Review: My Adventures Of Superman #6

One of the things that happens when there is a sudden glut of books to review (weekly Action Comics with 2 reviews a week for example) is that inevitably something will get forgotten or pushed back.

Sorry My Adventures of Superman #6. 

The book came out a while ago and was the final chapter of the six part mini-series which bridged seasons 1 and 2 of the television show.

Writer Josie Campbell, a creative on the show, maintained the tap dance nature of the show being all things at once and somehow being cohesive. Wholesome? Yes. Action forward? Yes. Progressive? Yes. Funny and charming? Yes. 

It isn't easy to juggle so many significantly different feels but somehow Campbell does it. And here, she has the ending line up nicely with the 'upcoming' story of Season 2. Superman and the team has to help Amazo understand that each individual gets to determine who they are. Here it is Amazo coming to understand that they are more than a mechanized weapon; they are a being with choice. In season 2, they have to convince a brain-washed and traumatized Kara the same. It resonates.

Artist Pablo Collar continues to bring that anime-style to the proceedings. Here, the finale feels like a big robo show with a mecha trying to stop a doomsday device. The battle is wild and writ large and looks great. But, much like a good anime, there are the quiet family moments that also need to shine.

I don't know how this sold. I wonder if another mini will come out to bridge season 2 and the upcoming season 3. I hope so because giving us a peek at a Kara acclimating to Earth would be great. On to the book. 

Review: Batman/Superman World's Finest #33

Batman/Superman World's Finest #33 came out last week, the finale to the Eclipso story arc which has been a tidy three issues. That length is unusual for this title (typically 5 issue arcs with a done-in-one every 6 issues) and comics in general these days which are either trade length mega-stories or just ongoing narratives.

I do wonder if this story is three issues because writer Mark Waid really wasn't sure what he wanted to do here. For sure, this has been the least cohesive story on this title which I have routinely said is the best on the rack. But there is a lot going on here and much of it not really fleshed out. There are some plot elements that happen almost magically making me thing Waid knew what he wanted to have happen but wasn't sure how to get there. There is Eclipso and the oddly possessed Bruce Gordon trying to rule the world by controlling satellites. There are heroes quickly possessed by Eclipo's evil and then just as easily shaken from the possession. There is a subplot of the JSA and the JLA trying to figure out how they relate to each other. There is a fantastical rescue early in this issue and a fantastical conclusion at the end. I don't know ... it is sort of blurry.

Could Waid be overworked? He has this book, the upcoming JLU, Batman/Robin year one, and any other titles he is on. 

Artist Adrian Gutierrez is again on art but even his work, in places seems less polished than prior issues. Still solid but it did make me miss Dan Mora a little. 

That said, the story is over. 

On to details. 

Review: Action Comics #1076 Superman Story

Action Comics #1076 came out last week and Mark Waid and Clayton Henry continue to weave an interesting story, rewriting the continuity around the Phantom Zone and its Kryptonian origins.

Waid has been clicking on all cylinders with this story, giving us a new look at Mon-El, Aethyr, and Jor-El. But these new looks are more like updated takes on classic continuity. Mon-El is back to a Daxamite Clark met as a kid. But his time in the Zone has made him tougher. Jor-El discovered the Phantom Zone but didn't want it to be used as a prison recognizing how maddening it would be.

In this issue, we see Clark on Krypton trying his best to not upend the timestream by revealing to people their future. But he also needs to get his solar gauntlets charged to get back home. I like how Waid has Clark on the razor's edge of not leaking too much info.

Sadly, I was hoping that Waid my do a redemption take on Zor-El. Poor Zor was morally gray in the New 52 and then turned into the Cyborg Superman in Rebirth. In Venditti's World of Krypton, he was an obsessed neurotic, desperate to save Kara. Could Waid just bring him back to another caring father and scientific genius? We'll see.

Clayton Henry continues to bring this smooth look to the proceedings. I like the Krypton sequences. Michael Shelfer continues to bring some levity and action to the side plot.

On to the book!

Review: Action Comics #1076 Supergirl Story

Action Comics #1076 came out this week. This included the seventh part in the Mariko Tamaki Supergirl story.

And once again I have to say I am frustrated. Because once again, the story goes nowhere in this chapter. It once again makes little sense. It once again has Supergirl doing pretty much nothing. And it is horribly padded with 5 of the 10 pages being splashes or near splashes that don't warrant that much story space.

We are 70% done with this story. Think about that. And even Supergirl doesn't know what her mission is or how this prisoner is. 

I can't rail against Tamaki any more. I have to accept that this is her writing style: slow, plodding, confusing, and worst of all boring. Now maybe this will wrap up in some amazing way. But knowing what I know of prior Tamaki works I doubt it.

The person I really blame is editor Brittany Holzherr. Someone should have recognized the mess this story is. It is a shame. Because it doesn't shine a light on how great a character Supergirl is.

Of note, Skye Patridge is not on art for this chapter, replaced by Meghan Hetrick. The two artists are close enough in style to have the feel of the story remain consistent. 

On to the story, what there is of it.

Review: Action Comics #1075 Superman Story

Action Comics #1075 was released last week, a milestone issue according to the trade dress. 

It is also the halfway mark of this weekly run on Action Comics with the main story being told by the creative team of writer Mark Waid and artist Clayton Henry. 

This has been an impressive story showcasing just why I love Mark Waid as a writer. Superman is investigating the ever changing nature of the Phantom Zone. He runs into an immensely powerful being called Aethyr. He interacts with Mon-El. He ends up being thrown back in time to Krypton where he meets his father, a scientific genius who discovered the Phantom Zone. .

That all sounds very classic and Bronze Age. This has elements which are true to longstanding continuity. As such for someone like me, this reads as 'true'.

At the same time, Waid is polishing that Bronze to a more modern sheen. Aethyr is a vindictive god. Mon-El is has had a more troubled time in the Zone than normal, perhaps resorting to murder. Jor-El understood that the Phantom Zone was a troubling option for imprisonment. Jor-El has a temper, not suffering fools. And Lara is clever. 

Classic and new and most importantly, entertaining. It is what Waid has been doing since he returned to DC. Add to that a fun side mission with Kenan and Conner. Throw in more nods to DC history and you have a win.

The art continues to be very strong. Clayton Henry does very well with the Krypton scenes which are mostly verbal sparring, not fight sequences. His work on Jor-El and Lara, showing their anger and indignation, is strong. I love the 'milestone' cover showcasing some famous moments. Michael Shelfer brings a different energy, more electric, to the side story.

There is also an extra Perry White story by Joshua Williamson and Jon Bogdanove which ties up a bubbling Superman subplot.

All in all, a great issue. On to details. 

Review: Action Comics #1075 Supergirl Story

Action Comics #1075 came out last week, a 'special milestone 1075th issue'! I don't know why that number deserves the extra attention but here we are with special trade dress.

It also is the 6th chapter in the Mariko Tamaki and Skylar Patridge Supergirl story meaning we are officially at the halfway point of this plodding story. 

Once more we have a brief, sparse, boring chapter with nearly no progress to the story. Tamaki seems to be treading water in this tale, stretching out a story idea until it is so decompressed it is difficult to read. Worst than that, Supergirl again has almost nothing to do in this story. Every conflict that has arisen in this story is solved by someone else. Supergirl seems ineffective, inept, lost. And even more worse is that as of this chapter - six chapters in mind you, you could pull Kara out of this story and replace her with any other character and it would read the same. Yes, Superman keeps saying that this is a mission that only Supergirl could pull off but we have yet to read why. And even Kara doesn't seem to know anything about it either.

As a Supergirl fan this is frustrating. She doesn't get many solo stories. She needs to shine when she is given the chance. And this story isn't that. 

The art remains top notch. I like Skylar Patridge's breathy style with an ethereal sort of style. Her Kara is fantastic. The cover by Clayton Henry highlights some memorable scenes from Action Comics history including a shot of Kara leaving her rocket (Great Guns!). 

So on to this story, another "Supergirl" story. 

Review: Action Comics #1074 Superman Story

Action Comics #1074 came out last week. We are approaching the mid-point of this Mark Waid story of Superman exploring the Phantom Zone and now heading back to Krypton. 

I have been a comic reader for many years. I have seen Superman visit Krypton. I have seen stories of Jor-El and Lara. I have seen a variety of different takes. Some have been good. Some crazy. Some bad. 

Maybe, I am old-fashioned. But I think the continuity in this main DCU that Krypton should be a place of science and progress. I think Jor-El should be a good man who tried to save everyone. And Mark Waid gives us these back. 

I don't need Jor-El to be Mr. Oz.

But as he is able to often do, Mark Waid not only gives us a classic take but throws in a modern wrinkle. Not an upheaval. Not a rejection of the classic continuity. A modernizing. 

So we see that while Krypton is advanced and progressive, it has it's authoritarian side. Jor-El is a good man, a man of science, but also creative and a little weird. He isn't some ramrod, stodgy good guy. He has a temper. Still smart ... still good ... but more human. 

We also get some progress on the Zone story and the sidebar Conner/Kenan story. So this was a very fun issue.

Clayton Henry does a good job guiding us through Krypton and the Zone. He has this very smooth, organic style that I have always found slick. Michael Shelfer again gives us a great chapter with the Superboy/New Super-Man.

So overall another fun chapter. On to the details.

Gifts From Italy

This is a bonus post mostly to thank a generous friend. 

You know you have a reputation as a comic book guy when even 'normie' friends on vacation in foreign nations wander into comic book stores to buy you merch. 

A good friend of mine, someone not at all into comics, was in Italy and saw a comic book store. He knew what he should do.

He went in and asked what they had of Supergirl and/or Superman. 

He got me 'Superman #33', an Italian collection of Action Comics #1034 and #1035. This was near the beginning of Phillip Kennedy Johnson's run on the book, just approaching the Warworld Saga. Want to go back and revisit? Here is a link to my review:

https://comicboxcommentary.blogspot.com/2021/08/review-action-comics-1034.html

I could already tell that Johnson was on the way to something fantastic.

And check out this page, in Italian!!

You might recall that this moment was my #1 moment of 2021 for Supergirl. Johnson understood that Supergirl was often the smartest person in the room. 

How fantastic that this was the comic that my buddy found!

But wait there's more.

He also found this mini trade, collecting 4 issues of the early Superman books. The last issue in the book was a copy of Superman #21, the first chapter of the Supergirl Saga. Here it is 'La Saga Di Supergirl!' 

If you want to revisit that book, head here:

https://comicboxcommentary.blogspot.com/2018/12/matrix-monday-superman-21.html

This was the introduction of the Matrix Supergirl to the DCU (after a few sneak peeks in the issues before). 

It includes this page! 

Santi Numi!

You might recall that Byrne cheekily has Superman say dialogue similar to Supergirl's first appearance in Action Comics #252.

Another amazing issue for my friend to just happen upon!

Anyways, it is good to have friends who know what you like. These are pretty cool!

Review: Absolute Superman #1

I truly apologize for the lateness of this review. The weekly release of Action Comics with a dedicated Supergirl strip has made some books and news be kicked a bit down the road.

Absolute Superman #1 came out last week, the third title of the Absolute Universe to be released. For those coming in late, this universe is built off Darkseid energy which means everything is a little darker, a little more extreme, a little more volatile. From a brutal and poor Batman to a witchy Wonder Woman raised in Hell, things are skewed to a more grim sort of continuity.

Certainly, this Superman's origin is different. Jor-El and Lara are scientists but mired in the Labor Class. Krypton is a world filled with leaders willingly ripping the planet apart despite warnings. Kal is at least school age when he is rocketed off Krypton. There doesn't appear to be a loving Kent family in the mix. Lois is working for a nefarious acting corporation. So while some of the foundation is present, things are different.

But there is also a strong whiff of 'everything old is new again'. Writer Jason Aaron is setting Superman up to be populist hero, working against corruption and greed to help the underserved. In this issue, he is helping save people working in a dangerous mine. He isn't fighting super-villains. He is fighting the system.

Having read the earliest Action Comics by Siegel and Shuster, this is the foundation of Superman, hero of the oppressed. Heck, in those issues, he also helped out a mining community. And then, in the New 52, Grant Morrison brought that take on Superman back. Remember the 'jeans and t-shirt' Superman fighting evictions and gentrification?

In some ways, it works. This Superman isn't as different that sorceress Diana riding an undead Pegasus. In other ways, this first issue reads pretty close to prior takes making this not a new Superman but sort of a warped take.

We are only one issue in so I know the timelines and universes will continue to diverge. But the truth is I was worried about what a Dark Universe Superman would read like. This wasn't so dark to put me off completely. 

Rafa Sandoval is on art. I have loved Sandoval's work for a while and this issue he really shines. He handles the alien Krypton well. The Earth side of the book is a mix of tense conversations and wild action and he carries the story with the art. And the splash pages are powerful. 

So while the message of this is the standard 'corporations are evil', it isn't so heavy-handed that I eye-rolled. I am in, at least for a bit.

On to the book.

Review: Action Comics #1074 - Supergirl Story

Action Comics #1074 came out last week, including the fifth part of the Supergirl back-up story by writer Mariko Tamaki and artist Skylar Patridge. 

Frankly, I am frustrated with this Supergirl story. 

We are five parts into this 'mystery mission' of Supergirl escorting a prisoner with universal threatening power. But who is it? And why does she need to do it alone? Tamaki has given us nothing to go on in five issues. Instead we get confusing story-telling, empty dialogue, and worst of all, a boring take.

This is supposed to be a showcase solo story for Supergirl. She is completely ineffectual in this story. As of now there is nothing that makes this a Kara story. Take her out and put in Natasha Irons, Starfire, or Hawkgirl and it would read completely the same. She has not even been a hero in this story. She is confused and helpless. In the Supergirl Special Tamaki wrote, the most action we saw was Supergirl eating a cupcake. In this story, we have Supergirl lose every encounter she is in, whether it is a physical altercation or an intelligent conversation. 

If this is supposed to drum up interest in the Supergirl character, it is going to fail. Because she is an afterthought in her own boring story. It is frustrating.

It's a shame because I am a fan of Skylar Patridge's art. And this Mark Spears variant cover is a killer too.

On to the indecipherable story points.

Review: Action Comics #1073 Superman Story

Action Comics #1073 came out last week, the end of the first month of the weekly distribution and officially one third through Mark Waid and Clayton Henry's Phantom Zone story. For some reason I forgot this was a 12-parter! (Alas, so is the Supergirl story.)

The story takes a pretty big turn at the end of this issue which gives us a sort of act break. We have laid the foundation so why not explore a new thread and come back to this.

Still, Waid takes advantage of the space to push this story forward as we learn more about Mon-El, Xa-Du, Aethyr, and the Zone itself. I do like this deeper dive into Mon-El as we see how the Zone has both hardened him but also elevated him. There are a couple of plot points I sort of need to accept. In particular, why Aethyr has taken such an interest in the Zone remains a bit of a mystery, as is its grudge with Superman/Jor-El. But story progress is progress.  I also like the seemingly unattached side plot with Kenan and Conner. 

Clayton Henry brings a very clean style to the proceedings, interesting choice given the chaos of the zone. He shine with the character beats, specifically the Mon-El  beats. Michael Shelfer continues to sparkle in the Kenan/Conner side adventure bringing some energy there.

So far so good with this arc. On to specifics.

DC Solicitations: January 2025

Between vacations and a glut of comics to review, some other posts kept getting pushed back. So time to look into the future and the new year at the January 2025 DC solicits. The entire slate can be seen here:
https://www.gamesradar.com/comics/dc-comics/dc-comics-january-2025-solicitations-covers/

Overall, I have to say I am feeling a bit of optimism about DC these days. There seems to be some sort of re-invigoration of the whole universe, perhaps emboldened by the Absolute Universe books. I feel like the main Superman books have been on an upswing recently. 

And I just have a sense that a Legion book is around the corner given all the cameos and guest stints for characters from that IP. 

This month will bring a new creative team to Action Comics. I'm sad to see Mark Waid go. But I am glad he is remaining on World's Finest and the new JLU.

On to the books. 

Superman #22
Written by JOSHUA WILLIAMSON
Art and cover by DAN MORA
Variant covers by MICO SUAYAN, JONBOY MEYERS, and DAVID TALASKI
1:25 variant cover by DAVID LAPHAM
Sweater Weather variant by MARGUERITE SAUVAGE

A secret alien strike team has arrived on Earth with their sights set on the greatest weapon in the universe…Doomsday. And the only person who can save the ultimate destroyer is Superman! While alien forces rain down on Metropolis, Superwoman trains with her new powers alongside an unlikely instructor...and you will not believe who it is!

I figured the Doomsday story was going to be a true arc, at least 6 issues so not surprised to see it still churning along. As for an alien strike team ... what do you think? Doomsday Revenge Squad made up of aliens from worlds he has devastated? Will Williamson dig into continuity and bring back some people from planet Calaton?

But the real question in the solicit is 'who is training Lois'? I hope it is Supergirl. It would make sense. Although it would be easy to believe that. Perhaps Lana as Superwoman? More Lois/Lana friction? Barda? Really hope it's Kara.

Review: Action Comics #1073 Supergirl Story

Action Comics #1073 came out last week, another of the weekly releases for the title during this Mark Waid main run. 

I was excited when I first heard that Supergirl was going to be the backup for this weekly run. But when the writer was announced as Mariko Tamaki, I had some trepidation. Other runs of hers, and in particular her inscrutable and boring Supergirl Special, made me worry this wasn't going to be a strong arc for Kara.

We are now four chapters into this Supergirl story and, I suppose not surprisingly, it is inscrutable and boring. Supergirl has been sent into space on a secret mission. But the details have been left unknown to the reader as well. I suppose Tamaki thinks a big reveal at the end will be a jolt for the reader. Unfortunately all the coy dancing around the actual plot has made this feel like a slog.

This chapter we get to finally see the prisoner Kara has been sent to fetch. There is a lot of vague dialogue from the villain that is more maddening than mysterious. It seems to imply there is some connection between Kara and the prisoner but there isn't a whiff of specifics.

Supergirl as a character doesn't get a lot of room to shine on her own in the DCU these days. Features like this are a sort of showcase for her, perhaps to drum up support for a new solo run. But a story like this (and like that Special) do the opposite. Kara doesn't shine her. She doesn't do much at all. She seems almost like a side plot device in her own story. And as readers we aren't invested because we don't know what the heck is happening. It's a shame.

As always, I like the art by Skylar Patridge. While there isn't much action in this chapter, there is some fun contrivances that allow Patridge to stretch a bit. The art is definitely the high point of the story.

On to the details, the few there are.

Review: Superman #19

I am finally catching up on my reviews after my vacation which means I have reached Superman #19. This is the first 'All In' Superman, bringing us the introduction of Lois 'Superwoman' Lane and the return of not one but two (but really one) classic DC villain to thwart the Man of Steel. It also unites two of DC's creative powerhouses - writer Joshua Williamson and artist Dan Mora.

I'll start by saying this 'All In' initiative feels a bit like Rebirth/Anti-Rebirth. The Absolute Line, with the new dark Earth and the darker takes on our heroes, feels like a step away from Classic DC. But the new teams, the new books, heck even these new pin-up covers of our heroes looking heroic, all seems to be a step towards a more traditional feel to our heroes. Add in a few wrinkles (like a powered Lois) and you have a great jumping on point.

I will start out by saying I think Williamson crushes it on this issue. You want to bring in new readers? Maybe people coming here because of the new initiative or Mora's art, you give them big action and intriguing hooks. He does both. Incredibly, he somehow brings new life to three stories we have seen before - Doomsday, 'good' Lex, and Superwoman. Heck, I am pretty tired of the first two. But somehow, they work here. In particular, the Doomsday one has such a fantastic cliffhanger ending here that I want to read more. Trust me, I never want to read more Doomsday! So kudos to Williamson.

There is also one little 'blink and you'll miss it' exchange at LexCorp that really interests me. More below.

As for the art, Mora has crushed it on every issue I have seen him on and this is no different. Mora is great on character design. His versions of Superwoman, the Atomic Skull, the Time Trapper all glitter. But it is smaller moments, the expressive work, a throwback Daily Planet front page, a world weary Lex, that really grabbed me. 

And yes, I bought the cardstock metallic cover featuring Lois. But come on DC! Wrong credits on the back cover? Waid didn't write this!

On to the book!