Review: Batman/Superman: The Authority #1

The Batman/Superman title may have been canceled but DC Comics has given us one more bite at the apple with the Batman/Superman Authority Special #1 which came out last week.

I suppose it serves any number of purposes. The Warworld Saga is about to start in the pages of Action Comics and this acts as a bit of an hors d'oeuvre for that. With Batman prominently displayed on the cover, I bet DC is hoping fans of the Dark Knight might pick this up and get intrigued with the Warworld arc and head over. The Superman and the Authority mini series also just wrapped up. While that seemed very trippy and self-contained, it did indeed lead here. So maybe DC is also hoping that folks who enjoyed that title and are mulling over reading Action Comics might also give this a try and get hooked. 

But specials like this usually don't figure into the main plots they are teasing in a major way. So as a stand alone story, they better be worth it. Luckily, this one fits the bill. Outside of one significant 'how did that happen' moment at the end, this is a pretty interesting tale which hints at being a prologue of its own.

Writer Philip Kennedy Johnson has already shown a deft touch for creating potential families for major characters having given us the House of El lineage. Here he gives us the Dark Universe evil progeny of a major DC character that needs to be foiled by the World's Finest and the Authority. This plot grabbed me more than I thought it would. (I have avoided Metal and Dark Universe stuff as much as I can.) In particular, the Batman and Midnighter moments stand out.

And given this is a story told in two universe, we have two very different artists. Ben Templesmith brings his unusual style to the Dark Universe proceedings with a nice dark palette of murky colors. Trevor Hairsine does the work in the main universe. The contrast works very well.

On to the particulars.

Review: Superman And The Authority #4

Superman and the Authority #4 came out last week, the last issue of this quirky mini-series that I have unabashedly loved.

I shouldn't be surprised that Grant Morrison could pull off such a series. Somehow this series is both in continuity and seems out of continuity. It started with Superman meeting Kennedy. It ends with Superman heading off to Warworld, sliding into the current Action Comics arc. It is seems to include metacommentary on social media, comic fandom, and comic property creators. It throws in some intriguing lines that probably will impact the entire super family. All this while being massively entertaining. Morrison grasps who Superman is. 

Mikel Janin is also amazing on this book, bringing us such polished art that I want to inject it into my eyeballs. His older, graying Superman is just dazzling. His Lois Lane is feisty and sort of scary. The  

action sequences include very palpable hits. 

But it is the droll ending of the big villain arc that is the can't miss moment here. It has to be seen to be believed.

On to the book.

Review: Superman And The Authority #3

Superman and The Authority #3 came out last week and was another tremendous issue in what has been a very entertaining mini-series. Writer Grant Morrison is telling a story of an aging and weakening Superman forming a team to act on his behalf. But as I have said in the past, Morrison is also weaving in comic history, commentary on comic fandom, and a surprising amount of humor. I think Manchester Black is almost a stand-in for Morrison, calling it like he sees it at times.

This issue concentrates mostly on the recruitment of the Enchantress to the Authority. It involves a true laugh out loud moment. It ends with three different cliffhangers, one as the team is trying to recruit their next member, a new Lightray.

The art is by Mikel Janin and Travel Foreman and the book has a very pleasing polished look to it. I love the new look uniforms for the Enchantress and Nat Irons. And I the wild environment of Fort Superman is showcased nicely with great points of view in wide open page layouts.

If there is one complaint it is that we only have one issue left. The team hasn't even been fully formed yet. We have just learned about the threats the world faces. How is this going to wrap up in one issue? Or is the plan for it to end with the actual formation and take it from there. I wouldn't mind a lot more issues of this title.

On to the details.

Review: Superman And The Authority #2

 When the Superman and The Authority miniseries was announced, I knew I was going to buy it. I mean I will always buy Grant Morrison books. And Morrison Superman books never fail to entertain. And Mikel Janin on art? Brilliant. 

 It was 'the Authority' part that worried me. I have never had too much interest in the group and never read the book. But the concept of a future Superman putting together a group of misfits to be his away team sounded too good. Manchester Black corralled into being a good guy? This I needed to read.

Superman and the Authority #2 came out last week and was simply one of the best books I have read in a while. What is Morrison's game here? Is Morrison poking fun at the comic book industry? Himself? Is he laughing at us fans? Or with us? 

I don't care.

This book is just seeped in metatextual comic and fandom stuff that I had a silly grin the whole way through.

The team is barely formed and we are halfway through this brief 4 issue series. I hope we get to see them in action. But if all I get are 2 more issues similar to this, I'll be just fine.

The art here is predominantly done by Janin who draws an older Superman looking like sturdy Tom Strong. The internal chapters are done by Travel Foreman, Fico Ossio, and Evan Cagle. The book flows well under these artists, each chapter improved by the style of the artist. 

Let's dive into the fun.

Review: Superman And The Authority #1

Superman and The Authority #1 came out this week and by the time I reach the bottom of this review I hope I have a grade in mind. Because I am a bit befuddled by the concept but I enjoyed the issue.

I suppose I shouldn't be surprised by this. Grant Morrison is the writer of the mini-series. And with so many Morrison works, I probably will need to marinate in this one for a while. I sometimes just have to let the experience wash over me and hope I will appreciate all of it via osmosis. But one thing I know about Morrison, he never fails to impress. And in particular, his take on Superman has never failed me. 

Here we have a Superman on some Earth trying to make sure that he has a team of operatives who can act on his behalf when his powers fail him. But this is a Superman who was alive in the 60s. He is gray-templed, weakening, wearing a Kingdom Come S-shield, but still dang inspirational. And the first person he reaches out to is Manchester Black, one of his most powerful and deadly enemies. Whew .. some opening act.

The art here is by Mikel Janon, whose work I have always loved. Clean lined, dynamic, and lovely, his work sings here. His middle-aged appearing Superman looks like a movie star. The action scenes are fun and frenetic. And the colors by Jordie Bellaire only bring a layer of beauty to things.

But in a current DC world trying to work its way to a Future State, where the super-family has been shaken up a bit, is there room in my mind for the Superman of Earth-?. Well, as long as it entertains, yes.

On to the book.