Merry Christmas, Mike Maihack Style

I have been covering Mike Maihack's art here for a long time. I love his style. I love his humor. I love his take on Supergirl, so akin to my own. 

And every year I await his Supergirl/Batgirl Christmas comic. It is always a gift, highlighting the wonderful friendship of the two heroes. It is always funny and uplifting. 

But  I find this year's strip in particular to be fantastic. 

Supergirl in Maihack's strip is always a super-charged bundle of frenzied energy, changing costumes, handing out cookies, and being almost silly even in the face of super-villains. I love those as they show the inherent brightness and optimism of Kara.

Now this year, with the Supergirl movie, based on Woman of Tomorrow, in the near future, showcasing a traumatized, drunken, angry mess of a Supergirl, Maihack again shows how he gets the character. 

Early Christmas Gift - Milly Alcock Autograph

It's the holidays and new comic book day falls on Christmas Eve, a very important day for Italian-Americans like myself. So no new comic reviews for a bit.

Instead, a special shout-out for an early present I was given before Christmas which I just couldn't wait to open.

In one of those very generous moment, a friend of a friend of my sibling went to a convention where Milly Alcock was a guest. This was a while ago, when the first teaser poster was the only official Supergirl movie promotion out there. They got me an autographed pic of that poster!

How cool is this to own so early on! And love she wrote 'Supergirl' in big letters next to her autograph!

I am always impressed with the generosity of this community and do my best to reflect that as well!

But having received this, it made me realize something.

Review: Batman/Superman World's Finest #46

Batman/Superman World's Finest #46 came out last week, the second part of the Luthor/Joker team-up arc and basically a issue-long brawl between our main characters ... but with a twist.

This is a standard Mark Waid story, digging into some old DC concepts like the Thanagarian Absorbascon while giving it a nice updated feel. Last issue, the Joker and Luthor fused into one body. This issue we get to explore what that mind is like, with two completely dueling mindsets trying to work one body. Through some plot shenanigans, we get a fusion Superman/Batman being (harkening back to World's Finest #4 ). So we then get to see what two minds thinking together sound like as opposed to the villains. It is a nice little writing trick, giving us a nice dive into the thoughts of our main protagonists and antagonists.

But the real joy of this issue is the art by Adrian Gutierrez. It probably isn't the best word but there is a frenetic feel to his art. There is a wild energy to it. And in this issue where two fused beings are just throwing down, the art just sizzles. This just feels like a Dragon Ball episode with overpowered fused-form beings are zipping around the skies trading blows. I don't mind a brawl issue now and then.

I don't know why this issue got a Chuma Hill variant cover with Supergirl and Catwoman but it is an interesting composition.

On to the story.

Review: Superman Unlimited #8

Superman Unlimited #8 came out this week and was a fun semi-'done in one' story involving an overworked Lois, a spaceship, and Guy Gardner. Last month I complained about how the issue was a side trip, taking away from the main 'So Much Kryptonite' story. I want that story done so much, I complained about that diversion.

This month I decided to not let that hinder my enjoyment of a good story. Dan Slott seems to be exploring this new universe he is in, bringing in guest stars and giving us his take on them. It helps he has Jeremy Adams' steadying hand to help this issue as well. I like the classic feel of this Guy Gardner and how the League sort of tricks him into helping. And Superman is handled very well here, showing how much he loves Lois and how close they are.

So the character things work well. But the plot? Well, don't think about it too long or it unravels. 

The art is by Lucas Meyer whose work I have seen cropping up all over the place. He has a very clean feel, almost like Fernando Pasarin. He should definitely be put on a monthly.

Does this fun story mean we aren't done with the King of Kryptonite stuff? Yes. But the issue entertained. On to details.

Review: Action Comics #1093

Action Comics #1093 came out last week and was another fun chapter in this Superboy stint in the comic. Writer Mark Waid has been giving us some nice looks into these early days of super-heroics, including how the ethos of Superman was created. It is a mix of Kent-wisdom and experience that clearly are forming who this young Clark will become.

One of the questions that always plagued me as a kid reading comics is why Clark would allow the Kents to financially struggle. Or what would he do if the Kents were about to go bankrupt. Can't he wring diamonds out of coal? Waid specifically answers that here in a fun story that also shows how Superman has learned to work around laws of discovery and care. We are done-in-one here! Classic.

Another plus for the issue is the return of Skylar Patridge on art. Patridge brings a youthful look over the whole tale. As I have said, I especially love her take on the young Clark, Pete, and Lana. The art shines here.

On to details.

Review: Supergirl #8(v8)

Supergirl #8 came out this week, a holiday issue that focuses on the fact that not everyone feels merry and bright. In particular, it is Supergirl who is both sad around the holidays and also a little grumpy when pressed to talk about her feelings. It seems a little bit off after the excellent Supergirl #6 where Kara said 'yes I have been through a lot but I channeled that into something positive'.

Now I am not saying that Supergirl can't be complex. And yes, the holidays are a tricky time for many people so why not our hero. But this seemed to veer as close to Woman of Tomorrow as I have seen this book and for a Christmas issue, that fell a little flat.

Writer Sophie Campbell does do a great job of explaining why Supergirl is feeling this way. And she uses a forgotten Linda Danvers robot as a plot point to drive it home. But what activated that robot? I am still on board that a Chaos Stream or something like that is coursing below Midvale. 

The art is by someone new to me, Haining. She brings a very manga influenced style to the proceedings which fits the book. There are some nice artistic flourishes and tricks which helps bring home that low mood Kara is feeling. While I missed Campbell's art here, this is a solid fill-in.

Still, this was 'A Blue Christmas' issue, a bit different from the more upbeat vibe of this title before.

On to the details.

Supergirl Poster, Teaser Trailer, And Plot Synopsis

I will say up front I have been a Supergirl fan for a long time and I have to say up front that I never thought she would get another solo big screen movie. So at a gut level, I am thrilled by this. 

I will also say that I am not a fan of Tom King's Supergirl Woman of Tomorrow so I don't know if I am thrilled that the solo big screen movie is based on that work.

And there is a lot to mull over about how this movie really has embraced the drunk, angry, sad party girl vibe from that book. From  intoxicated cameo in the Superman movie to the 'Look Out' earliest teaser poster to the this latest poster with the 'Truth. Justice. Whatever.' tagline, it all seems to veer into the edgy, nihilistic, depressed Kara from that mini-series. 

Yesterday the teaser trailer dropped (here in case you didn't see it yet - https://www.youtube.com/watch?v=YqdAEdkHrwo ) and it is visually stunning throughout. There is more of that same tone for the majority of the trailer. There is a lot I could focus on that shows me a Supergirl I don't want to see. 

But I am going to choose to focus on one image in the trailer that gives me some hope. And when I link it to the brief synopsis of the movie at the end of this, I might even have more hope. Because all along, I thought this might be a redemption movie. That Kara sees the ultimate destination if she stays on the road she is on in the damaged, lover Lobo and she does some good for Ruthye, and ultimately decides that maybe she should be more like her cousin. That would fit with the James Gunn pattern of misguided, somewhat shady protagonist veering to the light for sure. The preview feels very Guardians of the Galaxy.

I have to have hope.

On to some details about the trailer.