Showing posts with label Denny O'Neil. Show all posts
Showing posts with label Denny O'Neil. Show all posts

Wednesday, August 3, 2016

Back Issue Box: World's Finest #258


We are just a couple of weeks from Supergirl Rebirth #1, the reintroduction of a Supergirl book into the new DCU as well as the reappearance of Lar-On the Kryptonian werewolf! I am really looking forward to what writer Steve Orlando and artist Emanuela Lupacchino will be delivering. The brief glimpses of the book we saw at San Diego Comic Con looked incredible.

I have been taking a look back at Lar-On's brief history in the DCU starting with his first appearance in World's Finest #256. While that was Lar-On's only true appearance, his story sort of continued in World's Finest #258. As this story included an interesting wrinkle about Lar-On's lycanthropy, I thought it was worth sharing here. I am hoping that Orlando explores that bit of 'The Krypton Curse' but we'll see.

Lastly, I remember having this comic as a kid. I must have bought it right off the rack. Unfortunately all sorts of books from that time simply disappeared, meaning I was on a hunt for this one in all the comic stores I came across. Hard to believe that I found it while on vacation earlier this summer.

On to the story.

Thursday, July 14, 2016

Review: World's Finest #256



Way back in May, we first read about Supergirl Rebirth #1, a prelude to the upcoming Supergirl written by Steve Orlando. The Rebirth special has art by Emanuella Lupacchino and a variant Adam Hughes cover and should re-establish Supergirl as a hero within the reimagined and reenergized DCU. We are just a few weeks away from a new Supergirl title.

But the thing that really caught my eye in the solicit for the issue was that the villain would be the Kryptonian werewolf Lar-On. That is a pretty deep cut by Steve Orlando and makes me think that fans of Supergirl and the DC mythos are in good hands.

Lar-On first appeared in World's Finest #256 way back in 1979. From the cover, drawn by Ross Andru and Dick Giordano, you get a sense of just what a threat Lar-On will be. A giant pink werewolf crawling out of a dimensional portal?? Just fantastic.

This story is a whopping 20 pages in this dollar comic, the size of a regular comic today! There is plenty of padding in this tale. Batman gets a mostly unnecessary subplot to give him something to do. The fight scenes are rather pedestrian and go on for quite a while. But the tragic ending to the story gives it a nice impact. I wonder if Orlando is going to play up that tragedy as a sort of prologue to the sad reality of Zor-El being tranformed and mutilated into the Cyborg Superman.

But all that said, calling back on Lar-On alone is fantastic!

Wednesday, January 2, 2013

Review: Superman #235 - Who Is Ferlin Nyxly?


What was Mr. Mxyzptlk's greatest trick in Action Comics? It was the birth of his son Ferlin.

And born to Ms. Nyxly, that would make him Ferlin Nyxly.

So who is Ferlin Nyxly? Will he appear in the Superman books?

The truth is he already has appeared!

I don't know if Morrison has the same 'every Superman story has happened in continuity' belief as he has with Batman. But if he does, we have seen Ferlin Nyxly before, way back in Superman #235.


Superman #235 was just the third issue in Denny O'Neil's revamp of Man of Steel, the 'Sand Superman' storyline that started with the elimination of all Kryptonite on Earth and ended with Superman's powers significantly decreased. In between Superman learns Eastern mysticism, Clark becomes a TV reporter, and Morgan Edge is introduced (and is an agent of Darkseid). Hence, these really were 'The Amazing NEW Adventures of Superman.'

At some point, I suppose, I'll wax poetic at length about this storyline.Suffice it to say that I liked it enough to make a panel from the first issue my avatar on most sites.

At this point in the arc, Superman hasn't lost any power yet. But he is aware of a doppelganger of himself, a sort of sand golem, which is following him around and does seem to temporarily weaken him.

'The Sinister Scream of the Devil's Harp' was written by O'Neil and drawn by Superman legendary team Curt Swan and Murphy Anderson. It opens with Clark and Lois covering a Metropolis Concert Bowl concert, the piano magic of ... Ferlin Nyxly!

Lois is surprisingly blase about the whole thing thinking even the best piano player is nothing compared to Superman.


As is usually the case, something happens that requires Superman to come and save the day. A Middle Eastern ambassador is also in attendance and a rogue political group tries to kill him by dropping a bomb into the crowd from a helicopter.

Clark is able to slip away and stop this threat pretty easily. The crowd rushes to adore him, disturbing the concert. Superman gives Lois a friendly wave to acknowledge that he sees her only to quickly return as Clark.


The crowd fawns over Superman and eventually and noisily takes their seats. Throughout the commotion, Nyxly plays. But it is clear he has a pretty low self-esteem and some anger issues.

He has been waiting his whole life for this chance and now no one is paying attention. It reminds him how he thinks that he is "a loser ... a weak, forceless scholar".

I do have a Morrison theory about this that I will get back to at the end.


Turns out Nyxly had no musical talent, despite a lifelong wish he did.

Instead he was a museum curator. One night he strums on a bizarre harp discovered in a 'lost city'. While the eerie music resonates he wishes he had musical talent.

Suprisingly, after that plucking of the strings, Nyxly is a virtuoso. And, interestingly enough, the current 'world's best piano player' Timos Achens loses all his musical ability.

Despite taking the music world by force and becoming a mega-star, Nyxly still thinks little of himself. And this latest interaction with Superman reminds him that he still is simply a man.


Shortly thereafter, Superman races out to sea to stop a potential disaster, nerve gas may spill into the ocean from a sinking ship. En route to the disaster, Superman again encounters his Sand double, a silent being who for now mirrors Superman's moves.

At the same time, Nyxly ... again bemoaning his fate as an ugly, non-super, piano player ... grasps the harp and wishes he could fly. And just like that Superman (and Sand Superman) lose the ability to fly.


Realizing that he can become something more, Nyxly dons a Pan costume. While he says he empathizes with Pan (the ugliest god), I don't know if donning a satyr costume would be the first thing I would do.

But even with flight and mad musical skills, he is still Nyxly. He considers himself homely and dumpy. And he looks at the beautiful people  on the beach and thinks that world is simply beyond his reach. And just like that, he snaps, robbing armored cars and using the harp to wish for invulnerability.

And, of course, Superman loses his invulnerability at the same time.

Now super-powered, musically talented, and flush with cash, you would think Nyxly would head to a tropical island and live a life of luxury.

But instead, his internal anger ... his feelings of inferiority ... are transferred to Superman. So rather than revel in his powers, he challenges Superman to a death-duel in Metropolis stadium. And Morgan Edge, who hates Superman, allows Nyxly's challenge to be broadcast!


Now Superman can't fly and he isn't invulnerable, but he still has super-strength and speed. And, one thing he isn't, he isn't a coward.

It is a quiet small moment in this book, but I love this part. After all, isn't part of being Superman doing what is right no matter what the danger?


The 'duel' doesn't last too long. Nyxly strums the harp like mad, wishing for super-strength and super-speed. Suddenly Superman is very normal. Despite that, he refuses to surrender. I love it!

I also like this panel composition for some reason. The reverse angle of Nyxly hoisting Superman up just carrier the right feeling of action.

I also have to laugh at the packed Stadium! Did the stadium owners charge admission? Open the doors? Have the concession stands running? Admit it, if the doors were open, who wouldn't go to see a Super-duel!


Of course, it doesn't take a super-genius to realize that the harp strumming has led to the power-switch. And the Sand Superman has been just as depowered by Nyxly. So, when it shows up at the battle, Superman tells him to smash the harp. And, the Sand Superman does just that.


And with that, Superman and the Sand Superman are suddenly re-powered. Nyxly now is back to powerless talentless museum curator too.

Was the harp magic? Or science? We'll never know.

And the Sand Superman? For the third straight issue, it shambles off silently. More to come from that to be sure.

All right, this is a pretty goofy issue. Sure, Superman acting courageous is a nice piece, even when he is depowered. It is a foreshadowing of the end of this arc when Superman has been drained of a third of his power but still vows to fight on.

But re-reading this issue with the understanding that Nyxly might be an Earth-born 5th dimensional being makes it much more interesting. Remember, in Morrison's Action Comics, Ms. Nyxly really doesn't show any powers, only revealing herself once. Maybe Ferlin doesn't know his heritage!

And maybe his inferiority comes from some internal feeling that he knows he is somehow bigger than the tawdry world around him. Maybe that's why he wants to be more, to simply be who he is. And maybe the harp isn't magical or scientific. Maybe all this power-swapping was him simply using his innate abilities, maybe the harp was just a mental crutch he used to explain why things happened. And wouldn't the dream of Mxyzptlk's and Nyxly's child be to become an entertainer ... like his jester/magician dad? And isn't Pan a mischievous god? Who better for Myx's son to dress up as!

All right, maybe I am trying to force one line from Sholly Fisch's back-up story in Action into Bronze Age continuity. But it did make this a more interesting read. I wish there was a way to find out of Morrison or Fisch had that in mind!

The Sand Superman storyline is one of my favorites if only for its audacity. During the early 70's O'Neil rewrote Batman as the Dark Knight again, depowered Wonder Woman and made her a judo fighter, and depowered Superman. Pretty impressive.

Overall grade: B (on its own merits), B+ (if I add in current ideology into the story)

Saturday, April 3, 2010

The Return Of The Martian Manhunter; Adventure Comics #450

Hopefully I have waited long enough and the resurrection of J'onn J'onzz in Blackest Night #8 is no longer a huge spoiler. It was great to see the Martian Manhunter back amongst the living. Unlike most recent 'comics events', I really liked Blackest Night.

Given the Manhunter's return, I thought I would review Adventure Comics #450, a Supergirl/J'onn story from 1977. A while back, blog friend Frank Lee Delano referred me to this story, one I didn't know about. Frank runs the excellent Martian Manhunter blog, The Idol Head of Diabolu. Here is the link: http://idol-head.blogspot.com/ , a character blog definitely worth checking out. In gratitude for the tip, I promised him I would review the story once J'onn returned.


For me, this story was something of an unexpected treat. It is a short 6 page story, a chapter in a Martian Manhunter solo story acting as a second feature in the Aquaman driven Adventure Comics of the time. The story is written by one of my favorite comic writers of all time Denny O'Neil. I didn't think O'Neil had ever written Supergirl in any form. So it was great to see this story, even if Kara is only the guest star.

Here is the opening splash page. Once again we will see a 'hero fighting hero' story. It certainly is an attention grabbing panel as the reader is dropped into the fight.


But really, the story starts out in space with the Manhunter from Mars in a spaceship en route to Earth.

Turns out J'onn was on Mars when his best friend Re is killed. Re's dying words make J'onn think the killer is hiding out on Earth. When he says he is going to Earth to hunt him down, the Martian army leader N'or tries to stop him. J'onn wants justice and so fights his way to the ship and takes off. N'or jumps into another ship and the chase is on.


In fact, N'or catches up and is able to shoot J'onn out of the sky.

Luckily, Supergirl is flying over Metropolis and notices the wreckage falling near the city. In a nice little 'turn around is fair play' maneuver, Supergirl catches the falling debris and fires it back at the alien pilot. Unfortunately, that pilot is J'onn, the innocent victim.


Addled from the destruction of his ship, the Manhunter From Mars turns on Supergirl, mistaking her for an enemy. Supergirl realizes that she made a mistake hurling the falling spaceship at J'onn. Unfortunately she can't initially get through to him. In fact, he is attacking with all his might.

Kara doesn't want to hurt J'onn ... but she doesn't want to be hurt either. She decides to try to hold the Manhunter at bay until he regains his clarity. One gut punch later, J'onn comes to, recognizing Supergirl for who she is.

I don't know if I like that Supergirl questions her ability to analyze the situation as good as Superman would but at least she accomplishes her goals.

While the two heroes recover from their battle, the trailing Martian general N'or approaches and fires his missiles. With J'onn still concussed, Supergirl realizes she needs to save him and the city below from this artillery barrage. Despite not knowing what Martian weapons can do to her Kryptonian physiology, she flies into the face of danger.


As expected, the weapons explode harmlessly against the Maid of Might.

It was nice to see Supergirl do what's right, going straight into a potentially dangerous situation to save the day.

With the attack thwarted, N'or takes off. Rather than giving chase, Supergirl returns to tend to J'onn who has finally recovered. And so the Manhunter will continue his manhunt to find Re's murderer.

It was pretty appealing to see these 2 characters interact like this since I don't know too many other times their paths have crossed this closely. It also was nice to see Supergirl be such a pro-active force in this book, saving the city twice and J'onn once in a short 6 pages. So she wondered what Superman would do for that one second ... she still got the job done!

And while J'onn doesn't do too much in this story, there is no denying his sense of justice and how nothing will stop him from getting his target.

Mike Nasser certainly draws a lithe and buxom Supergirl, filling out the seventies hot pants costume. Many of the panels remind me of somewhat of Marshall Rogers, at least in composition. Nasser is no Rogers', but the art had that feel to it.

So not a bad little story and certainly worth the small price I paid to get it. Thanks again to Frank Lee Delano for pointing me to this issue. A Denny O'Neil Supergirl story ... who knew!?

And, of course, welcome back J'onn J'onzz!

Overall grade: B/B+