Review: Superboy Man Of Tomorrow #6

Superboy Man Of Tomorrow #6 came out last week, wrapping up the mini-series in a satisfactory way. I wasn't sure what to expect from this book but what I got was a decent nugget of self-discovery for a character who has been in the wind the last decade or so.

Writer Kenny Porter started this book out with Conner wanting to find himself. It ends with Conner happy with his life, even adding a new path to explore. He has had to face a sort of dark version of himself along the way. And he again learned what it means to wear the 'S'. I think Conner is truly in a better place now and the idea of his being a sort of inter-galactic S-shield hero opens up opportunity for the character that the other supers don't currently have. Heck, given the Cosmoteers, it could even be a backdoor pilot for a new Legion book. 

Artist Jahnoy Lindsay brings a nice energy to the proceedings. Things have veered towards a manga feel which has worked. There are some panels which feel like homages to famous manga or anime. And I like the way he draws the younger side of the big super-family. 

But I do have two big gripes with the book. One, there is a big emotional scene with Superman near the end. And in the most emotional section, a word balloon is attributed to the wrong character, squashing the moment, and taking me right out of the book. The creators should not be blamed for an egregious editing error but it definitely dimmed things for me as a reader.

Second, this is also diminished by the unfortunate recent Superboy story by Mags Visaggio in Action Comics #1057. All the progress done in this mini-series is wiped away by the angry 'who am I' Conner in that tale. Heck, the bitter 'let me yell at Ma Kent' Conner in that story even has a red streak in his hair ... akin to the villain here, a clone of Conner, in this story. It makes terrible sense in the big scheme of things. Again, this is a bad editing choice. So I shouldn't let this dull the Porter/Lindsay effort but it isn't easy.

On to this story.

Review: Superman Lost #7

Superman Lost #7 came out this week, an appropriate title. Sometimes as a reader of this book, I feel lost. There are two plot threads on this book. 

One is a 'flashback' of sorts. Superman has been stranded on a planet doomed by polarized political parties and climate change. Despite all his efforts ... for 20 years, he cannot save the place. In this issue, Superman has finally escaped that world and is heading home.

The other plot is the 'current' time. Even though it has been 20 years of his time, Superman has only been gone a short while on Earth. He is struggling to acclimate himself back at home, re-engage with friends and family, and save his marriage, strained by his psychological damage.

Writer Christopher Priest has been a little hit or miss on the book as he weaves these two stories together. This issue is something of a miss because he suddenly injects a third plot. Most of this issue is told by a Superman from another timeline, trying to stop our Superman on his journey. It is a lot of pages devoted to an Earth we'll never see again, which has little impact on the story, and doesn't make much sense. I mean it. I have read the section several times and I still don't know what this 'other' Superman is trying to accomplish. It's almost like Priest had an Elseworld story he wanted to tell but had no place for it but here.

And then a fourth plot involving Lex Luthor, hence the stark black and white cover contrasting our hero with his nemesis.

The act continues to be lovely. Carlos Pagulayan does the art for the main story. Lee Weeks is brought in to do the 'Elseworld' portion. Both shine. Weeks brings a grittiness to this other Earth which works well for that world's history.

I'll add that sight unseen, Supergirl does play a sort of key role in the plot progression. 

Still, this issue vexed me a bit. On to the details.

The Passing Of Keith Giffen

How do you talk about the passing of a legend?

I learned late Wednesday night that Keith Giffen had passed.

I had a visceral response, a sense of sadness and loss. I have mourned the passing of other creators in the past but this one hit hard. Because Giffen was a huge part of my comic reading, part of my comic joy, and simply one of the reasons I love comics. 

The Legion. The 5YL Legion. His obvious love of the Supergirl character. His love of Dr. Fate. His reimagining of the stodgy JL as a family/office sitcom. His  Doom Patrol volume! The Heckler! All huge for me.

His art style changing from a slick, organic form to the chunkier later stuff to the wild Trencher stuff. He was always growing. But his storytelling was always stellar. How strong were his layouts? He did thumbnails for all of '52', a weekly book! Insanity. 

He also was a character himself. Irascible. A curmudgeon. An anarchist. A stick in the mud. A raconteur. 

I had the luck of meeting him at Terrificon a few years ago and I am grateful that I was able to tell him all of this in person. Sometimes it is okay to meet your heroes. 

The outpouring of love on social media by other creators and fans has been unbelievable. I hope he knew how loved he was.

Rest in peace Mr. Giffen.

A few more thoughts.

Crisis on Infinite Earths #7 Fallout: Superman #414

Last week, I reviewed the Crisis on Infinite Earths #7 sections of the George Perez Tribute issue of Back Issue. It reminded me of just how in depth my coverage of COIE #7 has been on this site over the last 15 years. By now, I thought I might have covered almost everything. I even have a subset of posts called Crisis on Infinite Earths #7 Fallout, deeper looks at books reflecting closely on the events of that famous book.

So I was shocked, truly, to realize that over the time of this site I have never covered Superman #414, a Crisis crossover issue in the immediate aftermath of Crisis on Infinite Earths #7. This issue came out in September of 1985, 2 months after Supergirl's death in the Crisis.  In many ways, it is an epilogue to Supergirl's life although it takes a long time to get there.

Writer Elliot S! Maggin clearly had a tale to tell, of Superman mourning Kara's death and returning her body to Rokyn, New Krypton and her family. But to get there, he needs to tell a very padded tale of the Superman Revenge Squad causing some havoc. There are a lot of needless splash pages, aerial fights over Rokyn, and home scenes of Van-Zee. In fact, if you removed the Revenge Squad story you could have a tight 8 pager showing the aftermath of Kara's death with a bit more dignity. I get that you need action in comics, especially then, but I would have preferred a 22 pager showing that aftermath. While I am glad we got this epilogue, it still feels like Kara got short shrift here.

To make things maybe a touch worse, the art is a bit muddy. Curt Swan's usual magnificence is rendered crudely by co-artist (inker?) Al Williamson. Even the lettering by Ed King feels a bit wonky. I do like the cover by Eduardo Barreto. Barreto drew the back end of the 1980's Supergirl title. So seeing his take on the iconic COIE #7 cover is a nice touch here. 

On to some details.

Crisis On Infinite Earths #7 Fallout: Back Issue #147

I'm a giant fan of Back Issue magazine and how it looks back at the Silver and Bronze Age of comics. The Bronze Age was my formative era for comics so reading in depth articles on characters, runs, and creators is like comfort food. I consider myself an amateur comic historian so this book only adds to my knowledge.

This month is Back Issue's 20th anniversary and they celebrated with a George Perez Tribute issue. This was a great look back at Perez's career from his time at Marvel through his Wonder Woman reboot and everywhere in between.

For me, I had a particular interest and hope. Surely Crisis on Infinite Earths #7 was going to be discussed somewhere in the book. I didn't agree back then that Supergirl needed to die. But I can't deny that COIE #7 is an incredible and historic issue. It showcased Supergirl as the hero she was. And it cemented her place in the annals of comics. 

Part of the magazine was a look at 20 of Perez's most memorable issues. I really liked this section because mixed in with the historic books (like Crisis or JLA #200) were random issues of Marvel Two-In-One and the Flash, picked because the author recognized Perez's brilliance in some way. 

This piece, written by Dan Johnson, was a nice look at the double sized issue. But there were some things in here that stuck out to me as a Supergirl fan.

Better Late Than Never? The Flash Movie

I had planned to see The Flash movie when it was in the theaters but sometimes life gets in the way. 

Now on streaming, I finally got to see it. I'd give it a C. Given that this is now a 4 month old movie, I won't do an in-depth review.  I'll just touch on the stuff that truly struck out and concentrate a little on the Supergirl side of things. As it is 4 months old, there will be spoilers.

This was a pretty solid adaptation of the Flashpoint mini-series. From Barry trying to save his mother to his lacking powers and needing to recreate the accident that gave him powers, to a Project Superman take on Supergirl, this was Flashpoint. I didn't particularly like that mini when it came out but if you did, this was sort of faithful. 

This was also a sort of love letter, or homage-fest, to comic fans and fans of superhero movies. Michael Keaton recreating his Batman, saying 'let's get nuts', and seeing that Wayne Manor again was fun. Seeing all the cameos at the end was fun (more on that later). But those things were really for people like me. My girlfriend didn't know who the helmeted Flash was or why I was giggling so much about the Thanagarian snare beast. So I don't know if so much time should have been placed on these things which only 1% of the ticket holders would cherish.

But the big thing for me is that this movie seems a bit disjointed in tone. 

There is a very heavy undertone about Barry's sadness about his mother. There is a 'how far would you go' theme. Would you destroy the universe to make your own world perfect or do you sacrifice happiness for the greater good? Seeing older Barry (who has seen things and matured) deal with younger, more naive Barry touches on loss and sadness. And yet, stuck inside this, is a bunch of silliness. Barry eating burritos at super-speed, putting babies in microwaves to save them, losing a tooth and super-gluing it.

If you are a script writer or a director, you have to be masterful if you are going to walk the fine line between goofy humor and heavy themes. And this movie can't pull it off. It is the same reason while Thor Love and Thunder failed for me. You can't effectively have Thor dealing with Jane Foster's mortality while a god killer kidnaps kids all while you have silly humor all around. Or you can if you are a master.

Lastly, the special effects at times looked pretty wonky. Seeing babies which look like they were ripped from The Incredibles definitely snapped me out of the movie.

Supergirl is in this and I'll have more below the break. But I thought Sasha Calle did a very good job as this Kara, the captured, tortured, angry Supergirl trying to figure out what the heck is going on. Having to recognize that General Zod is a Kryptonian but not what she wants to be or want to defend. 

So, it's a C. My guess is I won't seek this out again. But if it is on TV and I am home, I'll probably put it on to watch.

On to some details.

Review: Power Girl #1

Power Girl #1 came out last week, the first issue of an ongoing series following a back-up in Action Comics and a Power Girl Special. These have been new takes on Power Girl, no longer Karen but now 'Paige', at times a psychic counselor but now more traditional in powers, but still finding her way. 

And I am still on the fence. 

As a character, Power Girl has always been feisty and fun, powerful and confident. I don't see a lot of that here. Writer Leah Williams has, at least, veered towards a Power Girl that I think is a little more recognizable than the dream jumper from the Action story. This opening issue does what it is supposed to. We get the background of the new set-up for the character. We get some action with a new enemy. We get the introduction of a supporting cast. And within that were some good moments.

But we also get an overbearing Superman. We get some comments from 'Paige' that seem to come out of left field. We get cutesy humor moments which take me out of the story instead of supplement the action. 

This is closer to what I want than the psychic stuff. But it is still far away from what I think a Power Girl book could be. Still, if I could tolerate Supergirl going from job to job and city to city in the Bronze Age, I should give this more of a chance. At least back then, Supergirl read like Supergirl.

Eduardo Pansica is on art which helped a lot for me. Pansica was on Supergirl for a while and did well there so there was something familiar and comfortable about the art here. His Power Girl looks great. And the superheroics flow well. On to the book.