there!

Friday, October 19, 2012

Review: Supergirl #13


Supergirl #13 came out on Wednesday and picked up from the cliffhanger two months ago, Simon Tycho inside an underwater fortress which called to Kara.

There are times, as someone who reviews comics, that I feel for comic book creators. Because I think that sometimes, comic readers are extremely tough to please.

I know from solicits that H'El on Earth starts next month. I know that this issue has to bring Supergirl and her story to a place where she can join that major crossover. And I know that we as readers are reeling a bit from all the info which we learned in Supergirl #0. So this issue has a lot of ground to cover. And in many ways I think it is unfortunate.

Supergirl #13 is a pretty fast read and pretty dense. A lot happens in this issue and Supergirl has to deal with the whole spectrum of emotions as events and information batter her. The problem is that it is hard for me as a reader to reconcile a change from sadness to anger to happiness and back again in the space of a handful of panels. If there was ever a story that begged for 2 issues, a time when more space could have been devoted to exploring how Supergirl is going to deal with everything that happens, it is this story. But with H'El around the corner, we are whisked through this emotional turmoil and slammed into another cliffhanger.

Now maybe this chaos will add to why Supergirl initially listens to H'El. And maybe some people like the fast pace. But for me, the draw of this book isn't punching and heat vision, it is seeing Kara move along her journey. And I hope that at some point we have an issue where she pauses, takes a breath, and takes stock of everything that has happened in her life so far.

This isn't a knock against this issue which I think does what it needed to do and has some very nice moments. I just left it wondering 'what if we had 20 more pages'.

Sami Basri is on art this issue and does a solid job. I enjoyed Basri's work on Power Girl and his smooth lines work well here. I did feel a sort of whiff of Asrar in some of the panels here. I wonder if Basri tweaked his linework here to try to keep the feel of the book in line.

Initially Supergirl responds to Tycho being in this place with anger. She goes on the attack but with his 'brain' body, he is able to hold her off. One thing I like about Kara's response is that she seems truly upset that he is sullying this slice of Krypton. Tycho doesn't have the right to speak Kryptonian or be there.

As for Tycho, he is quite happy with his new lot in life and seems rather blase in his approach to Supergirl. At first he wanted her (turns out he sent the nanobot from Supergirl #11). Here he wants only her alien tech. He doesn't want Kara anymore; he actually semi-apologizes about treating her like an experiment. He is definitely slimy ... now literally.

I was hoping that the 'drop of Supergirl's blood' which was a key part of the ending of Supergirl #4 would somehow be worked into Tycho's new body/powers. But it isn't mentioned.


He unlocks the message we heard before, the message which ended with Zor-El being shot. Except since this crystal isn't broken, Kara hears the whole thing, Alura's questioning of Zor-El and his words as he launched the pod.

In a nice panel, we see that Kara know remembers her last days completely. Nice use of Asrar's work from Supergirl #0 in the background.

But here is the thing. This is a big thing. She recalls everything now. Her father drugging her, lying to her. Her mother shooting her father. Her father still rocketing her away. She has every right in the world to be crying. But we only have a page of her trying to process this in any meaningful way.


Instead, she has to sort of delay dealing with all these emotions because Tycho is still there as a threat. His new body lets him unlock all the red memory crystals that grew in this place. He has access to the info, but not the central command of this place ... and that is what he wants.

The Kryptonian computer is voice activated and the AI calls itself Sanctuary, a gift from her father and a piece of home. So this place is called Sanctuary. I like it.

I also like that it truly is a gift from Zor-El who seemed to think of everything to ease his daughter's transition ... everything except a forewarning that it was going to happen.

Again, I think at some point, Kara has to deal with all this new information ... her father's secrets, her mother's attack, etc.


In control of the place, Supergirl again tries to battle Tycho who demands that Kara turn over control of Sanctuary to him.

I loved this panel where Tycho says that Supergirl is simply 'too nice'. This comic is misrepresented by DC folks as being a bad girl title. The police and military and half the populace (it seems) think Supergirl is a menace. How ironic that the bad guy has a better sense of just who Kara is.


Tycho's new body makes a physical fight a stalemate and he's happy about that. He knows he simply needs to wait for the yellow sun energy in Kara to wear off. It seems a little too easy. He clearly doesn't have super-speed. She could just escape. But more importantly, we have read in this book how her body processes and seems to store yellow sun energy with extreme efficiency, absorbing it to the point it occasionally explodes out of her. Should she really already be winded?

But this battle puts that sadness of her origin and those revelations in the background. She now has to be mad.


If she can't stop Tycho, she'll need something else to. And so she asks Sanctuary to neutralize him. And just like that, Tycho is encased in impregnable crystal. He doesn't need to breathe or eat now. She isn't killing him. Just putting him in a sort of amber. But I wonder just what she'll do with Tycho. Leave him there like a trophy? Seems too risky.

And now we go to a sort of sly happiness.  Even a little bit of indignation as she watches Tycho get sealed up.

This is the second time Kara has had to think her way out of an impossible jam (the last time when she turned the World Killers against themselves). I like a smart Kara who can think on her feet.


Then even that sort of anger slides away and she is shown to be happy, thrilled to have a place of her own.

Only to then slide back into a sort of mild sadness. She is sad about what has happened to her parents. She is sad that her Zor-El didn't give her a choice.  We get to hear her inner monologue reviewing all these details and how emotional it is. But it seemed too quick. If only there was another page or panel or two to have her try to deal with it a bit on her own. As it is, she is sad to be alone on this planet.

Except she isn't alone any more.

How I hoped ... hoped ... this would be a phone call to Kal. She knows Krypton is gone. She knows the details of her origin. She knows Kal was right. And he just helped her out. She should be calling him ...


Instead she calls Siobhan.

And I suppose this is okay if not optimal. There isn't that complete feeling of isolation. She has a friend now, someone she can call on to just talk.

But before she can hash things out, talk about all she has learned with her friend, Sanctuary's alarms pick up yet another Kryptonian presence on Earth.


It's a monster of some sort, attacking Kal.

And just like that we are back to a cliffhanger, back to an action sequence, and ready to plunge into H'El on Earth.

Now maybe I am being premature. Maybe Kara dealing with her origins and her parents' fate will evolve out of H'El. Maybe she will talk to Kal about it all there. Or maybe it is this lack of processing, this sort of raw place she is in right now that makes her contemplate H'El's offers. I still would have loved a bit more introspection here.

Still, this was a good issue, briskly paced, running the gamut of emotions, having Kara learn her origins, having her defeat an arch-nemesis, and adding Sanctuary. And she was called too nice! That's a lot for one issue. I just think maybe it was a bit too much. I needed a moment for Supergirl to catch her breath and let me catch my breath too. (I wonder if the team would have liked to have stretched this to two issues only to have the merging with H'El take over.)

Add to that the smooth lines of Basri standing in for Asrar. (In particular, I think Basri did a great job on Supergirl's costume, minimizing the distracting corners of the lower hem.)

Overall grade: B+/B

Wednesday, July 11, 2012

October 2012 Solicits

The October DC Solicits have been released and there are some interesting things coming around the corner. For the full list of books and merchandise coming out you can head here where Newsarama has them: http://www.newsarama.com/comics/dc-comics-october-2012-solicitations.html

Here are the Super-book solicits and some commentary on my part.



SUPERGIRL #13
Written by MICHAEL GREEN and MIKE JOHNSON
Art and cover by SAMI BASRI

• Supergirl in all-out battle with a new, deadly version of an old foe: Tycho!
• Check out Kara’s very own Fortress of Solitude!

Well the first thing that stands out in this solicit is that Mahmud Asrar is not on art. On Twitter, Asrar said this is just a fill in issue. I liked Basri's art on Power Girl so it will be interesting to see how he handles the new Supergirl.

Tycho was the Luthor-like genius from the earliest issues of the book so it is good to see him return as a rogue of sorts. I can't believe it took me this long to think of the Tycho-Psycho connection. I first thought Tycho was a riff of Technology.

And a Supergirl Fortress of Solitude? The closest thing we have seen recently was the 'Closet of Solitude' back in BizarroGirl. Can't wait to see this one.


ACTION COMICS #13
Written by GRANT MORRISON
Backup story written by SHOLLY FISCH
Art by TRAVEL FOREMAN
Backup story art by BRAD WALKER
Cover by BRYAN HITCH
Variant cover by RAGS MORALES

• You won’t want to miss the return of Krypto!
• Superman must face down a threat from the Phantom Zone – with the help of The Phantom Stranger!
• Grant Morrison makes a major change in ACTION COMICS in this special issue featuring art by Travel Foreman!

Again, for me, the art was the first thing that I noticed in this solicit. I am not a big fan of Hitch (this cover seems a bit off) and I don't love Foreman's art that much either although his more surreal look might work given the story in this issue.

But once I got to what the issue was about I a bit happier. We saw Krypto save Jor-El and banish itself to the Phantom Zone back in the first issues of this book. And we don't know much about the Zone or who is in it or why right now so all of that sounds great as Morrison builds up the mythology of Superman here.

That said, a Phantom Stranger appearance in the month that Dan Didio's Phantom Stranger book premieres feels a bit forced.


ACTION COMICS ANNUAL #1
Written by SHOLLY FISCH
Backup story written by MAX LANDIS
Art and cover by CULLY HAMNER
Backup story art by RYAN SOOK

• The secrets of the “missing five years” between when Clark Kent came to Metropolis and the present day continue to be revealed!
• In the wake of Brainiac’s attack on Metropolis, Superman faces his first Earth-born villain: the Kryptonite Man!
• Plus: A special backup story by the screenwriter of CHRONICLE, Max Landis!

Sholly Fisch has done such a great job on the back-up features in Action Comics that I am looking forward to see what he does with a whole story. I suppose it shows the absolute trust Grant Morrison has in Fisch.
And another rogue added to the mix, the Kryptonite Man. It has to be some more Mxy madness.


SUPERMAN #13
Written by SCOTT LOBDELL
Art and cover by KENNETH ROCAFORT
1:25 B&W Variant cover by KENNETH ROCAFORT

• It’s a deathrap for Superman as he matches wits with his greatest enemy for the final time as The Man of Steel loses it!

I am trying to get excited for the new team of Lobdell and Rocafort on Superman. But it is hard to get revved up for this issue with such a generic and mundane solicit.

I love Rocafort's style.


SUPERBOY #13
Written by TOM DeFALCO
Art and cover by R.B. SILVA and ROB LEAN

• Superboy’s attempts to lead a normal life are interrupted by the reappearance of the mysterious Jocelyn Lure!
• Superboy’s search for Caitlin and the Ravagers leads to his guest appearance in THE RAVAGERS #5 this month.

In the DCnU both Superboy and Supergirl have been isolated and alienated. So for me the best thing I could read that Superboy is attempting to lead a normal life.

But look, this issue leads to The Ravagers! I worry that this book is going to be to inextricably linked to Ravgers and Titans for me to be able to follow in a meaningful way. If I need to collect 3 books to follow Kon's character I might have to drop him.


WORLDS’ FINEST #5
Written by PAUL LEVITZ
Art by GEORGE PEREZ, JOSE LUIS GARCIA-LOPEZ and JERRY ORDWAY
Cover by JERRY ORDWAY

• Power Girl and Huntress attempt to get back home to Earth 2 – but is the Boom Tube just a one-way trip?
• The secrets of Power Girl’s abilities revealed.
• Featuring artwork by the legendary Jose Luis Garcia-Lopez and Jerry Ordway!

I still don't know if I will ever get used to this Power Girl costume.

The 'secrets of Power Girl's abilities'? I don't know what that means. Is there something beyond her being Kryptonian?

And art by Garcia Lopez and Ordway. I suppose Maguire needed time off after doing all the art in WF #0. But at least the 'legendary art' quota on this book remains the same.



SMALLVILLE SEASON 11 #6
Written by BRYAN Q. MILLER
Art by JAMAL IGLE
Cover by MICO SUAYAN

• The first time in print for these digital-first adventures!
• The Dark Knight comes to Metropolis and runs afoul of...Clark Kent? 

Bryan Q. Miller writing a Superman book with art by Jamal Igle! That's a chocolate and peanut butter mix. I love Pere Perez but it'll be great to see Jamal drawing Superman again. And since Kara making an appearance in this book seems inevitable maybe we'll see him draw Supergirl again!

SUPERMAN FAMILY ADVENTURES #6
Written by ART BALTAZAR and FRANCO
Art and cover by ART BALTAZAR

• Can it be true? Has Superman met his match in Metallo?
• Who is Metallo? And what’s up with his heart?
• Where does Lex Luthor fit into all of this?
• Watch out! There’s a new Super Hero in town!

So far the whole family have loved Superman Family Adventures. I don't think that will change here. This is the Metallo I grew up with and I get to share him with my children. And it looks like Steel is coming to the rescue as the new hero in town. Too fantastic!