Black Orchid Wednesday: Pop Figure

Last November, I stumbled across the Black Orchid story where she supposedly uses X-rays to reprogram a crime computer.  It lit a little creative fire in me to hunt down the rest of the Orchid's pre-Crisis stories and look at them through the prism of a fan theory that she was actually Supergirl in disguise.

I have really loved this side adventure as the stories are top notch, moody, mysterious, and always beautiful. It was also educational as I learned that Black Orchid only had 15 pre-Crisis appearances, one of which was in Super Friends #31, the other as a sort of humor addition to the Blue Devil Summer Fun Annual #1. 

Yes, since that time her presence has grown in Suicide Squad, her own Vertigo title, and Justice League Dark. But back then, and I'd say even now, she is a minor character.

So imagine my surprise when last Earth Day, April 22, Walmart released a Black Orchid Exclusive fun pop. 

I was thrilled when I heard about it. And I thought maybe just maybe someone saw my coverage here and it gave them the idea. I mean, is anyone else covering her right now?

Terrificon Recap 2: Rick Hoberg, Gerry Conway, And Others

Welcome to my second Terrificon recap!

Terrificon is a couple of weekends in my rear view mirror but I still am feeling the joy of heading to a fantastic comic convention and rubbing elbows with some creators. Last week, I talked about my great interactions with Gene Ha and Robert Venditti. Today I'll review the other notable moments.

I had two commission goals for the con: Ha and Rick Hoberg. Hoberg is mostly known for his work on Star Wars and on the Jane Foster Thor What If? issue. But for me, he is known as the artist for Supergirl's last adventure before Crisis on Infinite Earths #7. With that hook, I thought a Supergirl commission by him would be cool.

I dropped of my book with him within hours of the con opening. Unfortunately, Hoberg was unable to get it finished over the three day con. As a result, I have a half-finished commission in the book. He was very apologetic about the whole thing. He even offered to take the book back to his studio and ship it. But I have something like 60 sketches in the book. I couldn't risk that being put in the mail.

It is a bit of a shame because it sounds like he had a grand vision for this with Supergirl in space, Earth below, blocking this ray. It is also a bit of a shame because I specifically asked if he could get it done over the course of the con and he said on both Friday and Saturday that he could. Had I known that he wouldn't finish, I probably would have sought out another artist for a commission. 

Ah well, what might have been.

I did get some signatures from him including DC Comics Presents #86, the last non-Crisis Supergirl story, as well as the first two Power Girl issues from her first mini-series.

As much as the commission was something of a downer, the con had so many more ups ..

Review: DC Vs. Vampires #8

DC Vs. Vampires #8 came out last week but I am just getting to the review right now. 

This is a 12 issue series seemingly told in two halves so we are in the second issue of this leg. While the first issue put the players on the board, this issue moves them into position. We end with a clear idea of three plot lines that will be moving forward. I think that sort of set-up needs 2 issues to get to where we are and so I'm glad we didn't rush. I think it is crazy for a human army as small as remains on Earth to split itself into thirds. But the characters leading these plots all spell out their reasons well enough.

Writers James Tynion IV and Matthew Rosenberg clearly have a good grasp on these characters as everyone feels right. Ollie and Dinah are clearly in love but in disagreement. Barbara can't get Nightwing out of her mind. And Supergirl has just the right mix of inexperience and confidence, that fine line she needs to walk, that it all works.

The art by Otto Schmidt is wonderful. There is a sort of grindhouse rawness to it that works. The fight scenes are appropriately monstrous. And yet, there also romance scenes and more poignant scenes that soften and shine off the page. I love his work.

On to the book.

Black Orchid Wednesday: Phantom Stranger #32

Welcome to the latest edition of Black Orchid Wednesday, in which I look at the pre-Crisis Black Orchid stories through the lens of a fan theory that she was actually Supergirl in disguise.

This has been a wonderful and most welcome diversion here on the blog. I have always been a Black Orchid fan so covering these stories has been a revelation. I also had to track down these issues so it gave me a little side mission in comic stores and conventions.

But mostly I have loved doing this because the stories and, in particular, the art on these Orchid tales are quite good. There is a sort of Film Noir aesthetic to most of them. And the Orchid is so mysterious that each story is satisfying. It also helps that there have been lots of nuggets in these stories to bolster the theory. So many, in fact, that I am starting to wonder whether or not it was true.

Alas, there were only 15 pre-Crisis Black Orchid issues and today's book, Phantom Stranger #32, is the last one for me to cover. But I think there was some Cosmic Comic Karma going on because this issue has one of the best panels to either bolster or break down the theory. So we are ending with a bang.

I'll probably have one or two more posts on this topic to wrap it all up. 

And it would be wrong to not at least mention the amazing cover to this book by Luis Dominguez. Definitely has a Fantasia feel to it!

On to the book!

Supergirl Through Two Different Lenses

I have been blogging about Supergirl for 14 years now, always with the intention of celebrating her as a character. There are so many aspects of her character and her history that I love. One of them is that I think, despite the tragedy in her life, she is bright and optimistic. She wants to help people. 

While I think that is the true foundation of the character, DC doesn't always agree. And over the course of my time blogging I have seen editorial fiat turn her jaded, dark, depressed, emotionally bereft, and empty. 

So when I see something which captures that quality I have to applaud.

Terrificon Recap 1: Gene Ha And Robert Venditti

The 2022 con season opened up with my favorite con, Terrificon, a couple of weekends ago. This will be the first of two recap posts as I go over interactions and purchases.

Terrificon has always been the best comic book focused convention in this area of the country and I love it. The show runner, Mitch Hallock, always brings in a great guest list of legends and current stars. And the set-up in the Mohegan Sun Casino convention hall is just perfect. The con is a short 90 minute drive from where I live so I happily attended all three days. And thanks again to Mr. Hallock for bestowing a Press Pass to this little site. Meant I had a little more money to spend on books and sigs.

There is definitely an energy to the place as you have a great comic creators, celebrities with ties to geek culture, and more vendors than I could count. I just love the feel of this convention.

The guest list was again incredible and I am always curious to see which one garners the longest lines. There were some guests that were new to me and folks I am a big fan of. So I definitely had a couple of missions in mind.

Today I'll cover two of the folks at the top of the list: Gene Ha and Robert Venditti.

Review: Dark Crisis #3

Dark Crisis #3 came out this week and was another sort of deliberately paced issue nudging us towards what is supposed to be a multiverse changing storyline. I am still a little befuddled about what exactly is going on here but I suppose there is still time for this series to turn the corner and reveal.

At the recent SDCC, writer Joshua Williamson declared Dark Crisis as the direct sequel to Crisis on Infinite Earths, a crossover event I remember fondly. At this point in Crisis (let's say the middle of issue #5 percentage wise) we hadn't even learned about the Anti-Monitor. So if I can let COIE unroll at a certain pace, perhaps I should give this book the benefit of the doubt.

Still, in COIE, there was a feeling of momentum. We knew the threat. We had seen it. We knew what the Monitor was trying to do with his tuning forks. Here, I am still trying to hash that out in my head. This issue sort of helps. But not really. And the same nitpicks I had about last issue are still here in this issue. Why aren't the heroes more organized? Where is the great JL that Jon formed at the end of the first issue? 

One thing that is clear is that Williamson is up on his DC history. He seems to be rolling lots of major crossover plots into this one, making this the ultimate hash. There is obviously COIE. But there are whiffs of Blackest Night, Kingdom Come, Zero Hour, Legends, and even Forever Evil in this book. 

Daniel Sampere's art remains tremendous throughout. There is a nightmarish splash page near the end which could be a poster. And his fine line brings out the emotion you need for some of the more personal scenes.

We're rounding the corner here. On to the specifics.