Review: Adventures of Superman #440

It is hard to believe that Sophie Campbell has somehow brought the concept of a Matrix Supergirl back into the mainstream continuity. One thing that I have loved about Campbell's run has been her respect and honoring of the Supergirl mythos. Matrix was Supergirl for almost a decade. I liked the Matrix Supergirl and the arc and growth she had. So I am thrilled to see what Campbell is going to do with her.

It's also hard to believe that it has been 7 years since I did a run on this site called 'Matrix Monday', a side project where I reviewed the history of the Matrix Supergirl. Kara Zor-El was gone from the DCU and in the post-Crisis Superman universe, just about three later, a new 'Supergirl' arrived. 

I recently realized I missed a couple of those early appearances when Supergirl had just been discovered in the Antarctica ice, didn't know who she was, and was trying to figure out her mission on this Earth. This was a true mystery! Who was this person? John Byrne and the super-creators were slowly leaking out information, one subplot page at a time.  It started in Superman #16. Here in Adventures of Superman #440 some very interesting clues are revealed.

We are also only about 18 months into the John Byrne reboot when Byrne was still rebuilding and modernizing so much of the Superman mythos. After spending some of those early issues doing reboot or homage issues, we were now into more original takes. In this issue, we get a very interesting early moment between Batman and Superman. This was still a sort of new relationship in this post-Crisis world.

I plan to do cover the Adventures of Superman lead-in pages, filling in the beginning of the Matrix story, before the Supergirl Saga.. I won't be covering this entire issue just some key moments. We'll see how the rest of the issues play out.

Jerry Ordway is on art and these issues remind me why he is called Extraordinary. Everything shines here. I also like this cover, drawn by Dave Gibbons with Ordway on inks! Superman smiling when shrugging off lightning is always a great image. We have seen it a million times.

Going all the way back to the first 'It tickles' cover from Superman #33. Amazing!

On to Adventures #440!

Review: Batman/Superman World's Finest #47

Batman/Superman World's Finest #47 came out this last week, the finale of the Absorbascon storyline pitting the Batman/Superman Fusion against the Lex/Joker Merger. And boy, it ends ... quickly, neatly, and semi-easily.

Writer Mark Waid is almost always a fun and entertaining read and this title has been a revelation in the four years it has been out. This story seems to have some elements that fit the quality of this book. Seeing how the fused heroes work together while the meshed villain minds sometimes are fighting each other is a good insight into the characters. Seeing how our heroes deal with their secret identities revealed also has some meat on the bone to delve into. (Indeed, the Lois scene in this book is my favorite.) And perhaps this characterization deep dive was the impetus for this story. But the plot, with the Absorbascon as a deus ex machina becoming both a receiver and a transmitter that needs to be shut down then saved then reverted seemed too big to wrap up. This was a three parter! But honestly, I don't know if a longer version of this story would make the ending more palatable.

Adrian Gutierrez gets to really stretch in this arc with crazy action, a large cast of cameos, and some emotional beats. It is a rapid fire book going from magical battles to quiet apartment conversations to fistfights. That is a lot for one tiny issue. It must be hard to step into Dan Mora's shoes but I have come to really like Gutierrez's style on this book. There is an energy here that works. 

On to the book.

Review: Batman/Superman World's Finest #46

Batman/Superman World's Finest #46 came out last week, the second part of the Luthor/Joker team-up arc and basically a issue-long brawl between our main characters ... but with a twist.

This is a standard Mark Waid story, digging into some old DC concepts like the Thanagarian Absorbascon while giving it a nice updated feel. Last issue, the Joker and Luthor fused into one body. This issue we get to explore what that mind is like, with two completely dueling mindsets trying to work one body. Through some plot shenanigans, we get a fusion Superman/Batman being (harkening back to World's Finest #4 ). So we then get to see what two minds thinking together sound like as opposed to the villains. It is a nice little writing trick, giving us a nice dive into the thoughts of our main protagonists and antagonists.

But the real joy of this issue is the art by Adrian Gutierrez. It probably isn't the best word but there is a frenetic feel to his art. There is a wild energy to it. And in this issue where two fused beings are just throwing down, the art just sizzles. This just feels like a Dragon Ball episode with overpowered fused-form beings are zipping around the skies trading blows. I don't mind a brawl issue now and then.

I don't know why this issue got a Chuma Hill variant cover with Supergirl and Catwoman but it is an interesting composition.

On to the story.

Review: Batman/Superman World's Finest #43

Batman/Superman World's Finest #43 came out this week, the conclusion of the Bizarro storyline by Mark Waid, Adrian Gutierrez, and Sean Izaaske. This was a quick arc which embraced the Bizarro aspect of the world with backwards talk and ideas and insanity. But it also somehow veered from those humorous aspects to some serious pathos. Bizarros just want to live their lives.

Mark Waid does his usual writing dance of both revering DC's history while modernizing it. Square world? Backwards speak? A 'secret' Batcave with neon signs pointing it out? Pure Bizarro madness out of the Silver Age. But Bizarro's who are sad for becoming 'sane' because they miss their true lives? Robin learning lessons about personal freedoms? A Bizarro Krypo? Nice updates. Heck, Waid even made Bizarro talk, which often can be aggravating to me, have some internal sense. And giving us Robin as the audience's POV character worked well.

The art is a mix of usual artist Adrian Gutierrez and Sean Izaaske. Both bring the insanity and their styles are different but flow well together. They also embrace the insanity, bringing some wild images.

I don't know if this is one of the better arcs for this high-ranking title. But it was a fun diversion.

On to the details.

Review: Batman/Superman World's Finest #38

Batman/Superman World's Finest #38 came out last week, the official first part of Mark Waid's We Are Yesterday arc running through this book and Justice League Unlimited. It feels more like a prologue but it certainly has that Bronze Age flair that Waid has brought to most of the proceedings here.

We know the main villain in the arc is Gorilla Grodd and he is the main villain here, albeit in the past leading up to the present-day story. I haven't always been the biggest Grodd fan. I don't think I have a great grasp of what his power set is or even how powerful he is. Here, Waid makes it clear that Grodd is a powerhouse, worthy of leading an uprising against the League.

When you get Grodd, you almost always get Gorilla City. Fun to see Solovar again, even if he is more coldblooded here than I am used to seeing. I suppose it makes sense given how many times Grodd has taken over his rule. 

And there is the usual fun moments between heroes in this else-when past. Everyone seems a little fun and very collegial. It always works for me. 

Clayton Henry is on art. I love his smooth lines and no-nonsense approach to art. I loved him on the recent Phantom Zone arc in Action Comics so glad he gets a big cast to work with here. Thankfully he does apes well. Not every artist can claim that.

On to the book.

Review: Batman/Superman World's Finest #37

World's Finest #37 came out last week, wrapping up the underwater adventure that writer Mark Waid and artist Adrian Gutierrez have sent our heroes into. 

I will start with the most amazing thing about this story ... perhaps the most amazing thing that Mark Waid has ever done. He made Ronal both sympathetic and interesting.

The story itself, the Floronic Man using 'magic plants' to pit the twin cities of Atlantis against each other, is a bit of a stretch. I still don't know why he simply couldn't harvest these plants on the downlow. Or replant these plants somewhere else and create his own crop. And the wrap-up to the story is sort of a secondary part of the tale which seems more about the burden of leadership and how it can strain relationships. Whether it is Aquaman who is accused as an absent leader or Ronal who is so consumed by leadership that he has lost himself, being a leader is difficult.

The art by Adrian Gutierrez remains fun and energetic. I am amazed at how he continued to remind me this is an undersea story by adding bubbles and wave lines throughout. 

But overall, I feel this story was a little stretched out when comparing to other arc in this title. Still fun!

On to the story.

Review: Batman/Superman World's Finest #35

Batman/Superman #35 came out this week, the beginning of a new arc bringing our title heroes into an adventure with Aquaman. Writer Mark Waid and artist Adrian Gutierrez are back on as our creative team. 

The charm of this comic is how it hits the sweet spot of Bronze Age fun with modern sensibilities. But that 'elsewhen' aspect lets Waid sort of put a classic stamp onto our heroes. We have seen scrappy young Robin, less-moody Batman, and friendly Superman throughout the three years of this book. But we also have seen Waid look at Metamorpho, Red Tornado, Supergirl, and others. 

This arc lets Waid and Gutierrez put their stamp on Aquaman, Mera, and the twin cities of Atlantis. Seeing Aquaman as a sort of 'man of two worlds' is interesting given the more recent runs which have been Atlantis-centric with politics and factions. But it is the inclusion of Lori Lemaris and her sullen husband Ronal was  really the cherry on the cake. 

I thought this opening arc is a nice primer on the old-school Atlantis. At the same time, this is a decent look back to why Aquaman's recent tales have focused more underwater than on terra firma.

Gutierrez continues to grow on this book. There is a sort of recurring artistic panache of repeated words or sound effects in the art. His take on the world of Atlantis and their fashion and looks is nice. But it is his take on a classic villain (seen on the last page) that really grabbed me.

On to this book.

Review: Batman/Superman World's Finest

Batman/Superman World's Finest #12 came out this week and was a truly wonderful 'one and done' tale of Robin and Supergirl's awful first (and only) date. 

Writer Mark Waid has such a deep understanding of the DCU as well as a clear interpretation of the classic histories of the characters that this issue just sings. This story takes place in some vague past, probably in some other timeline, with a younger Dick and Kara. I would say the two come off as Kara being slightly older than Dick, in my head they are 19 and 17 respectively, but who knows.

What does show is that these two are still new to dating, still learning who they themselves are, and trying to figure out their way in the world. 

Robin seems eager to impress Supergirl, something I can remember doing in earlier years when wooing someone. Or he is desperate for some validation, perhaps a comment of his relationship with Batman.

Kara is clearly trying to adopt the ways of Earth for this date. But she also is a little awkward, something which makes sense for her having only been on the planet for a short time. 

It all comes off great. It is a fun, wild story showing why these two (at least at this point) just don't mesh romantically. 

It is aided greatly by Emanuela Lupacchino's smooth art. Lupacchino has been a sort of designated pinch hitter for Supergirl since her stint as lead artist in the K. Perkins run at the pre-New 52 title. She brings great emotion and expression to the date itself, showing the characters cringing and getting frustrated. But the action sequences are also dynamic and splashy (pun intended as you will see).

And all this comes as a prequel from this page in  World's Finest #2 where we hear the ludicrous details of the date, all of which turn out to be on target.

One last thing I like about this book. I like this format that Mark Waid has done so far. A five issue story completes and you get a done-in-one palate cleanser before you go into the next arc. But these single issues add depth to the characters and build the universe. Keep this please, DC!

On to the book.

Review: Batman/Superman World's Finest #9

Batman/Superman World's Finest #9 came out this week and was once again a near perfect comic book. Writer Mark Waid and artist Dan Mora have been hitting it out of the park month in and month out. 

Waid writes the perfect voices for DC characters and this issue there is no shortage of them. From The Flash to the Teen Titans to even the villains, everything sounds perfect. The actions of the characters feel right. But most importantly, he knows how to give us the perfect Superman and the perfect Batman. We see how the two differ in their lessons for Boy Thunder. Given the roles of Robin and Supergirl in the earlier arc, this story about mentoring has some extra juice to it. 

Heck, he even gives me a Joker I'd read. And I have been tired of the Joker for years.

Meanwhile, Dan Mora is revelation. As I say each issue, whenever I see Mora focus on a new character I say 'I hope he does that character's book some day'. From the Doom Patrol to Green Lantern to old school Titans, everyone looks great. That said, I hope he stays here for a long long time.

Everyone should be reading this book. Everyone. 

On to the details.

Review: Batman/Superman World's Finest #4

Batman/Superman World's Finest #4 came out this week and this book continues to just delight me. This book seems to be set in the late Bronze Age and I am solely basing that on costumes and personalities. But some of the story sensibilities also fold neatly into that era. Almost anything can happen and we just can chalk it up to 'comic book science' or 'comic book magic'. 

And for a Supergirl fan, this book is a revelation. This is the type of Kara I am hoping to read. Quick to action. Still young and learning. Young enough to be startled. Powerful enough to beat down the bad guy. I mean it when I say that this is probably the best Supergirl book I have read in the last few years. I know ... your own mileage may vary. But reading this is reading who Supergirl is to me. Thank you Mark Waid.

The rest of the story is fantastic. Superman and Batman's easy friendship and rapport. Nezha and his evil plans. Bronze age heroes under Nehza's spell. The cliffhanger It all works.

The art by Dan Mora is just as fantastic. The action sequences are spot on with an energy that sizzles. The expressive work is just fantastic, especially Supergirl. There is a composite World's Finest suit which demands an action figure. This is one of those books that I really linger over the art to drink it in. 

Seriously, this is a fun and entertaining book that everyone should be reading.

On to the particulars.

Leviathan Theory: Posters

I know I am going a bit overboard with my Leviathan Theory posts.

But I live for comic mysteries like this. I look for the clues and sift out the feints. I lean on decades of comic reading and too much comic history. It is, simply, a ton of fun.

And I feel like this is the first mystery of this scope that I have been on-line to discuss. There wasn't an internet, a comic community, a blogging atmosphere for Sensor Girl or Armageddon 2001.

So you have to bear with me.

DC came out with 8 one page ads to promote the event and to shine a spotlight on the DC detective characters investigating Leviathan in the main mini-series. And some of the text can be fit into my theory.

And, to make matters worse, I have a theory and I am looking for corroborating evidence for my theory everywhere. But get ready, the end of this post will be a new 'back up' theory in case you don't like my original onw.

Let's start out with this one where Leviathan himself speaks. If this is Ted Kord, he would have seen the heroes doing everything in their power to change the world and fail. Nothing earth-shattering here. If Leviathan is a former hero,which I think they are, this text makes sense.

On to the others.

Bullet Review: Batman #68

This will be a quick hit but it is hard not to cover a book with art by Amanda Conner which features, albeit briefly, Supergirl.

Batman #68 is an interesting issue showing the presumed bachelorette party for the Bruce/Selina wedding. It also again shows the interesting dynamic between Bruce and Clark as they have the most sedate bachelor party I have been privy to.

In the end, it looks like this all might in Batman's head as it ends with him hooked up to a mind machine of some sort. So did this happen? Is this what Bruce thinks would happen at a Selina/Lois party?

Anyways, much like the double date Batman/Superman issues by King were fantastic, this semi-sequel was just as fun. There are plenty of laugh out loud moments. And it ends with something of a pithy character comment about the World's Finest different views of life.

And, no surprise, the artwork by Conner is just incredible.

Review: Action Comics #1003

 Action Comics #1003 came out this week and continued to be a tremendous read, my favorite of the Bendis Superman titles. Bristling with Metropolis activity and heavy on character interaction, it is this book which makes me think Bendis has a great handle on Superman and his supporting cast.

As is usual for this book, the Daily Planet pit and the staff play a big role in this issue. From Perry to Robinson Goode to Jimmy to Clark to the revelation that Lois is back, all the Planet scenes just sizzle. And knowing that Robinson Goode is a plant just revs up the suspense.

Not that the plot doesn't progress. The Red Cloud mystery continues with one suspect now eliminated. The Invisible Mafia mystery continues to swirl. And even the unknown origin of Goode gets a couple of hints added to the mix.

But the biggest joy was the interaction with guest star Batman. Two simple words made me smile!

The art on the book is done by one of my personal favorites, Yanick Paquette. One thing I love about Paquette's work is that the page layout and panels are a big a part of the story-telling as his expressive and detailed art. His pages in Wonder Woman Earth One sing in this manner. And here, we get that same strength. Just incredible.

All in all, this was a wonderful issue to start this somewhat troubling week of comic reading. On to the book.

Bullet Review: Batman #43

This is going to seem like a silly review. I don't normally buy the Batman solo book. But I have been impressed with Tom King's work just about everywhere else. I loved his two parter with Superman. So it has become something of an impulse buy. In the end, I wonder if it should just move to the pull list.

Add to that my reading, with great interest, the conversation about his treatment of Poison Ivy in this latest arc. I thought my passion about Supergirl was rabid but it pales in comparison to some of the  Ivy lovers out there. They are a vocal group with strong feelings about their favorite character. And they weren't happy. So that piqued my interest even more.

So what made this be pushed over into bullet review territory? Well for one, Supergirl has a role in this book, albeit a silent one. She is there in the background. And the art is by Mikel Janin. I love Janin's art and think he would be great on a Supergirl book. Who knows when (or if) he would be drawing her again! So I thought maybe I would share just for that.

But more than that, there is a moment in this book, an homage to a prior story, that is just so perfect that I needed to talk about it here. And even better, that homage tangentially involves Supergirl!

King is really firing on all cylinders these days. And the art in this book is just lush, especially the Ivy-centric pages.

Review: Batman #36

Batman #36 came out last week and frankly I am so blown away by the issue that I wasn't sure if I could honestly review the book. Writer Tom King has been on something of a creative hot streak with his work on Batman, Mister Miracle, and even a brilliant issue of the Kamandi Challenge.

Now I'll admit I don't read Batman but the appearance of Superman drew me in.

To be blunt, this is one of the best comics I have read in a long long time.

You see, the Superman/Batman friendship has been rough for the last 30 years, probably since Frank Miller destroyed it in The Dark Knight Returns. Since then we have had a bristling relationship, a Batman with a kryptonite ring and paranoia, a movie based on the two fighting. And, perhaps even worse, are stories which make them best buddies again, ignoring the last 30 years of rift. I have been looking for some issue, some creator, some story to explain this friendship to me again, to make me understand it, to bring them together while recognizing their differences and the three decades of anger.

This issue does just that. They want to be friends. They respect each other. They're in awe of each other. But they don't know how to reach out. They don't know how to discuss their feelings. They don't want to impose a friendship on the other.

Seriously, I wanted to scan the whole issue to showcase it. Every page is just perfection. And Clay Mann on art is also perfect. The whole layout of the issue, mirrored pages and two running stories of each hero explaining their feelings about the other hero is just spectacular. Just stupendous.

What are you waiting for ... if you are a fan of Superman or Batman or both, run out and buy this issue.

Just a few moments...

Review: Super-Sons #5

Super Sons #5 came out this week and was something of a coda for the first Kid Amazo arc as Jon and Damian deal with the punishments meted out by their caring parents. I found this to be a pretty wonderful story as the kids to terms with how similar and how different they are by looking at the relationship of their fathers. And thankfully, writer Peter Tomasi makes the Batman/Superman relationship a healthy one.

Another thing which remains prominent in this book is the humor Tomasi brings to the affairs. I have usually found Damian to be insufferable. I sometimes find Jon to be a bit too much of the classic 'good kid'. Tomasi can blur the edges of both characters, making them likeable, believable, and funny.

The art is by Allison Borges, a name I haven't heard of before. Borges brings a sort of cartoony feel to some of the sillier moments while grounding things a bit more once the adults show up. It works here nicely.

So while there isn't a bad guy and most of the action is the two sons trying to beat each other senseless, I loved this issue.

Review: Superman #20

 Superman #20 came out this week, the first issue since the Superman Reborn storyline which fused the pre-Flashpoint Superman with the New 52 Superman. How delightful for me as a comic reviewer to say Clark or Lois or Superman and not have to explain exactly which one I am talking about! How exciting for a continuity that everything is now linear and we aren't talking about Convergence worlds, the 21st century equivalent of a Pocket Universe.

But while we are now dealing with one Lois and one Clark, we were dealing with two very different lives. Things aren't going to be entirely smooth. We as readers have to reconcile the differences and in our minds settle this whole thing into one history. And thankfully, writers Patrick Gleason and Peter Tomasi realize that the characters have to do that as well. This shouldn't be easy. They have to figure out who they are just as much as we have to. I think it would have been wrong to just move forward without some acknowledgment from Lois and Clark that their life is comprised of two lives shuffled together.

This also is the beginning of a storyline called Black Dawn which finally explores the nefarious Farmer Cobb and his haunting milk business. Add in Batman and Robin, and you have a very satisfying first issue of this new reality.

The Superman books are really clicking right now. I am very happy. On to the book!

Back Issue Box: World's Finest #258

We are just a couple of weeks from Supergirl Rebirth #1, the reintroduction of a Supergirl book into the new DCU as well as the reappearance of Lar-On the Kryptonian werewolf! I am really looking forward to what writer Steve Orlando and artist Emanuela Lupacchino will be delivering. The brief glimpses of the book we saw at San Diego Comic Con looked incredible.

I have been taking a look back at Lar-On's brief history in the DCU starting with his first appearance in World's Finest #256. While that was Lar-On's only true appearance, his story sort of continued in World's Finest #258. As this story included an interesting wrinkle about Lar-On's lycanthropy, I thought it was worth sharing here. I am hoping that Orlando explores that bit of 'The Krypton Curse' but we'll see.

Lastly, I remember having this comic as a kid. I must have bought it right off the rack. Unfortunately all sorts of books from that time simply disappeared, meaning I was on a hunt for this one in all the comic stores I came across. Hard to believe that I found it while on vacation earlier this summer.

On to the story.

Review: World's Finest #256

Way back in May, we first read about Supergirl Rebirth #1, a prelude to the upcoming Supergirl written by Steve Orlando. The Rebirth special has art by Emanuella Lupacchino and a variant Adam Hughes cover and should re-establish Supergirl as a hero within the reimagined and reenergized DCU. We are just a few weeks away from a new Supergirl title.

But the thing that really caught my eye in the solicit for the issue was that the villain would be the Kryptonian werewolf Lar-On. That is a pretty deep cut by Steve Orlando and makes me think that fans of Supergirl and the DC mythos are in good hands.

Lar-On first appeared in World's Finest #256 way back in 1979. From the cover, drawn by Ross Andru and Dick Giordano, you get a sense of just what a threat Lar-On will be. A giant pink werewolf crawling out of a dimensional portal?? Just fantastic.

This story is a whopping 20 pages in this dollar comic, the size of a regular comic today! There is plenty of padding in this tale. Batman gets a mostly unnecessary subplot to give him something to do. The fight scenes are rather pedestrian and go on for quite a while. But the tragic ending to the story gives it a nice impact. I wonder if Orlando is going to play up that tragedy as a sort of prologue to the sad reality of Zor-El being tranformed and mutilated into the Cyborg Superman.

But all that said, calling back on Lar-On alone is fantastic!

Review: Action Comics #52

Action Comics #52 came out this week, the next chapter in the #Rebirth prologue The Final Days of Superman. Writer Peter J. Tomasi has been given the keys to the super-kingdom, sifting through the plot lines and mega-arcs that has preceded him. Tomasi's charge must be to hit a mini-reset button, bringing the Superman mythos back to a more classic, more established, and slightly more stable super-books.

For the most part, Tomasi has done a fantastic job here. Gone is the brutish Clark from The Truth. Instead we have an almost repentant Superman dying, settling his estate, and trying to bring in the 'flare avatar' Superman. Seeing the Trinity acting as friends here, seeing an incredibly brave Lois, seeing the older pre-Flashpoint Superman using his brains before his fists all feels right.

Unfortunately, at least for me, Tomasi brings back the Clark/Diana romance. And, unfortunately, it still reads incredibly awkward. No one has been able to write this relationship in a way that makes me accept it. It just doesn't make sense for a Kansas farmboy and an Amazonian princess/goddess to easily be together. And I still don't know why Supergirl isn't part of this posse chasing the avatar.

The art on the book is by Dale Eaglesham and Scot Eaton and they do fine work here. There isn't anything that wowed me on the book. But nothing was distracting either. I don't mean to damn with faint praise. On to the book.