It also means I have read a lot of DC company crossovers. A LOT OF THEM. And while some have stuck most of the more recent ones have sort of come and gone and not really stuck in my memory. Heck, I completely skipped Metal.
So when Dark Crisis was announced, I sort of stifled an eye roll. It feels like DC has rewritten their universe on a bi-annual schedule. How often can we reset a timeline before it just melts like butter left on the counter?
That said, I have been pretty impressed with writer Joshua Williamson's writing throughout the DCU. And the approach to this Dark Crisis seems to be tugging at some threads that make this comic boomer happy. It leans heavily into Crisis on Infinite Earths, with Pariah and the idea of a multiverse dying a large part. The main baddie seems to be the 'absence of light', the Dark Thumb from Alan Moore's Swamp Thing #50, a comic which I bought off the rack and wrote a high school religion class paper on. So heavy nostalgia there. And most importantly, Williamson is really leaning into the entire DC history, showcasing images and homages from the entire DC run. He acknowledges the 'big bads' from other Crises but says they were nudged by this ultimate darkness. And there is a feeling of freshness to the proceedings because he eliminated the Justice League out the gate meaning legacy heroes, a staple of DC, have to pick up the ball. I even like how he is making Hal Jordan seem to be a big player. Jordan has been on both sides of light and darkness in prior crossovers.
Daniel Sampere's art is fantastic all around. I love how he grabs those homage pieces by the throat, giving us polished looks at history. I love his crowd scenes and his fight scenes. And there is enough gravitas in some of the bigger moments to make me happy.
This review will look mostly at things from a Supergirl angle with some overall plot points. Overall, this issue seems almost like a prologue to the main story. Perhaps that's why this is a 7 issue mini, not the traditional 6?
On to the book.






