Boston Fan Expo Recap #2: Bob McLeod Commission, John Byrne, And Others!

Fan Expo Boston is now 2 weeks behind me and there was another con that I have already attended (yay con season!).

So I thought I would wrap up my coverage of this con today.

As I said last week, the feel of the con is much more celebrity-focused but the comic creator guest list was pretty impressive. There was a nice mix of classic creators and current folks. So for an old timer like me who also hits the store every Wednesday, this was perfect.

For examples, one of my best interactions was talking to Sam Humphries about his Legion/Bugs Bunny crossover. Humphries is a big fan of the Grell era Legion, the books I cut my comic teeth on. And I was able to talk about his recent Harley Quinn run which has really shined.

And, of course, John Byrne was there. Byrne was a huge draw for me, having been a fan of his since I was a wee lad reading Marvel Team-Up and enjoying his Superman reboot.

Regarding commissions these days, I am trying to make sure I get more classic artists when I see them (and if I can afford them) to recognize them and their contributions. At Boston, I really hoped to grab a Bob McLeod commission and I was lucky enough to get one.

Up next, the commission, by Byrne interaction, and other stuff.

It Came From The Back Issue Box: Supergirl #11 and 12

We all just read the current Supergirl’s battle with Silver Banshee in the excellent Supergirl #34. I thought it would be nice to review the prior Supergirl’s interactions with the villain back in 1997’s Supergirl #11-12.

As many know, I loved the Peter David Supergirl title. The title constantly was looking at the definitions of good and evil, the role of religion in a super-powered world, the randomness of the universe, and how struggling to do good can often lead to bad outcomes.

That Supergirl was the manifestation of the Earth Angel of Justice, a physical representation of God’s will formed when someone (in this case the Matrix protoplasm Supergirl) sacrifices themselves to save someone damned (here Linda Danvers a demon-worshipping murderess). This was early on in the series, just as some of Supergirl’s angelic qualities are coming to the forefront, as she is learning about herself. At this point she was still questioning what she was … an artificial life-form who absorbed a human’s memories or something more.


These issues start with Supergirl accidentally releasing the Silver Banshee from an underground prison at the site of a Chaos Stream. Supergirl thought she was simply saving a trapped woman.

Rather than immediately fighting each other, the Banshee simply walks away while Supergirl has to fight a demon spawn which attacks her from the river. It is clear that Silver Banshee has no memories of her time as a demon; indeed she is mad.


Supergirl awakens from her battle in Hell. She meets Lord Satanus who derides her for freeing the Banshee from her prison. He tells Supergirl that the Banshee cannot maintain her current form for long; she will need to possess a kindred spirit or she will dissipate. Also throughout this conversation, Satanus begins to drop more hints about Supergirl’s current status. He tells her that Linda’s soul, destined for Hell, has been saved by Matrix’s sacrifice; but also Matrix has been saved as well …elevated from a mere simulacrum.


He also calls Supergirl ‘the Blue Angel’, one of the ‘Chosen Ones’, and a ‘Guardian Angel.’

While many did not like this Earth Angel storyline, I really enjoyed it. It was compelling, interesting, and original. I never had a problem with accepting this semi-Vertigo feel to the character. I also had forgotten this meeting between Satanus and Linda in the past; how interesting now that Reign in Hell is ongoing.


After a skirmish in Linda’s hometown Leesburg, Supergirl appears to have beaten the Banshee. However, just as she is about to fade away, the Banshee finds a kindred spirit to merge with, Linda’s good friend Mattie Harcourt.

Mattie was an interesting character. She was a physician whose brother was killed in a random act of violence. She then resuscitated her brother’s killer in the ER. She had lingering issues that many of us have … why wasn’t she there to save him, why do bad things happen to good people, why is her brother dead while his killer lives?


In a fit of anger, Mattie/Banshee swears she will kill her brother’s murderer. And to make sure Supergirl cannot interfere she will kill the hero. She screams ‘Supergirl’ which, given the Banshee’s powers, should kill Supergirl if that is her ‘true’ name.


Remarkably, Supergirl lives. She is not Supergirl … she is Linda. Or Linda is her. Either way, this moment of joy as Supergirl realizes she is real, a human, not a thing is one of the best moments of this story.


Supergirl races to the local home for the criminally insane to stop the Banshee. There she tries to draw out the inherent goodness in Mattie to break her possession. She tells her she needs to let go of the hate in her soul, let go of the malice she has for her brother’s killer. Supergirl reveals her identity to Mattie; she is Linda, a friend, who is there for her. They embrace and Mattie is released from the Banshee’s control.

Supergirl then holds the Banshee and comforts her about the fears Banshee’s original mortal host had. Without a body, the Banshee fades away.

I feel I am in the minority of Supergirl fans when I say I loved Peter David’s run, especially the first 50 issues, which were heavy on the philosophy and religious themes. The growth of that character, her slow fall from grace, and subsequent redemption makes that run one of my favorites of all time.

The art here is by Greg Land, and it appears to be before he went heavily into his ‘100% cheesecake, lightboarded recreations of models’ style. His art is solid here.

Overall grade: B