Showing posts with label Amilcar Pinna. Show all posts
Showing posts with label Amilcar Pinna. Show all posts

Monday, January 21, 2013

Review: Superboy #16



Superboy #16 came out last Wednesday and was a fun issue and a decent chapter in the otherwise underwhelmed H'El on Earth crossover. The overall feel of this issue was of a more classic super-hero comic but within that punch-em-up feel were a couple of small moments and lines that added a lot of subtle depth to the characters here.

But the thing that sort of stuck out here was the slow evolution of Superboy into a hero. He is on the hero's journey too and should be growing towards something. Of course the beginning of his journey is a muddy mess of cloning, implanted memories over subliminal horrors, a strong sense of independence that initially manifested as being an isolated bratty bank robber, and being used in other comics as a plot point rather than a character. He hasn't been an easy guy to like as some of my prior reviews have shown. But in this issue, even if he continues to talk a good fight about being an angst-driven loner, his actions speak a lot louder as he heroes up and does what's right. Congratulations to writer Tom DeFalco for scrubbing some of the mud off of Kon and bringing him a little more into the light. I actually like Kon in this issue. I haven't always been able to say that.

In fact, the one glaring down side to this issue was ... not surprisingly ... the characterization of Supergirl who is just being played as the patsy here, someone gullible and emotionally distraught, easily swayed and hardly strong.

The art for the issue is done by the team of Iban Coello and Amilcar Pinna. It is bright and dynamic in most places, great in some other.

The issue opens with an assault on the Fortress of Solitude by the JLA and Superboy.

This is a great opening splash, drawing you right into the story as you see a great image of a powerful Wonder Woman ripping robots to shreds.

But the opening monologue is solid as well. Yes, there is the usual 'I am a weapon that others use' droning, that self-pitying, almost self-loathing speech we have seen  almost every issue. Except ... we get that last box that shows that he might be a bit more inspired being surrounded by someone as good as Diana. It is a glimmer of something in the dark prose.

And even if he describes himself as a weapon, this is his choice to be here. He isn't a tool for someone to use. He has decided to do good.


And another thing that I really liked here was the return of true tactile telekinesis.

Now I don't know exactly why the Kryptonian armor is altering things but I like the change. The powers he was using before was frankly simple telekinesis. I always thought the 'tactile' part made his powers a bit more unique and interesting in the old universe. So this is a welcome change.


We the flash back to how the team got there. Meeting in Professor Veritas' lab, Superman reveals that H'El has broken in. No big surprise, Batman has come up with a way to get in, using Superboy's telekinesis to rip apart the force field H'El has erected. Once inside, Superman thinks a shard of Green K he keeps there can be used against H'El. Batman, Wonder Woman, and Superboy will lead a main charge. Superman and Cyborg will work the back entrance. And the Flash will speed in alone.

In some ways, this reminded me of early Justice League issues when the team would split up and try to fight a threat on many angles. There is a Gardner Fox feel here that is comforting.


Alas, Supergirl continues to be the patsy here. Inside the Fortress, H'El uses his powers to show Kara an idyllic scene of Kryptonians lounging on grass, enjoying a spring day ... that is until he shows her the same scene in the context of the planet's destruction. Shaken by this, Kara swears she will do whatever is necessary for H'El to succeed.

Except she still doesn't know the plan does she. And she seemed smarter than to be played like this. Early on in her own book, it felt like Zor-El taught her to be mentally tough and not get swayed or persuaded or fooled easily. This hysterical Kara seems wrong.


As I said, the Flash is on a solo mission and has to use every ounce of his speed and power to slowly work his way through the dense Kryptonian crystal.

I did like that his mission is a simple one ... rescue Supergirl. At least Superman has the fate and well being of his cousin on his mind. I thought that was a nice touch here.

Too bad Kara is quite happy with H'El and doesn't need to be 'rescued'.


With the force field down, the Batman team storm the Fortress. I thought this was also a very nice moment. With an army of K-Drones trying to stop them, Diana draws the line. She tells Superboy and Batman to move on while she stops the assault.

There is nothing quite as satisfying as a 'none shall pass' moment. Glad to see Diana get some time to shine.


Inside, Cyborg and Superman have a hard time fighting off killer droids and weapons that Superman has stashed in the Fortress.

Superboy and Batman discover that the Kryptonite is already gone. H'El has taken it.

And here is a nice Batman moment. When Superboy asks about plan B, Batman says he is already into the double letter plans. That Batman, always prepared. He says it so matter-of-factly. Perfect.

Another thing I liked is Superboy spotting Space Arks in the Fortress. Maybe Superman has a plan already set should Earth ever be nearing an end like Krypton. His space ark fleet is already built.


So we have had a good Flash moment, a good Wonder Woman moment, and a good Batman moment.

As I said above, I liked Superboy's characterization throughout this book as he really acted like a hero in joining this group. But here was his moment to shine. With Superman being teleported through a never-ending run of pocket dimensions by a Fortress weapon, Superboy potentially sacrifices himself by jumping into the ray as well. He does it to try to save Superman because 'he is needed'.

This isn't the bank robber.  This isn't the 'kill maim destroy' pawn in Legion Lost. This isn't the kid fed memories telling him to kill Superman.

This is a hero doing what needs to be done. Nice. Finally.


We know that H'El on Earth ends with the arrival of The Oracle, whatever that is. Now we see that some of the Stormwatch stuff that has been worked into the Superman book before. This issue ends with a couple of pages showing the re-arrival of the hornblower we saw way back in the Superman book near the beginning of  the New 52. How does all that work into this mess.

So overall, this was the first Superboy issue in a long time that I can say I truly enjoyed. It had an old school JLA feel. It had some very nice moments for the JLA members. There was definitely a Silver Age sort of vibe here and I didn't mind that. It had Superman worrying about Kara enough to send the Flash in on a rescue mission. It had Superboy stepping up and becoming a hero. Even the glimpses into this new Fortress was fun.

In fact it had everything except a decent Supergirl. I really think that H'El on Earth is going to slow down the character momentum that Mike Johnson was building in her book.

Overall grade: B+

Wednesday, December 22, 2010

Review: Superman #706



Superman #706 was released last week, the second 'interlude' in the Grounded storyline that seems to be floundering a bit. With JMS off the story and critical response a mixed bag as best, the title and the story seems on shaky ground. Does anyone really care about this story anymore? Is anyone floored by it?

Given that background, I didn't envy G. Willow Wilson's job of writing this issue. If I can't get excited for the main arc, why would I be excited about a Perry White interlude.

Wilson shows Perry dealing with the changing world of news media, dealing with the shrinking paper market and the growing internet presence in the news world. But it also takes a look at the dirty back room dealings that sometimes accompany breaking news stories as well as the unreliability of some internet sources. The blogosphere doesn't necessarily need two sources to corroborate a story. They run with it.

Perry really feels like a man caught between two worlds here. I was hoping that he would be a truly inspiring figure, something of the way he was presented in Superman:Secret Origin. Instead, he comes off a bit as a blowhard and a smidge too old school. I think this Perry would fit in very well on Mad Men.

This was an okay story I suppose. But it seemed more suited for a Superman 80pg Giant than as a pause in this hyped Grounded arc.


The issue starts with Perry reeling a bit from both big and small issues. His new photographer Sandeep can't quite get a good picture and Perry berates him, even manhandling him a bit. I don't know if that sort of bullishness is tolerated anymore in the workplace.

But the bigger issue is the shrinking market for the Daily Planet. Revenues are shrinking. Unfortunately, this very real problem is swept under the rug a bit by another small catastrophe.



But before the bad news continues, Perry gets a sliver of good news.

Lois, still on Superman's trail and currently in St.Louis, not only has a good Superman article but also a breaking story on an environmental issue in Kansas. Whether in Metropolis or out, Lois has a nose for news.

Lois is such a huge part of the Superman books and I think she has been somewhat ignored by Straczynski. So I was glad we got this scene.


But the bad news keeps coming. Ron Troupe tells Perry that Urbanitis, a very popular news blog, is about to do a huge expose on the Planet. It is going to make some serious accusations about the Planet's relationship with Superman. There is some hint that the Planet might be paying Superman for his stories.

There is also a story brewing that Lois has a more personal relationship with Superman explaining her uncanny knack for Superman exclusives.

What is a bit unsavory is how easily Troupe seems to buy into the notion. Some friend.

Perry decides that he needs to get more information. So he faux fires Sandeep and sends him to Urbanitis as a spy.

Amazingly, Sandeep is able to walk in a to the plush Urbanitis offices and get a job within seconds. No need to show a resume or a portfolio. He's a former Planet employee, the target of Urbanitis ... he's in.

Jack Hoffman, the man who runs Urbanitis, has an axe to grind. He wants to show that the 'new media' of the internet is being ignored by the 'old media'. So why not take down the giant of the old media?

He has financial reports suggestive of a slush fund to pay Superman off. And more, he has a picture of Lis and Superman in a compromising position.


When Sandeep tells Perry of the photo, Perry calls Lois and asks what he might see in that photo.

In some verbal legerdemain, Lois doesn't necessarily answer the question. It is sort of a dodge. But it is clear she is worried. In this world of telephoto lenses and cell phone cameras, anything is possible.

Perry has an understated response, deciding not to press the issue.


Perry then gets a surprise visit from Superman, breaking off his walk across America to talk to White about this Urbanitis crisis. When Superman starts obfuscating and dancing around the issue, Perry stops him in his tracks. Perry doesn't want to know. Then he won't have to deny.

Wow ... even Perry suddenly thinks it might be true that the world's greatest hero is having an affair with a married woman. Some friend!


Perry has had enough. Rather than cower, waiting for the storm to hit, he feels it is time to meet the enemy. He asks for a meeting with Hoffman.

First off, he quickly refutes the 'slush fund' theory. The missing money is from Perry's personal account and supports an internship program. But the bigger question is why Hoffman would think this was money ear-marked for Superman. The number was $20,000 every quarter. Would $80,000 be enough to buy off Superman, a guy who can wring diamonds from coal? Or rob any bank he wanted to?


And the damning photo of Superman and Lois? A photo-shopped concert poster. Wouldn't Hoffman have someone on his staff to check that out? Or is this just another way of indicting the 'too fast for it's own good' new media.


In a 'keep your enemies closer' move, Perry asks Hoffman if he wants to be the Planet's next intern, someone who could help the Planet with the newer forms of communication. Hoffman accepts!

I don't know. It seemed to quick. Urbanitis is a big enough operation to have it's own staff and office building. Hoffman just pages earlier railed against the paper media. Would an internship at the Planet woo him away from his own little successful kingdom?

Maybe that is the response to the dwindling subscriptions. Maybe this is supposed to show that White realizes he needs new revenue streams and Hoffman understands those.

But it all resolves so quickly. So neatly.

Still, the quickness with which the Planet staff buys into the rumors is what stuck with me the most.

Amilcar Pinna does an adequate job here, drawing mostly regular people having conversations.

Grounded keeps lumbering along.

Overall grade: C+

Wednesday, November 24, 2010

Superman #706 - Another 'Grounded' Interlude



This is really starting to border on the ridiculous. But according to the DC Source Blog, Superman #706 will be another 'Grounded' interlude issue by G. Willow Wilson. Here is the link and the post in it's entirety. I do recommend going to the site if just to read the comments:
http://dcu.blog.dccomics.com/2010/11/19/g-willow-wilson-picks-up-superman-706/

Hey, Source readers — got some news to close the week with. Writer G. Willow Wilson will return to SUPERMAN with a new “Grounded” tale in issue #706, illustrated by artist Amilcar Pinna.
Superman’s walk across the country ends up having unexpected – and dangerous – repercussions for Perry White and the staff of The Daily Planet. Can Superman help The Planet overcome its latest hurdle?
SUPERMAN #706 hits stores in December. The previously-announced team will pick up again with #707 in January.

So most likely with the JMS leaving, there was something of an upheaval on the main story. An extra month probably will give Chris Roberson time to get up to speed. And Eddy Barrows has always had a hard time keeping a deadline.

Still, doesn't this further the feeling that 'Grounded' has been a disaster. Between poor characterization and delays, the story has not succeeded. Then JMS jumps ship. And now we get another 'interlude'.

It's like putting an intermission in the middle of a very long but bad movie. How many people would simply leave and wander into another theater? How many people will leave the book?

Wilson wrote the Lois issue which seemed like a misstep. Now we'll get a Perry White issue. Let me guess ...without Superman stories because of his 'walk', the Planet is losing readers and might shut down.



I don't know much about Amilcar Pinna but what I have seen on the web makes his stuff look very nice. The above is a very rough Supergirl sketch I found on his blog: http://amilcar-pinna.blogspot.com/

Still, I ache for the days when I'll read a true Superman book again ... either here or in Action. The last time we had that was back in the Brainiac arc in Action and the Atlas arc in Superman. Now that would be something to give thanks for.