Review: Action Comics #1103

The recent issues of Action Comics by Mark Waid have been a look back at the earliest days of Superboy, donning the costume, gaining powers, and learning how to navigate a secret identity. It has been great!

Now in Action Comics #1103, we begin a new arc looking back at the earliest days of Lex Luthor. After reading the first chapter, this looks like it will be just as interesting a refresh of Lex's origins, keeping the best parts and sort of modernizing the rest. Perhaps what I like best of all is that it isn't just Lex's story. We will see even earlier portions of Clark's life as a compare/contrast to how Superman ended up being who he is and how Lex's environments molded who he has become.

Lex is still an early genius. He has an abusive father. But now he has a loving mother trying to escape a toxic environment. She is trying to nurture him and show the world who Lex is. . For sure, this has to be a reason why Lex is so rough around the edges. 

I don't need every villain to have a sympathetic back story. But Lex has really danced all over the line for the last 20 years or so, being in the JLA as much as he has been in jail it seems. So having Waid rewrite and revamp DCU continuity will shore up Luthor's history. 

Throw in the usual nods to DC history that Waid always brings and you have a great opening chapter.

Patricio Delpeche is on art here and his style works well with this tale of Lex and Clark as kindergarten age kids. It just works well. And much of this issue is small town, in home parenting sessions and he brings the emotions there too. 

On to the issue.

Review: Action Comics #1099

Superboy has taken over Action Comics but Superman is due to return in next month's Action Comics #1100. This made me think that this week's Action Comics #1099 might be the ultimate or the penultimate chapter of this remarkable run. 

Interestingly enough, this felt like a normal issue of this Superboy run. Yes the current story of some JLAers in the past fighting the time villain Epoch. This issue does push the plot forward quite well. But it doesn't feel 'almost over'. We had two new plots introduced in this issue! So is Superboy continuing as a back-up? As a new book? Or is Mark Waid going to rush to the end next issue?

Enough worrying about next month. Let's celebrate this month. Waid does such a great job of showing the emotional swings of an adolescent male like Clark, as he goes from anger to losing his powers to joy of getting to be a 'normal kid' to back to maturity and recognizing his need to regain his powers. We get two Lana plot threads! One, she finally seems to see Clark as a possible romantic interest. And second, we see what her father has been up to. And we get to see the problems of time travel up close as our heroes literally fade from reality. So much fun.

The art is split by Skylar Patridge and Patricio Delpeche. Patridge just sings in the small town Smallville stuff. Her Lana has been luminous, showing why Clark would be smitten. I don't know if I am ready to not see more of this stuff. Patricio Delpeche has a very different style, rougher and looser. His pages are mostly in a Metropolis lab and that style works well there.

All in all another fantastic issue in this run. On to some details.

Review: Action Comics #1098

Action Comics #1098 came out this week, another great chapter in this look back at the early career of Superboy. Given recent announcements about Action Comics #1100 we may be nearing the end of this mini-run which feels shortsighted by DC because this has been great. If DC announced a Superboy book by this creative team, I would be there.

Mark Waid has done a great job on this book, showcasingClark's early super-heroics and discovering his powers as they develop. Just as important though, he is showing the emotional side of these early adventures. The Kents' history. The Lana love triangle. The Pete Ross mystery. All great.

This issue shines a light on the earliest origin, the landing of the rocket and the Kent's adoption of Clark, leaning a little more to the classic origin and a bit away from Byrne. Waid uses a time-travel villain to make the exposition a plot component so it isn't forced. I have talked about how the Lana stuff has been very nostalgic for me, remembering my early loves in high school. The scene in this issue is fantastic.

The art is split between Skylar Patridge and Patricio Delpeche. Patridge is a cleaner style which works for the Smallville scenes, especially the Lana stuff. I was hoping that Delpeche would do only the flashback pages to keep a sort of thread to the art. But the artists are mixed throughout the issue. Both artists are great.

Onto the book.

Review: Action Comics #1095

Action Comics #1095 came out last week, a look at the Superboy myth from Pete Ross' perspective. Last issue ended with Pete secretly discovering that Clark is Superboy. This issue shows us the fallout. Clark and Pete are best friends. Pete can't help but wonder why Clark didn't share this info.

Writer Mark Waid has the unique talent of taking an old concept (Pete Ross knowing Clark is Superboy; heck even the existence of Superboy) and updating it to make sense for our modern world. It is hard for me to ponder that Superboy was active in the 2000s. That means I am old. But there are elements in this story that shift us far away from 1950s Smallville. What I really love about this is how Waid makes Pete Ross just an incredibly nice, empathetic, good guy. His coming to understand Clark's view is well handled.

Patricio Delpeche remains on art and has a sort of Chris Samnee/Alex Toth approach to the art. This inky style works very well for one of the ending scenes and harkens back to more classic comics which feels right here. 

I grew up seeing Pete Ross peeking out his tent and seeing Clark turning into Superboy. I grew up seeing Pete help Clark by creating a diversion so Clark could skip out. I grew up with Pete keeping that secret. And now I get to grow old with this wonderful addition to the mythos again.

On to the book.

Review: Action Comics #1094

 Action Comics #1094  came out last week, another chapter in Mark Waid's exploration of the introduction of Superboy to the DCU. I have been very pleased with this run of stories and this issue is no exception as Waid answers questions I think have been in the back of my mind as a reader. Why would the military not try to control or co-opt Superman when he first revealed himself?

The bulk of the issue is Superboy doing what he does best, trying to save lives and do what is right. But this time that is by helping the US military extract men from a foreign nation. It is Superboy entering war, being given orders, and still assisting because that is what is needed. But appropriately questioning his role afterwards. I think we are just scratching the surface of this confrontation with General Lane. 

But surrounding the main title is that exploration of Clark's feelings and dealing with this. He is still just a kid. He is still crushing on Lana. He is still doing silly little Smallville tasks. But now he has seen things that most people won't ever see, the horror of war, and has to find a way to deal with it. That is a story worth telling.

The art on the issue is done by Patricio Delpeche, whose work is new to me. There is a raw feeling here. There is as sort of Sean Phillips feel to the work too. Given the darker tone for most of this issue, the pencils and shadow work all works wonderfully here.

Lastly, the ending of the book synchs up a favorite Silver Age moment with these modern times. I smiled. Kudos to Waid for his usual walking the tightrope of honoring the old while refreshing it for today.

On to the details.