Rest In Peace Peter David

It was with sadness that I heard recently that Peter David had passed away after a few years of what sounds like medical hardship.

David's career is truly prolific including legendary runs on The Incredible Hulk and X-Factor. He also is known for Star Trek novels, independent characters, and other comic runs worth noting like Young Justice and Madrox. I honestly can't name all the things he did here without making this too long.

I felt I really needed to do some post to recognize David for his contributions to the Supergirl character. I have covered many of the issues in the long Supergirl run on the site (probably easiest to find by clicking the Peter David keyword). 

But I absolutely loved it.

Remember, this was the late 80s/early 90s Supergirl. This was the Matrix Supergirl, the super-powered protoplasm from the Pocket Universe. The Supergirl that was  schizophrenic then self-exiled to space then Brainiac's slave then Lex Luthor's duped girlfriend. She was finally finding her way around the death of Superman, leaving Lex behind and becoming a hero. But ... she was still a sort of mistreated and struggling.

Enter David, a self-proclaimed Supergirl fan. 

Starting in Showcase '96 #8, David started a longform story which stretched all the way to Supergirl #50! He had the Matrix Supergirl wondering if she was 'alive', did she have a 'soul', was she a hero. She sacrificed herself, merging with a troubled Linda Danvers. During the adventures we had this slow story of religion, redemption, angels and demons, free speech and human trafficking, and learning to love yourself.

This wasn't your grandfather's Supergirl. This was almost Vertigo-like in its look at religion and life and sin and forgiveness. 

It was glorious. Supergirl was a complex and complicated character, growing haughty and then brought low, learning about who she was and what her place was in the world. Brilliant.

But there was more.

Review: Supergirl #35

Today I conclude my look at Supergirl fighting the Parasite by taking a deep dive into Supergirl #35, an interesting issue in this title. Last week, I covered the first part.

As I have said in the past, this volume of Supergirl's first fifty issues is basically one longform story of Supergirl/Linda Danvers learning who she is, learning her ties to angelic powers, suffering a lesson in humility, and finally becoming a hero, saving the universe. Fifty issues!

Now that doesn't mean we don't have smaller episodes, like these two issues. But the momentum of the story of Supergirl's confrontation with the evil Carnivean is relentless in this epic.

I love this story but it isn't without it's critics. After all, having Matrix with a very flawed Linda Danvers and ultimately become an angel on Earth isn't going to be for everyone. But I was completely taken in. The problem with such a long and innovative is if you drop into it, let's say at issue #34, you will probably be lost.

And so, writer Peter David gives us this 35th issue which wraps up the Parasite story but really gives us a primer on the issue. David introduces us to the supporting cast individually. He also reviews the angelic arc, rehashing key moments from the beginning of the series. But he also rewards the longtime readers by giving us new information as well as an amazing cliffhanger. So if this issue is new to you, settle in. It is very heavy on the exposition side.

As usual, Leonard Kirk and Robin Riggs brings a wonderful panache to the art. A lot of this issue is two people talking. But the action is solid. And the revelations are wonderfully rendered.

On to the book. And, I mean it, settle in.

Back Issue Box: Supergirl #34

With the Parasite causing all sorts of mayhem in the Joshua Williamson/Jamal Campbell Superman title, I thought it would be fun to look for times when a Supergirl fought the villain. So let's dive into the back issue box.

Supergirl #34 was written by Peter David with art by Leonard Kirk and Robin Riggs. We are about 2/3 of the way through the longform fifty issue story that David was putting together for this book. Supergirl here is the merged Matrix/Linda Danvers. She has learned she has angelic powers and is finally getting comfortable with those powers. And, at least for this brief moment, things are going well for Linda Danvers. She is an artist and her work has caught the eye of the ex-Mrs. Lex Luthor Elizabethe Perske. 

Linda's art is on display in Paris, setting the stage for this two parter. I swear, knowing David, he did this just so he could make the Parasite/Paris site gag.

But I mean it when I say this is a brief respite for the characters. Most of this mega-story is villains trying to break Supergirl down. The Carnivarean is doing his best to make her doubt herself. So heading back to this story, I was struck by this little respite.

Leonard Kirk did the bulk of this series and storyline and I love the consistency of the look. His stuff has an organic fluidity to it that makes everything flow wonderfully.

On to the book.

Review: Supergirl #69

Two weeks ago, in the aftermath the Black Adam movie, I reviewed the Supergirl/Mary Marvel throwdown from Peter David and Leonard Kirk's Supergirl #68 . Given that issue ended on a cliffhanger and with the fervor for the Marvel family still high, I figured I'd cover the next issue.

As I said last time, this is a long arc of a depowered Linda Danvers Supergirl following the Chaos Stream to try and reclaim her Earth Angel powers, stripped from her way back in Supergirl #50 in the aftermath of her fight with the Carnivean.

The villain of this arc was just recently revealed to us here. It is Lilith, the first wife of Adam and a demonic presence. Later we learn she is the mother of the Carnivean and is our for revenge. And using a variety of shape-changing and faerie glamor, she has been manipulating events. 

But the real plot here is Linda recognizing her own worth and shedding her self-loathing. Linda was a problem child before merging with the Matrix Supergirl. She has touched the Angelic. Throughout this story, she keeps putting herself down and wondering if she is worthy. Mary Marvel is a perfect foil for Linda's thoughts. Mary is pure, innocent, good. And Linda can't help but feel flawed in comparison. 

I really loved this book. I loved the journey Linda was on. I feel this second arc wasn't as strong as the first, longform one. But it is a perfect second act for Linda. 

Leonard Kirk remains on art and brings a very fluid, very organic feel style here. I love his depiction of Linda and Mary, young women who look natural and very real. But there is a fantastical element here he also embraces including an amazing splash cliffhanger. 

On to the book.

Review: Supergirl #68

Last week I saw the Black Adam movie, a action filled, special effects fueled extravaganza. It was a pure popcorn movie. Maybe a bit long, maybe too much slo-mo. But it was filled with lots of DC lore and I truly loved the entirety of the JSA. And, of course, there was that mid-credit scene which reintroduced a Henry Cavill Superman to the DCEU. With all that in mind, I thought I'd find a Supergirl/Marvel Family crossover to cover. 

Supergirl #68, written by Peter David with art by Leonard Kirk and Robin Riggs, At this time in the series, Supergirl had been stripped of her Angelic presence and powers. Her powers are now similar to the Golden Age Superman, leaping instead of flying, limited invulnerability. She is on a quest to regain that Earth Angel aspect by following the Chaos Stream on Earth. Along the way, she has been tormented by the supernatural, all claiming allegiance to the Demon Mother.

This story arc is solid. Throughout the story, Linda Danvers isn't sure of her worthiness of the powers. The addition of Mary, a glittering example of purity, makes Linda question herself even more.  It all ends well with Supergirl performing the ultimate sacrifice. But we need to get there. And here is where Mary becomes an ongoing supporting cast member. Like many superhero stories, the characters have to fight before they team up.

Leonard Kirk was the main artist on this book for years. He brings a clean style to the book, one greatly appreciated. The characters look young, as they should. The action is slick. There is an element of the fantastical. And the humorous bits are done well.

With no hesitation I'll say I love this volume of Supergirl. This Supergirl/Linda was complicated, flawed, but learning and trying to be a hero.

On to the book.

Back Issue Box: Supergirl #33

I sometimes worry that I need to rebrand my blog since I don't have much current Supergirl stuff to write about. Can I call this a Supergirl site when most of what I cover is Superman and Leviathan?

I never wanted this site to be an index site either. I didn't want to methodically go through Supergirl's stories here. Instead, I wanted to use current stories as a springboard to look back at her history. 

I was struck recently that Rogol Zaar is back in the pages of the Legion of Super-Heroes. He made quite a splash when Brian Michael Bendis introduced him in Man of Steel. And Zaar became a focal point of Supergirl's story with Marc Andreyko with Kara becoming the 'Mistress of the Axe' and heading into deep space to research Zaar's origins.

I also have been intrigued with Synmar Utopica in the Superman book as he seems to be judging Superman.

Both of those vibes resonated with me when I recently re-read Supergirl #33 during the Peter David 'Earth Angel' run. 

Back Issue Box: Supergirl #20

DC is in the midst of Metal, an event I am not reading after slogging through the very long convoluted Justice League lead-up. I have no idea what truly is going on there. But at the very least I know it is a big crossover with heroes fighting giant unworldly beings to save the world.

I honestly don't even know if Supergirl is in Metal ...

But it jogged my mind to see if there were any mega-events that Supergirl took part in that I haven't covered here. So today I'll review Supergirl #21 from the Peter David run which was part of the Millennium Giants crossover.

This is a pretty decent 'done in one' crossover with Supergirl clearly the star. At this time in the series, Supergirl's flame wings had just started to manifest. She had heard the words 'earth born angel' but had no idea what that meant. She had just revealed she was the Matrix/Linda Danvers amalgam to her parents, driving her mother back into alcoholism. And Superman was split between Red and Blue!

So a lot of backstory in this 50 issue mega-arc is starting to swirl here and David uses this issue, an event crossover, to nudge those things forward. And, as usual, there is a heavy emphasis on struggling to do what is right, faith, and belief mixed through this. I appreciate that effort making this still feel like a Supergirl issue despite the trappings.

Leonard Kirk is the penciller and had an impressive run on this book. His style suits the action nicely as he switches from scenes of ordinary folks and then gigantic monsters stomping through the ocean.

On to the book!

Back Issue Box: Supergirl #58

This week in Superman #23, the Man of Steel calls upon Dr. Fate for a mystical checkup.

With that guest spot happening, I thought I would take a look back at Supergirl's interactions with the good doctor. Now a comic with a version of Fate helping Kara with here psychiatric issues occurred in the excellent Superman/Batman Annual #5 from way back in 2011. But I covered that way back when!

So instead I thought I'd dip into the Peter David run on the title again and look at Supergirl #58 in which Linda calls upon Fate to help her with Buzz.

Okay, a little background. At this point in the book, Linda has been stripped of the Earth Angel aspect of Supergirl and basically has the powers of the 1938 Superman (jump far, relatively invulnerable, relatively superstrong). She is following a chaos stream to try and reunite with the angelic spirit. And Buzz, a demon who has vexed her throughout the book, is now human, mentally tethered to her, and her guide. He senses the stream and finds the path.

In the issue before, Buzz was poisoned by his daughter, also a demon. He is dying. And if Linda wants to become the Earth Angel Supergirl again, she needs Buzz to live. Enter Dr. Fate.

This is an interesting issue because it gives Buzz a sympathetic back story. Before, he was all Constantine-cool with his evil intentions. Here we see how he fell and became lost. In many ways, this second long arc in this volume is a redemption story not only for Linda (again) but for Buzz.

On to the book.

Back Issue Box: Supergirl #32

My copy autographed by Peter David, Sean Phillips, and Leonard Kirk

I have been thinking a lot about Supergirl's legacy lately.  Who is this character in DC Comics right now? If you started reading comics 10 years ago, do you have an coherent sense of who Supergirl is and what she means? Do you find her heroic? Inspirational? Do you even like her?

This line of thoughts reminded me of one of my favorite issues in the Peter David run, Supergirl #32. By this time in the comic, Supergirl was embracing her 'Earth Angel' persona. She was looked on as a hero. And she was starting to inspire people.

Pride cometh before the fall. This confidence in Supergirl in her new role needed to be broken by The Carnivean, a demon trying to take over heaven and the universe. And the best way to do that was by perverting Supergirl's legacy and make her doubt herself. Of course, this comes to fruition in the classic Supergirl #48. But we needed to see that erosion of Supergirl's self-worth. Some of that comes with a tarnishing of her legacy.

Peter David had the long game in mind with this book and this issue is an interesting stand alone chapter. The story here, of Supergirl freeing young girls from self-trafficking is wonderful and timely. However, you can see how even the best of intentions and lessons can be perverted.

Perhaps the best thing about this issue is the art. The cover, by then regular artist Leonard Kirk, tips off the them of the story, a backlit Supergirl, in shadows from her flame wings and sporting the red anger eyes, is being led by a band of young armed girls. It is the internal art that makes me giddy. It is drawn by one of my favorite artists Sean Phillips. The fact that I get Sean Phillips drawing Supergirl in one of my cherished runs still amazes me.

On to the book.

Back Issue Box: Supergirl #70

There's a global pandemic!

We just passed Easter and Passover!

There are no new comics on the shelves!

So today I bring you a back issue review of Supergirl #70 from 2002! It encompasses all those things! Plagues! Supergirl heroics! Fun!

This was an odd time for Supergirl to say the least. Where the first 50 issues of this Peter David run hold up as an amazing super-longform look at religion, redemption, and sacrifice, the following 2 year run (which this issue is near the end of) was a bit rougher.

Linda Danvers, a deeply flawed human who is trying to be better and has come far from her darker past, is trying to reclaim the angelic portion of the Supergirl Earth Angel. She has been depowered, having the abilities of the earliest Superman (leaping not flying, bursting shell invulnerability, etc). She is following a chaos stream to Hell to find that aspect. She needs Buzz, a demon turned human which she loves/hates to get her there. Meanwhile, Lilith, the original wife of Adam, is on a revenge tour against Supergirl. Supergirl defeated her son The Carniverean, the first vampire in those forst 50 issues. To torment Supergirl, Lilith is sending demons to fight. Luckily, Linda has Mary Marvel as a pal who can see demons even when they are disguised. It's a road trip!

Whew ... a lot of back story there.

But an underlying theme here is that Linda is unsure if she is worthy of her powers or the angelic nature of Supergirl. Does she deserve to be reunited with that holy being. And Mary, while helpful, is so pure that Linda is constantly reminded of her own shortcomings. No doubt there is a twinge of inferiority and of self-loathing here.

God, I miss this Linda Danvers, as complex a character as you will find. Peter David was really at the top of his game here.

 The art is done by a guest penciller, Todd Nauck, whose style goes well with the youthful heroes. You may notice the cover being signed by Nauck when I saw him at a con in 2009.

On to the issue!

Back Issue Box: Supergirl #48

With Supergirl currently infected by the Batman Who Laughs and thinking she knows what is best for humanity, I decided to comb through the back issues find a similar tale from the past.

Amazingly, despite having blogged about Supergirl for nearly 12 years, I hadn't covered Supergirl #48 by Peter David and Leonard Kirk. This is one of my absolute favorite issues of this run so I can't believe I haven't reviewed it before.

The first 50 issues of David's run is a compelling story of faith, sin, humanity, religion, and redemption. And at this point, Supergirl, an Earth Angel, was feeling pretty good about herself. She was comfortable with her powers. She was accepted as a hero ... even worshiped by a group of people who recognized her as a true angel. And she was heading home after an adventure to get reacquainted with her boyfriend Dick Malverne.

Of course, it is when people are at their zenith that they are brought down to their lowesr. And this is that point. This Supergirl learns a lesson in pride and humility. And it almost brings a Hell on Earth.

This story is incredibly powerful. It starts with this powerful cover of a grieving Supergirl, small and faceless, nearly engulfed by the empty space.

But for me, the big point of the issue is that Supergirl immediately understands that her haughty position is wrong. The problem is she loses hope. And that can't happen. Let's get into the story.

Back Issue Box: Supergirl #5

 Last week I reviewed DC Superhero Girls #SuperWho, an animated short in which Supergirl (and Superman) fight Chemo.

With that in my mind, I thought I would review Supergirl #5 from the Peter David run in which, you guessed it, Supergirl fights Chemo. Although, as you'l see, it isn't so much a physical fight as an existential crisis.

One thing that David did brilliantly in this run is walk a fine line between superheroics and metaphysical. This was the Matrix Supergirl, trying to figure who she was in this new universe she was in. She had questions about herself. Was she 'alive'? Was she a creature? Was she real?

And when she merged with the sinful Linda Danvers, there were even bigger questions. What was redemption? Did she have a soul? What was she?

In the end, we find out that this merging of Matrix and Linda makes her something even more than the sum of the parts. She is an Earth Angel. But here, early in the book, we don't know that. And Supergirl herself is pretty unsure of who or what she is. She is figuring out what powers she still has. She is trying to figure out whose life she should be living. And she is still asking those deep questions. Is she truly alive?

Who would ever expect Chemo to be a mirror for her to look into?

Gary Frank and Cam Smith are on art and the book is absolutely gorgeous. This is before Frank started to draw everyone gaunt with extra cross-hatching. The art is smooth, glossy, stunning. It was this book and its look that made me a lifelong Frank fan. Just brilliant.

On to the book.

Young Justice (1998) #1 - Supergirl Homage

Count me among those folks who were thrilled when Brian Michael Bendis announced his Wonder Comics imprint and Young Justice #1 specifically.

I am a fan of classic Conner. I am a fan of Cassie. And I am a huge fan of Amethyst. So knowing they were coming back, in a way that makes sense and that honors those characters, tickled me. I was on board. And the first issue didn't disappoint. It was a rollicking good time with the reintroduction (somehow) of these classic versions of the Young Justice characters with a big dollop of Gemworld on top. Bendis and artist Patrick Gleason are solidly on their game.

I have always wondered why I didn't collect the first Young Justice series from 1998. I was in the middle of residency and I wasn't reading an extended pull list. That probably explains it best. Somehow it slipped by. What makes this doubly amusing is that I was all in on Peter David's Supergirl book which was still on the shelves at the time. Back then, I tended to try anything David wrote.

But like the current run, this team consisted of Conner, Tim, and Bart. Others would join shortly afterwards.

I was reading reading the Waid Flash which occasionally had Impulse crossover. I had read the early Kesel Superboy stuff too. But somehow it missed this.

I recently ran across some of the issues in the bargain bins and grabbed a handful, including the old Young Justice #1. I was surprised to find a Supergirl moment tucked in it.

June 2018 Solicits

The June solioits for DC Comics have been released and it is a big month for Superman fans. Finally the Bendis era takes over. Here is a link to all the solicits:
https://www.newsarama.com/39119-dc-comics-june-2018-solicitations.html

I just don't know what to think about this whole upheaval of Superman. I suppose this is what I was feeling in 1987 when Byrne completely uprooted and replanted the entire mythos. In the end, I was pretty happy with Byrne reinvigorating the property. But much of that was I felt the stories had become tepid before he took over. Right now I feel we are in a Renaissance for the Superman and his family.  So now seems like an odd time to blow things up. And this is my biggest concern. After years of suffering, we finally had a Superman I could read and enjoy. Will this be a step back?

A History Of Recent Supergirl Cancellations - Always At The Wrong Time

It was recently revealed that Supergirl #20 would be the last issue of the current title.

The book, like Super Sons, has been cancelled, one of the casualties of Brian Michael Bendis taking over the Superman books. Much like John Byrne, Bendis was taking the reins, wresting control away from the current creators, and breaking away to a new direction.

For fans of the current creative teams and the super-books, which is a fair number of us given sales numbers, this has been a lamentable decision.

DC's Clark Bull came out to reassure fans of these books that plans are in place and to be patient.

But I have to tell you, this makes zero sense to me. Because the Supergirl book has finally found its groove. The book has been excellent over the last several months, after writers Steve Orlando and Jody Houser tightened things up.

The book initially was trying to be all things to all people. Supergirl as DEO agent, as student, as adopted daughter of Eliza and Jeremiah Danvers, as CatCo employee. There were too many ingredients and not enough 'egg' to hold the comic omelette together. Moreover, the first arc involved the Cyborg Superman and seemed like a step backwards. And the Phantom King arc was a bit too confusing for me.

But with these in the past, Orlando and Houser concentrated on student Kara and inspirational Supergirl. She chooses Earth to inspire people and to be inspired. She'll always continue to help.

It finally was all clicking!

So of course the book is cancelled.

History tells me, I shouldn't be surprised.

Review: Supergirl #44

Tonight on the CW, the Supergirl show will air an episode titled 'The Faithful' about a cult of people in National City who begin to worship Supergirl as a deity.

This isn't the first time that Supers being viewed as new Gods has happened. From Countdown to the DCEU to innumerable other examples, superheroes being looked upon as the holy is well trod ground. And, in fact, it has happened in the past for Supergirl.

Peter David's Supergirl run (in Supergirl volume 4) had faith and religion and sin and redemption as major themes running through the book. Frankly, those concepts made up the bulk of the first 50 issues, a long form run on comics that I hold up there with the best comics can offer. Now much of that had to do with the redemption of Linda Danvers, the angelic nature of this new Supergirl being, her own hubris leading to a downfall, and then her ultimate self-forgiveness.

But given the fact that this Supergirl said she was an angel, it wasn't surprising that a Supergirl religion would arise. In fact, this faith impacted her greatly, making her wonder about who she was and what her place was in the world. It turns out, it impacted her negatively, another way to try to break her spirit.

I have praised this run throughout this blog's lifecycle, but Supergirl #44, Shadows of a Doubt, is definitely a strong issue with powerful moments. David, and long time art team of Leonard Kirk and Robin Riggs, bring all the power to bear, giving us character moments, soulful moments, and even a super-powered brawl.

But it all revolves around this Supergirl cult, perfectly captured on that cover with a deified statue of Supergirl being praised by the congregation.

On to the book.

Terrificon

We are rapidly approaching my convention season and while Boston Comic Con has always been my main show, this year the incredible guest list for the nearby Terrificon lured me across state borders.

I am very excited for this show and have really had a hard time preparing for it. There are some great creators going to this show. As I have said in prior convention posts, I try to limit the books I take to get signed by a creator to a maximum of 10. But some of my favorite creators, who I have followed for decades, are coming to this show. And so limiting my sig list to the aformentioned 10 books has become something of a conundrum!

And, as usual, there are some artists at the show that I am hoping to grab commissions from. As usual, it is all about the timing. I haven't been able to line anything up beforehand so far so I also think I will need a little luck.

So who am I going to see?

September 2017 Solicits

The September solicits for DC Comics were recently revealed and there is a lot of stuff that grabbed my attention. For me, the Supergirl, Superwoman, and Action Comics solicits are very interesting. And there are some trades being released that make me think I need to save my pennies.

To review the entire DC solicits, here is a link to Newsarama:
https://www.newsarama.com/34984-dc-comics-september-2017-solicitations.html

And on to the Super-titles:

SUPERGIRL #13
Written by STEVE ORLANDO
Art and cover by ROBSON ROCHA and DANIEL HENRIQUES
Variant cover by STANLEY “ARTGERM” LAU
“EMERALD ERADICATION” finale! It’s the final showdown between Supergirl and Emerald Empress. Supergirl’s life has been torn asunder and she’s not going to let Emerald Empress get away with it. But is it too late to repair the damage and remain the hero she’s built herself to be?

Okay, let's get started. First off, that is a crazy cover with a fierce Supergirl ripping apart the Emerald Eye! That is a great image! And Artgerm on the variant should be beautiful (although I will miss Bengal). 

And then the solicit about Supergirl trying to remain above the fray after having her life destroyed grabbed me. Steve Orlando has really made Kara a hero, helping people and being optimistic. So we'll see if personal problems make her backtrack.

Leesburg!

Hat tip to my friend Mart Gray who sent me the following page from Midnighter and Apollo.

I have never read the book (or the characters) before. But it appears that Midnighter walks through a magical door and approaches a house where the inhabitant is clearly some sort of mystical being hiding as human.

And I don't know about that fox ... but that's has to be something. No one draws a fox crossing a suburban street by chance.

But while this was an interesting interaction, this isn't why Mart sent it to me.

Did Supergirl fans catch why?

February 2017 Solicits

The DC solicits for February were released a while back but it has taken me a bit to finally get to cover them. The solicits here sound like February will be an excellent month for comics. And luckily, given the usual lack of funds in the post-holiday time, there weren't too many surprises.

Here is a link for all the solicits over on Newsarama:
http://www.newsarama.com/32089-dc-comics-february-2017-solicitations.html

As for the super-titles, I am excited for any number of reasons. Let's jump right in.

SUPERGIRL #6
Written by STEVE ORLANDO • Art and cover by BRIAN CHING • Variant cover by BENGAL
“REIGN OF THE CYBORG SUPERMEN” finale! Argo City is on a collision course with Earth and the Girl of Steel is the only hero that can stop it! Cyborg Superman and Kara Zor-El clash in a cataclysmic final battle that leaves only one standing!


The first arc of the Orlando/Ching Rebirth look at Supergirl comes to an end. We have seen the idea of Argo City being crashed into Earth before way back when so it'll be interesting how that plays out in this more modern time. But for me, I will be glad to see the Cyborg Superman arc put behind us. I look forward to Kara declaring Earth her own home and dealing with her father.

I love the cover. Kara looks like she has been through a fight, looking determined and holding what seems to be an injured arm. Nice look.

SUPERGIRL: BEING SUPER #2
Written by MARIKO TAMAKI • Art and cover by JOËLLE JONES
Midvale has been torn apart by a devastating earthquake, and the death toll has hit Kara Danvers hard. As she begins to put the pieces of her life back together, Kara’s developing powers kick into high gear, and her memories of a world that shouldn’t exist begin to surface.



I didn't realize that Being Super was bi-monthly but if that gives Joelle Jones time to get the art done, so be it.

I like the idea of a natural disaster somehow spurring Kara into a heroic ideal. As you may have heard, with great power comes great responsibility.

But the line about her having memories is the line that grabbed me. Was Kara a baby when she was rocketed to Earth? A toddler? Was there an Argo City? Hmmm ....