Showing posts with label Robert Kanigher. Show all posts
Showing posts with label Robert Kanigher. Show all posts

Monday, September 26, 2022

Back Issue Review: Adventure Comics #394


It has been a while since I reviewed a back issue from Supergirl's history here. Recently my mind has been thinking about Adventure Comics #394

When I was reviewing the Black Orchid stories here recently, I noted that in one story the Orchid implied she had been in prison in the past. Was it referencing this?  Why not take a closer look at this story?

Now I have to say that this is one crazy story. Written by Robert Kanigher, it takes one insane plot leap after another. This is a classic Silver Age story where an insane amount of things happen in a mere 13 pages. It even ends with a bit of a mystery! So settle in and be ready for a roller coaster as Supergirl tries to save the universe from a doomsday weapon from within an interstellar prison. 

The art is by Kurt Schaffenberger and it is just gorgeous. In this story, with all the wild turns, we get to see the breadth of Schaffenberger's skill, from action to angst to drama to campus silliness. Over the years, I have come to really love his artwork. This is a shining example.

On to the book. 

Friday, December 18, 2015

Back Issue Review: Adventure Comics #391


This was one of those weird weeks were no comic that I review came out. That meant I suddenly had an opening in my schedule for a Friday review slot.

And given that Supergirl in non-comics media is dominating the discussion around the character, I thought I would go into the long boxes for an oldie but a goody.  In the Silver Age, there were plenty of stories where someone is making a Supergirl movie or show and somehow the real Supergirl gets involved.

We also have read a lot of interviews where Melissa Benoist talks about her wire work, how could I resist Adventure Comics #391 where Linda is doing stunts!

The cover is credited to the dream team of Curt Swan and Murphy Anderson. Swanderson brings us a nice dynamic cover showing 'that actress playing Supergirl' falling to her death when the wire breaks. But, as this is Supergirl she'll be unharmed when she hits, thus exposing her secret identity.

Surprisingly, this scene actually happens (in a way) in the story.


"Linda Danvers, Super-Star" was written by Robert Kanigher and drawn by Kurt Schaffenberger. Schaffenberger took over the Supergirl character after Jim Mooney left and really is one of the signature artists for the Silver Age Kara.

This opening page sets the stage for what we should expect. There is a Supergirl movie being made and somehow Linda Danvers has been cast to be the star. Thus, Supergirl is playing Supergirl in the movie.

For me, the craziest part of this page is that third tiny panel. The wardrobe woman is making Linda look like Supergirl for the part. That includes putting on a blond wig. That means, in the subsequent panels, Linda is a blond girl wearing a brunette wig, wearing a blond wig. Insanity.

The  story opens at Stanhope College where Linda is a student. In class, Professor Vizhago unveils his new computer which is programmed to measure aptitudes and predict the perfect profession for his students.

Linda Danvers and Eve Emerson both get actress as their probable occupation. While most students are happy and intrigued with their choices, Eve's boyfriend Vic Tane, the 'grooviest boy on campus', decides he will promote Eve's skills by belittling Linda's.

He calls Linda a mud turtle, destined to be an understudy.

This computer is so renowned that it attracts John Harris, a famous Hollywood director. He is making a Supergirl movie and looking for the next new starlet. Given the computer results, Harris wants Eve and Linda to try out.

Harris big test is to see which one can cry on command, a way to show they can convey any emotion asked for. The screen test is being shot in front of the student body and Vic, ever the charmer, says Linda has the emotional chops of a statue. Everyone laughs at Linda.

And, as this is the Silver Age, Linda could be brought to tears pretty quickly. Vic's callous comments make her cry. You can see that even Eve feels bad.

You would think that Linda might want to avoid playing Supergirl. Sounds like a recipe for disaster if you want to keep your secret identity.

Things get a little nutty once shooting starts. In the first stunt, Linda is suspended by wires to fly when the gear breaks. This doesn't seem to be the safest workplace environment. Linda was suspended over a moutain without any extra precautions. She plummets to what would be a sure death for a human.

But Linda is able to use her powers slyly such that it seems okay for her to have lived. She uses her cape to slow herself down, fakes a wind to billow herself up, and then hits a tree branch to soften the blow. Everyone feels she is supremely lucky.

I like that Linda uses her head here, thinking quickly and not giving anything away.

The plot thickens as several people have motives to try to off Linda.

Is it Vic, trying to get Eve the part?
Is it Harris, trying to resurrect his career after 3 flops in a row? Any publicity is good publicity?
Or is it Nicky, the man in the plaid jacket? He's the studio press agent and also would like the movie to succeed. And this sort of accident will put the movie into the news.

I love Schaffenberger's panel here, with Kara twirling her head trying to figure it all out!


The accident continues to plague the set, always with Linda in the middle.

In this scene, she is riding a giant balloon whale when it pops, throwing her into shark-infested waters. Again, I have to question the safety of this set. Why film in shark-infested waters? Seems like a disaster waiting to happen ... and indeed it does happen!

This time Linda uses her heat vision to scare the sharks away. If they attack her and she comes out of the water unharmed, there will be too many questions. She explains an undersea volcano scared them away. And, somehow, the crew believes that. Ahhh ... the Silver Age.

But the same people are still there, still with their motives.

And then another accident happens. A gun which is supposed to only have blanks is fired at Linda. Of course, it was actually loaded. This time, Supergirl snaps her fingers so loud they make a sonic boom, effecting the path of the bullet so it misses her. And people assume the loud noise was the bullet echoing.

Realizing she needs to leave the set so she can actively investigate as Supergirl, Linda runs off the set hysterical. I love that first panel! So wonderful.

Eve is more than eager to jump into the role. Maybe Vic is behind it?
Harris seems resolved to close the set. So I don't think it is him.
And Nicky continues to think that Harris is doing it for publicity.


But Eve isn't safe either. Chained with faux Kryptonite to temple columns (how Samson), Eve is ready to be a star. The columns begin to topple in pieces. And since she is chained, she cannot escape. She will be crushed by the boulders.

But the real Supergirl is on the job. She flies in the 'change the script' and bashes the pieces away.

Supergirl saves Supergirl!

In a weird panel, and really a panel I should have posted, Supergirl demands to sniff everybody's hands. Bizarre!

It turns out that Nicky has the scent of corrosive acid on his hands. He used it to weaken the pillars foundation. Presumably, he did the same to the wire.

And his motive? Harris married an actress that jilted Nicky. Enraged, he would frame Harris for murder. Luckily, Supergirl looked to the gossip columns to find a true motive.

With the set safe, you would think that Harris would hire Eve or Linda. Instead, Eve bows out saying Supergirl should play Supergirl. If Harris will donate a percentage of the proceeds to charity, Kara will do it.

And so, Supergirl does indeed end up playing Supergirl.

Okay, this is a silly story. But can't you see a future episode where Kara is asked to enter a Supergirl lookalike contest, or something as silly.

These stories are dated and ludicrous. I love them. I love Supergirl thinking quickly and saving people. I like her being a little emotionally vulnerable at this time in her life. And the art is so perfect for the story.

I don't think this is a key issue for Supergirl fans. But it is fun and more and more I am seeing these issues in $2 boxes at conventions. And this was a point in Supergirl's career where she was sort of turning a corner. Soon Mike Sekowsky will come on board and try to modernize her a bit. A second story in this issue, by Cary Bates and Win Mortimer, is a bit more sci-fi/political and less sugary than this one. If you are looking for a nice issue showing the change Supergirl was going through, this is a decent one.

Overall grade: B+

Monday, February 14, 2011

Happy Valentine's Day - Supergirl #7


Happy Valentine's Day to everyone out there! I hope romance is in the air for everyone.

Unfortunately for Supergirl, love has never come easy for her.Yes, she had relationships with Brainiac 5 and Dick Malverne but for the most part her romantic endeavors have ended up as failures. There are almost too many stories of failed romance to mention, especially early on in her history.

But, as it is Valentine's Day, I figured I would show one of them. And so, as a sort of anti-Valentine, I present Supergirl #7 from 1973, 'The Sinister Snowman'.

Now you might think from the Bob Oksner cover that Supergirl and Zatanna are vying for the affection of a Yeti. Luckily, that isn't the case. Instead, writer Bob Kanigher and artist Art Saaf give us a crazy story with the two heroes falling head-over-heels in love at first sight and the leading man acting like a cad. 

The book opens with a peace rally at Vandyre University where organizers are asking the students to donate to a prisoner of war fund.

I always find scenes like this historically fascinating. It is clear that the creators are talking about the Vietnam War. How interesting to see some political commentary in comics in this time period.


Linda 'Supergirl' Danvers doesn't get one of the bracelets bearing the name of one of the missing soldiers. She already is wearing a bracelet with the name Tony Martyn, a young man in the Peace Corps lost in the Himalayas for months.


Earlier in the year, Tony was rescued by Supergirl when his car careened off a mountainside road. When Supergirl sees the Tony she becomes immediately smitten. While the two never went out, Tony wrote to Supergirl (c/o Vandyre University) almost every day. His letters never seemed to let on whether he shared the same feelings that Supergirl had.

Unfortunately, Tony went missing soon after his Peace Corps assignment in the Himalayan mountains.


At the same time, Zatanna is also reminiscing about Tony who she met when he volunteered in one of her shows. She also was fall for Tony after just one look.

Unlike Supergirl, Tony has a bit more of a relationship with Zatanna. She describes her time with him as an 'enchanting romance'. But then Tony needs to go away to Himalayas leaving Zatanna heart-broken.

With Tony suddenly in the mind of both heroes, Supergirl and Zatanna each decide to fly to the distant mountains to try to find their missing man. They don't know that both love Tony. They don't know they both are going to rescue him. Uh oh ...

Supergirl arrives first and saves a small village from being flattened by a huge boulder tumbling down the mountain.

Grateful, the villagers tell Supergirl how they are forced to serve a demon named Orgox, a demon that lives higher on the mountain. Tony tried to help the villagers and set out to prove that the villagers are being duped and that Orgox isn't really a demon.

Supergirl also thinks that Orgox probably isn't really a demon. But more importantly, Supergirl knows that when she finds Orgox she'll probably also find Tony.


Pretty quickly, Supergirl discovers that Orgox may actually have some power. As Supergirl cruises around the mountain she is attacked by two Neanderthals. But these cavemen possess tremendous strength, grappling with Supergirl and forcing her deep into caves of the Himalayas. Showing some savvy use of her powers, Supergirl freezes the cavemen, stopping them in their tracks. With the caveman paralyzed, Supergirl can continue her search for Tony.


By this time, Zatanna has also arrived and run into some magical opponents as well. She is briefly captured by a giant ice eagle before using her sorcery to escape. The escape has worn her out though and she is about to succumb to the cold conditions of the mountain when Supergirl comes upon her and revives her.

At that point, the two heroes realize they are chasing the same man. At first they act catty to each other, but then realize they need to team up to save Tony from whatever has him.


After some searching, Orgox approaches with Tony. Just before Zatanna lashes out against Orgox, Supergirl stops her. Kara realizes that Tony's heart rate is too slow for someone running away from danger. Orgox has used illusions to make himself look like Tony and Tony to look like him. With the spell broken, Orgox stands before the two women.

Realizing he probably can't beat the combined might of Supergirl and Zatanna, Orgox decides his only chance at survival is to bring the entire mountain down around them. Zatanna's uses her magic to protect Supergirl, Tony, and herself. Orgox perishes under the weight of the rubble, in essence killing himself. Zatanna realizes that Orgox was indeed one of the 'old ones' who still walked the Earth.

Now why a powerful sorcerer/demon like Orgox would want to live on a high cold mountain getting offerings from poor villagers, I don't know. And speaking of those villagers ... did they also die when the mountain fell down?


So with Tony saved, who will he choose to share his love with: Zatanna or Supergirl?

In classic Supergirl-romance-style, the answer is neither. Tony can wait to get back to his 'new' fiance. How did he meet someone new up in these mountains? And didn't he have a romantic lunch with Zatanna the day before he left? Maybe the clue behind this whole thing is the spelling of fiance here, although I don't know if comics in the 1970s would be open to such an idea.

The bottom line is Supergirl is once again thwarted in her hopes for love.

This is a silly story without much long term impact on Supergirl's history so has a low importance for a Supergirl collection. I have always enjoyed Art Saaf's version of Supergirl; he draws a very nice Kara. I am not a fan of the slippers though. I like Supergirl in boots.

Anyways, Happy Valentine's Day!