Showing posts with label Livewire. Show all posts
Showing posts with label Livewire. Show all posts

Monday, April 27, 2026

Review: Spider-Man/Superman #1 Supergirl/Ghost Spider Story


Welcome to the week of Spider-Man/Superman #1, the Marvel release of the latest DC/Marvel crossover. I had recently done a deep dive on the Superman/Spider-Man #1 comic on the site. I must admit, both companies did a great job on these books with very entertaining main stories and very interesting back-ups.

Somehow Marvel got the luck of having the Supergirl story in the lot. And I was thrilled when I heard the team-up was going to be with Ghost Spider. As a huge Gwen Stacy fan, this seemed like a 'chocolate and peanut butter' moment, the perfect combo. Add in Phil Noto, a long time favorite of mine and I was really excited.

The writer of 'Remarkable' was Stephanie Phillips who I feel is a sort of hit-or-miss writer for me. I have enjoyed some of her work, the early issues of her Harley Quinn run and the current She-Hulk book for example. But this story's premise that Kara and Gwen would be sort of catty towards each other, acting like mean girls, seemed a little bit off. I do feel that maybe the story sticks the landing but given it is unlikely that these characters will ever meet again, it seemed like a wasted opportunity to see a true team-up.

Kudos to Peach Momoko for this slick cover. Love the pastel covers and the smiling Kara standing tall!

On to the book.

Monday, February 27, 2023

Review: Superman #1


If you told young Anj that one day I would have 5 copies of Superman #1 in my collection, I'd say you were crazy. But it is true. 6 if you count Superman: Son of Kal-El #1 as part of that. Byrne/New 52/Rebirth/Bendis and now Dawn of DC era Superman #1 all have a place in my collection.

I suppose Action Comics is the granddaddy of them all so the Superman book can be rebranded for a little first issue buzz. The Bendis era wheezed to an end. The Jon experiment was ... an experiment. And Dark Crisis, in theory, rebooted everything. So with Clark's secret identity back in place, the Joshua Williamson/Jamal Campbell era covering Superman begins.

This feels very much like a new start to the proceedings. There is a whole new dynamic between Lex and Clark, one I don't know if I truly understand. But one I am interested in reading more about. Lois is acting as editor to the Planet. There are some creepy villains lurking in the background, one performing experiments on other creepy villains. And, sliding in as a minor detail that surely will pay major dividends, Jimmy's girlfriend moved in with him. Chances she is a creepy villain? 98%.

Williamson clearly is having fun here. He has a good feel for the characters and their voices as everyone sounds right. The pacing is right with action mixed in between the story to keep momentum up. I am eager to read more of his Lois. And let the debate begin! What music does Clark listen to?

Jamal Campbell's art is always lush and beautiful. He really shines here. In particular, the quieter, character moments are filled with such emotion and heart. The art adds so much that it all explodes. I hope there has been enough lead time that Campbell can keep up the pace. 

There is one thing that does bug me a little, about the Luthor plot, but I suppose I can explain it away. I'll get there. 

Wednesday, January 24, 2018

Supergirl Episode 311: Fort Rozz


Supergirl episode 311, titled 'Fort Rozz' came out this week and was an excellent mix of plot progression, character development, and continuity. I have been very impressed with the show leaning into the overall theme of Kara reclaiming and embracing her humanity as this season progresses. Here we see that again in full force. I love it. But for me, the best thing about this episode was how much it leaned into the show's history. I love it.

The overall plot is Kara heading to Fort Rozz in space to gather information about Reign. She'll be powerless and so needs to call on former enemies for aid. Of course, Reign is a killer and so Supergirl hopes that the enemies of her enemy will remain her friends, regardless of the past. In essence, she is calling on their humanity (there's that word again) leading to someone making an ultimate heroic sacrifice.

Fort Rozz was a key point in season one, so hearing about it again was a great callback. And bringing back Livewire and Psi to be Supergirl's squad was a great touch. Livewire's character actually has grown over the three seasons and that dedication to the supporting cast is one of the things I love about the show.

But it is Yael Grobglas' performance as Psi which shines the most. From tiny physical affectations to haughty villain lines, she steals the show.

The episode isn't perfect. Some plot points seem a little contrived. Brainiac 5 is really obnoxious in this episode, dimming the awkward chemistry I liked so much from last episode. And a Alex/Ruby subplot, while having a couple of nice moments, seemed a little needless and forced.

On to the show.

Thursday, July 13, 2017

Livewire Coming To Supergirl Comic??


Since the inception of the Supergirl title post-Rebirth, writer Steve Orlando has been doing yeoman's work trying to merge the continuity of the DC Universe Kara with some of the broader ideas of the Supergirl television show. So show specific ideas like CatCo, the DEO, and Jeremiah & Eliza Danvers.

Over on Twitter, Orlando tweeted that he was meeting with the Supergirl creative team (editor Jess Chen, artist Robson Rocha, inker Daniel Henriques, and colorist Michael Atiyeh) to discuss the next arc in the book. (Can I just say, as a reader always interested in the creative process, the idea of a summit meeting of the whole creative team is just fantastic!)

When I asked for a hint, Orlando said there could be some "shocking additions".

Given that proclivity to merge the show's sensibilities with the comics, I figure the shocking hint means we'll be seeing Livewire soon! And that makes me happy. Because I think the time is right to convert Livewire to an official member of the Supergirl Rogue's Gallery ... in the same way that the Silver Banshee seems to have gone that way.

And there is the history between the two!

Wednesday, February 1, 2017

Supergirl Episode 210: We Can Be Heroes


(Please be aware that this is a long review ... even by my standards.)

Supergirl Episode 210, titled 'We Can Be Heroes' aired this week and heralded the return of Supergirl's arch-enemy Livewire. Given the commercials we had seen for this, I thought it would be something of a very action-heavy episode. But instead, we got a character driven show in which several of the show's primaries had to deal with either personal biases or outright misjudgments. This concept of prejudice blinding someone has been a popular theme to tackle on this show right from the beginning. But usually it is the main character's reaction to it, not wading in it a bit themselves.

Perhaps the most perplexing plotline in the episode was Kara not wanting to let other less proven people wade into super-hero business. She tries to shelve Mon-El (not trained) and James (not invulnerable) throughout the episode and even moving on. And yet ... you think that Kara of all people wouldn't feel this way. After all, it was in the premiere itself that Alex tries to stop Kara from being Supergirl and it is Kara who still pushes forward on her journey. Supergirl wasn't trained at all but she knew she wanted to help people. It is this hypocrisy which I think is easy grist for the mill moving forward.

There is a very good subplot of J'Onn finally having to deal with his own hatred of White Martians as he weighs the pros and cons of helping a dying M'Gann. We get the slightest peek into the deepest part of J'Onn's psyche which shows he is pretty human in his own way.

And then there is the Livewire subplot which took a left turn I wasn't expecting. Are villains immutable in their evil ways? Or can they change and redeem themselves?

Mixed in all the action were two or three very powerful conversations where characters confront each other in ways that aren't warm and fuzzy. Things aren't always bright in National City. In particular, Mehcad Brooks gets a couple of standout moments which made me say 'wow'. God knows his character needed it.

If I have one complaint about the episode it is in the directing. There are a lot of moments of conflict between characters here. And yet the shots are often a closeup of one character's face, sometimes as viewed over the shoulder of another character. I would have loved it if both characters were in the shot so that we could see body language and other cues. These weren't comfortable discussions at times. Let me see that!

On to the show!

Wednesday, March 30, 2016

Supergirl Episode 18: Worlds Finest


Supergirl Episode 18, titled 'Worlds Finest', aired this week. The episode was the much anticipated crossover with the Flash television show and was about as close to a comic book I have seen a show be. This was the classic 'heroes team up to beat villains who have teamed up' trope I have seen in comics over the years. And it nailed that storyline completely.

But more than that, this was an episode that seemed to embrace the notion of comic books. There was joy here. There was ice cream and races and quips. There were hugs and superhero nicknames.There was mentoring and friendship. There was smiles and fun. There was sunlight and lens flares.

And this couldn't have been aired at a better time, as another hero 'team-up' is being shown on the big screen. The dark, dour, depressing mess of 'Batman V Superman' stands in stark contrast to this near perfect illustration of what makes comics wonderful. I can't help but wonder if Greg Berlanti and Ali Adler were looking at the calendar and planning this out from day one.

Much of this rests on the shoulders of the actors. Melissa Benoist and Grant Gustin have such easy chemistry throughout the show. They are similar heroes, hoping to inspire and driven to do good. They interact so effortlessly. I love that The Flash is the veteran hero here, giving Kara pointers and being a role model.

We still await news of a second season for Supergirl. But I will repeat what has become a mantra for me. This show has been everything a Supergirl fan could ask for. And this episode might be the jewel in the crown.

Wednesday, November 18, 2015

Supergirl Episode 5ish: Livewire


Supergirl Episode 4 "How Does She Do It" was shelved for a week when its plot of terrorist time bombings around National City was felt to be too close to the attacks on France to be aired. As a result, this week, we got to see Episode 5 "Livewire" one week early.

"Livewire" was a very good episode focusing as much on character development as it did on action. This was a world-building episode, adding history to all the female characters of the show. We got to see how expectations and mentoring can mold people. We learned that too much pressure can make someone crack. And we learned that a lack of a role model can create a monster. All of this was extremely well done. Brit Morgan played a great Livewire villain. The standout performance was by Calista Flockhart who  showed that Cat Grant  may appear callous and sometimes shallow but whose waters run deep. The standout scene was between Chyler Leigh and Helen Slater where Alex finally confronted her mother Eliza about unrealistic expectations and disappointment.

That doesn't mean Supergirl is absent. Melissa Benoist still brings a positive vibe  and joy to the role. There is humor. There is maturity. There is optimism. There is fierceness. Supergirl is a complex character because of the breadth of her emotions. Benoist shines, capturing it all. And her wire work and action sequences are improving weekly.

I don't want these reviews to be a simple rehash. So I'll try to hit the high points.


The episode starts with Supergirl stopping an alien who has escaped and is running amok in the DEO headquarters. It is an excellent action sequence with this alien tossing agents through windows and Kara eventually body slamming it into submission with flight powers. The choreography is great. Kara uses fighting technique. And there is a definite emergence of a little body quirk, Kara floating/flying with her right leg bent at the knee and flexed. That is 'her' pose.

But the best part of the fight is when Kara learns this behemoth was female and gives a quick 'respect'. That flip from determined combatant to quipster is perfect.


Helen Slater is in the episode as Eliza Danvers, the girls' mother visiting for Thanksgiving. One thing that is obvious is that Alex walks on egg shells around her. Eliza has put a lot of pressure on Alex to protect Kara. And Alex knows Eliza won't be happy about Kara's coming out as Supergirl. In an interesting turn, Eliza doesn't know that Alex works for the DEO. She thinks she is still just a lab rat, not a field agent.

The scene is quick but lays the foundation of the relationship. Alex is under the microscope and feels the pressure.

And we learn that Kara's favorite pie is chocolate pecan. It is 'the best dessert on 12 planets'. Does this mean Kara has visited other planets? That other planets visited Krypton so she sampled other alien confections? Hmmm ...


We then get a montage of Leslie Willis, CatCo's shock jock. And Willis aims her wrath at Supergirl. In a mini-monologue she insults Supergirl's looks, her 'adorkable' nature, her idiotic costume of skirt and tights, her 'Sapphic' vibe. She wonders who would try to penetrate the chastity belt of steel and if Kryptonian genitalia is horrific.  It is a nice scene. We see everyone's reaction to specific parts of the rant. So Winn hears about the costume. James rolls his eyes about the sexuality. It is nothing but the attack of a bully, trying to shame Supergirl.

And Cat isn't going to let it go on. First off, CatCo wants a 'relationship' with Supergirl. Cat would 'adopt' Supergirl if she could. In a great line, we hear Cat say that Supergirl's presence is changing National City to something more optimistic, a place of hope. That is phenomenal.

But personally, Cat realizes she should have been a better mentor for Leslie. It is here that we begin to see more of Cat. It isn't all about ratings. It is sometimes about doing what's right.

Despite Leslie's threat that Cat will regret it, Grant demotes Leslie to a traffic reporter in the 'Cat Copter'.


 As I said above, this is episode 5. Episode 4 was skipped.

The only speed bump to that was James seemingly being back together with Lucy Lane. This should get explained more in that fourth episode. But James is off for a long Thanksgiving with Lucy.

 Leslie's first broadcast as a traffic reporter is in a thunderstorm and soon the helicopter is out of control. Supergirl has to swoop in for the rescue. There is something very classic about a copter save, evocative of the Donner movie.

But while grabbing Leslie, a lightning bolt hits Kara. The energy courses into Leslie, turning her hair blue and knocking the DJ into a coma.

The effects on this show is brilliant. The lightning/electric powers this whole episode is just great.


 The Eliza and Alex friction increases during the show. Eliza blames Alex for letting Kara get herself into this situation. I love how Eliza says that Kara just assumes that everyone is as good as she is. That is the Supergirl optimism and brightness I love.

We then flashback to seeing Kara flying over Midvale with Alex when they were kids. It's a dangerous silly thing to do.

But what I love was Malina Weissman adopt that same 'right leg bent' flying pose. It is continuity nods like this that enrich a show like this.


 Finally, filled with the liquid courage of wine, Alex tells her mother that she is a DEO agent. It absolutely ruins Thanksgiving dinner. But at least the air is cleared. Eliza should be proud of Alex. She should know that Alex is helping and protecting Kara in that role. Her mother shouldn't be disappointed in her.

Alex has been pushed by Eliza and has accomplished so much. It should be enough to garner respect. This theme is woven throughout the show.

I also like Kara standing up to Eliza. Kara decided to be Supergirl. It was her decision. The mother shouldn't be deriding Alex.

Alex storms off. Winn slinks away. And Kara is called to CatCo.


Meanwhile, Livewire has awoken from her coma and loves her new powers. She absorbs the energy from the city and confronts Cat in the CatCo office.  Kara is there and the two run for cover. Cat tells Kara to run 20 floors down to get security. It allows Kara to slip away and become Supergirl. There are lots of clues that Cat knows Kara is Supergirl. This is one of them.

Livewire and Supergirl fight in another great scene. The effects are great, especially a spot were we see Supergirl rise outside the window of the CatCo building and fly through the glass. And we again see more fighting technique from Kara: heat vision, haymakers, and head butts.

 The Alex/Eliza relationship builds up until we get a powerful scene between the two. Alex sheds tears as she asks her mother why she has never been good enough for her mother. Eliza admits that Alex makes the tough decisions. Alex is better than Eliza could hope to be. And Eliza calls Alex 'her Supergirl'.

This is so well acted. The best scene of the episode for me.

Meanwhile, the DEO has helped Kara by creating a sort of capacitor trap that reminds Supergirl of Ghostbusters. I love that the Ghostbuster quip falls flat in the serious conference room of the DEO. Perfect.

But better than that was Henshaw saying it is a trap modified to capture a Zarolatt! That is a deep cut reference to the 80s mini-series The Weird!


 Echoing the sentiments from the Alex/Eliza scene, we hear from Cat how she should have mentored Leslie in a better way. Cat's mother pushed and pushed Cat all her life. Sometimes it is unhealthy, but it has made Cat who she is. It is why Cat pushes those she cares about (admitting Supergirl is one of those people). She is trying to bring the best out of people. She didn't do that with Leslie. Cat created this monster.

The trap is set with Cat and Supergirl luring Livewire to 'where it all started', her first radio station. In another great small thing, we see Leslie's first show's poster. It is a smiling Leslie. The font is cursive, not the sharp style of her current show. We see how Leslie has changed without guidance.

Again, small things like personality quirks and continuity nods, and this visual prompt of Livewire's past adds so much to a show.


 Supergirl and Livewire brawl in the street and it is beautiful. The effects are stunning, especially seeing Livewire teleport into wiring and wielding lightning whips. Just spectacular.

The Ghostbuster device fails so Supergirl has to fall back onto an old favorite to beat an electric villain. She grabs a water main and douses Leslie, shorting her out. I liked that this was Kara needing to think on her own and not use a gadget of the week.

Look at this screen grab. Those are unreal effects.

The fallout from the defeat are varied.

Cat decides that she won't run nonsense about celebrities (one getting drunk at Club Apokolips?) and instead will run positive stories instead. Supergirl's positivity is working its magic here?

Winn tells Kara that he is jealous of her family. His father is a bad person and is in prison. He didn't name drop Toyman. But we know that.

And Eliza lets her girls know a secret she has been keeping. We see in flashbacks that young Kara's flight with Alex got the attention of the DEO back then. A more hirsute Henshaw wants Kara to be taken in. Instead, Jeremiah Danvers makes a deal. He will work for the DEO and Kara will stay put. Jeremiah knows everything there is to know about Superman (a bit meta coming from Dean Cain). All Danvers' research and expertise will now be in the DEO's hands. This explains why the DEO has Kara's ship, knows so much about Kryptonite, and knew to recruit Alex. And while Jeremiah died 'in a plane crash', Eliza thinks something else happened.

I can't believe this is a heel turn for Henshaw. And it echoes a bit too much like Harrison Wells to me. I guess I'll have to see where it goes.

If I had one complaint about the episode, it is Kara calling Eliza her foster mother. She doesn't call her mom, she calls her Eliza. I was hoping for something more familial here. Like 'adoptive mother'. She considers Alex her sister. Why not think of Eliza as a mother figure? She can still love Alura.

But that seems a quibble in comparison to all the backstory and character building we saw here. Just great stuff. And the battle scenes and effects were top notch.

My prediction? In the season finale, Cat reveals she knows Kara is Supergirl.




Each episode seems like it is getting better.