Review: Superman #25

The extra-sized Superman #25 came out this week and was a pretty rollicking issue that pushed forward one of the biggest storylines of this comic. The Lex/Superman dynamic has been the foundation of this book since its inception.

 Is Lex an ally? Is he an enemy, a wolf in sheep's clothing? Is this new amnestic Lex truly and ally? Or is the whole thing a ruse? Writer Joshua Williamson let's us peek behind the curtain, bringing us back to the earliest moments of this run and letting us hear Lex say his plans. But the amnesia from Brainiac must have been an unanticipated event, changing things. (I do wonder if Williamson had this all mapped out, including that turn, when the book was initiated.)

But this is a stuffed issue. So we get to see Mercy continue her heel-turn. We see Marilyn Moonlight for the first time in a while. We get to see more of the Red-K poisoning. And substantial movement in the Superwoman arc. And we get the introduction of a villain with a name that I can't believe hasn't been used before. Kudos to Williamson!

The art is done by a trio of superstars - Jamal Campbell, Dan Mora, and Eddy Barrows. It was good to see Campbell back on the book, especially since his pages are the flashback to the beginning of the book, the arc he drew. Gave it some artistic weight. Barrows and Mora finish the book with some flair, including the use of 2 page splashes and oversized panels. Mora also gives us this wraparound cover. 

I know it is going to sound insane but that jacketed Supergirl look has really grown on me. I wonder how much of that is Mora and how much is the look.

On to the book.

Review: Batman/Superman World's Finest #38

Batman/Superman World's Finest #38 came out last week, the official first part of Mark Waid's We Are Yesterday arc running through this book and Justice League Unlimited. It feels more like a prologue but it certainly has that Bronze Age flair that Waid has brought to most of the proceedings here.

We know the main villain in the arc is Gorilla Grodd and he is the main villain here, albeit in the past leading up to the present-day story. I haven't always been the biggest Grodd fan. I don't think I have a great grasp of what his power set is or even how powerful he is. Here, Waid makes it clear that Grodd is a powerhouse, worthy of leading an uprising against the League.

When you get Grodd, you almost always get Gorilla City. Fun to see Solovar again, even if he is more coldblooded here than I am used to seeing. I suppose it makes sense given how many times Grodd has taken over his rule. 

And there is the usual fun moments between heroes in this else-when past. Everyone seems a little fun and very collegial. It always works for me. 

Clayton Henry is on art. I love his smooth lines and no-nonsense approach to art. I loved him on the recent Phantom Zone arc in Action Comics so glad he gets a big cast to work with here. Thankfully he does apes well. Not every artist can claim that.

On to the book.

Review: Action Comics #280

Last week I reviewed Action Comics #279, the first part of the Silver Age Supergirl story where she battles Lesla Lar. All this is in anticipation of the upcoming Supergirl title and Lesla being the main villain.

Today I am reviewing Action Comics #280, the second chapter of the multi-part arc. And much like last issue, this one goes at an incredible pace and is filled with standard Silver Age insanity, including throwaway science ideas, identity changes, and wild action. 

But also, like last issue, there is some growth for the Supergirl character (or at least the idea of her given that Lar is impersonating her). Writer Jerry Siegel is using this big storyline to sort of mature Supergirl into something more than the orphan secret weapon. Last issue, Siegel had Linda get adopted. She ditched the braids. This issue, Superman recognizes how much Kara has grown in her 2+ years of comic history. Add to that the insane Lar who has aspiration and perhaps delusions of grandeur. She is truly wicked. 

Jim Mooney is on art and remains the legend. His work on Lar and her facial expressions is just stellar. But Mooney gets to spread his wings a bit here too. We get a lot of crazy Kandor science. We get a three page basic retelling of the plight of Argo City and Supergirl's origins. Mooney is a master.

Settle in and buckle up for a wild ride. On to the book. 

Review: Summer Of Superman Special

With the Superman movie around the corner, DC Comics has labeled this the Summer of Superman. What better way to start the whole thing with The Summer of Superman Special #1. 

This has the feel of a summer blockbuster. There are mega-stars associated with the book. The upcoming Superman book writers - Mark Waid, Joshua Williamson, and Dan Slott - seem to have all written the book. But one of the biggest draws on the book has to be Jorge Jimenez on art. I have loved his art since the Smallville Season Eleven comic 12 years ago. So seeing his take on most of the Superman Family ... and even some Legion of Super-Heroes ... made it worth the price.

The story hook is Lana Lang and John Henry Irons wedding in Smallville. The writers take the opportunity to focus on young Clark and Lana's relationship. We flashback to a Superboy adventure. We get some peeks into the future stories. And, best of all, there is actual character growth, mostly around Lana and John. We also get reminded why Superman is Superman, helping people, loving his quiet early life, and acknowledging that the precious small moments in life are as important as battling Validus.

As I said, Jimenez is a wonder. I have heard his Batman stuff is incredible. But anything I have seen of his is great. I love his Lana. I love his Validus. He does wedding scenes and time-stream fights equally well. The art in this book sings. And while this Alexander Lozano Supergirl variant is a little too coquettish for me, I am glad we got something Supergirl in this issue. She is only seen on one page which previews the upcoming books.

This is a great opening salvo for this Superman-filled summer. On to the details.

Old School Comic Show Recap

It is officially con season and a couple of weekends ago I went to the 'Old School Comic Show' in Concord New Hamphire. Run by Little Giant Comics, the show is just what I needed to kick off the season. 

This was a pure comic book show. The guests were all comic creators. The exhibitors were all comic book vendors. It was like a hit of pure joy right into my veins. And being just under 2 hours away from home, it was an easy trip. 

The show sort of lived up to its name to. Most of the guests were sort of 'old school' creators, as you'll see after the break. 

There wasn't a lot of Supergirl-specific stuff I was aiming for at this con. But I was looking to meet some new creators as well as see some I had met before again. And given the guest list, there wasn't a commission I was aiming for either. All that meant was I was able to be more easy-going at the con, not rushing to a specific table. I was able to walk the floor, shop, and have a great time. 

Trust me, I am going to put this on the 'must go' list for next year.

On to some of the specifics.

Review: Action Comics #1085

Action Comics #1085 came out last week, the first part of a brief story by G. Willow Wilson and Gavin Guidry. 

It's funny how a small little thing can upend my take on a story. I have viewed these 'Superman Superstars' stories as existing somewhere in continuity. Yes, the Mark Waid Phantom Zone story seemed to be solidly set in near-present time based on costumes alone. But the Ridley story? The Aaron story? Those could be set anywhere in Superman's timeline. 

And so we have this story which feels like it should be 'early' in Superman's history. Clark is considered a sort of novice reporter. Perry doesn't want Clark on a big story. And if it was set 'years ago', I would have been fine with it. 

The problem is there is an editor box that says this takes place before Absolute Power (explaining Lois' lack of powers, etc). Now 'years ago' is 'before Absolute Power' but that box makes this feel much more current. But the characterization doesn't feel that way. So the whole thing just felt awkward as I read it.

The plot is simple. A lab in the Arctic is hoping to curb global warming is being sabotaged. Clark is sent to investigate. A villain emerges.

I liked Gavin Guidry's art in Superman '78 and he continues to impress here. It is clean style with solid linework. I like his Superman a lot. And his Lois seems full of moxie. Hope to continue to see his art around.

On to the book.

Review: Absolute Superman #6

Absolute Superman #6 came out last week, another mostly flashback issue filling in the back story of this universe's Kal. With the destruction of Krypton behind us, we focus on Smallville. After the slow burn of the first issue, this one feels brisk opening and seemingly closing the Smallville portion of Superman's origins. We also get a major reveal which I felt was coming but never said outright. You'll have to trust me.

Writer Jason Aaron shows us that overlying despair of this Absolute Universe, especially in the early pages of Kal lost in space. But he also gives us some light, showing us a Jonathan and Martha Kent that feel pretty much our typical Kents. They take Kal in as a miracle. And Kal feels a bit of comfort in this Kansas environment with a kindly couple. Interesting to see just where the classic origins blur with the new stuff. But most importantly, as I said above, this is definitely a bit of a brisker pace for the flashback than the prior. 

The art this issue is by Carmine DiGiandominico and he's sort new to me.  Despite a slew of book, I only know him from the digital only covers of the end of the last Supergirl run. There is a sort of Chris Sprouse energy to his work. I love Rafa Sandoval but DiGiandomenico is a decent fill-in. Sandoval is on the cover which displays something which doesn't appear in the story. 

So with the brisk Smallville chapter done and the true villain revealed at the end, I think we can call this the 'opening arc' and that it is officially closed. Looking forward to what comes next.

On to the book.