Friday, November 8, 2024
Review: Action Comics #1073 Superman Story
Wednesday, November 6, 2024
DC Solicitations: January 2025
https://www.gamesradar.com/comics/dc-comics/dc-comics-january-2025-solicitations-covers/
Overall, I have to say I am feeling a bit of optimism about DC these days. There seems to be some sort of re-invigoration of the whole universe, perhaps emboldened by the Absolute Universe books. I feel like the main Superman books have been on an upswing recently.
Superman #22
Written by JOSHUA WILLIAMSON
Art and cover by DAN MORA
Variant covers by MICO SUAYAN, JONBOY MEYERS, and DAVID TALASKI
1:25 variant cover by DAVID LAPHAM
Sweater Weather variant by MARGUERITE SAUVAGE
A secret alien strike team has arrived on Earth with their sights set on the greatest weapon in the universe…Doomsday. And the only person who can save the ultimate destroyer is Superman! While alien forces rain down on Metropolis, Superwoman trains with her new powers alongside an unlikely instructor...and you will not believe who it is!
I figured the Doomsday story was going to be a true arc, at least 6 issues so not surprised to see it still churning along. As for an alien strike team ... what do you think? Doomsday Revenge Squad made up of aliens from worlds he has devastated? Will Williamson dig into continuity and bring back some people from planet Calaton?
Monday, November 4, 2024
Review: Action Comics #1073 Supergirl Story
Action Comics #1073 came out last week, another of the weekly releases for the title during this Mark Waid main run.
I was excited when I first heard that Supergirl was going to be the backup for this weekly run. But when the writer was announced as Mariko Tamaki, I had some trepidation. Other runs of hers, and in particular her inscrutable and boring Supergirl Special, made me worry this wasn't going to be a strong arc for Kara.
We are now four chapters into this Supergirl story and, I suppose not surprisingly, it is inscrutable and boring. Supergirl has been sent into space on a secret mission. But the details have been left unknown to the reader as well. I suppose Tamaki thinks a big reveal at the end will be a jolt for the reader. Unfortunately all the coy dancing around the actual plot has made this feel like a slog.
This chapter we get to finally see the prisoner Kara has been sent to fetch. There is a lot of vague dialogue from the villain that is more maddening than mysterious. It seems to imply there is some connection between Kara and the prisoner but there isn't a whiff of specifics.
Supergirl as a character doesn't get a lot of room to shine on her own in the DCU these days. Features like this are a sort of showcase for her, perhaps to drum up support for a new solo run. But a story like this (and like that Special) do the opposite. Kara doesn't shine her. She doesn't do much at all. She seems almost like a side plot device in her own story. And as readers we aren't invested because we don't know what the heck is happening. It's a shame.
As always, I like the art by Skylar Patridge. While there isn't much action in this chapter, there is some fun contrivances that allow Patridge to stretch a bit. The art is definitely the high point of the story.
On to the details, the few there are.
Friday, November 1, 2024
Review: Superman #19
I am finally catching up on my reviews after my vacation which means I have reached Superman #19. This is the first 'All In' Superman, bringing us the introduction of Lois 'Superwoman' Lane and the return of not one but two (but really one) classic DC villain to thwart the Man of Steel. It also unites two of DC's creative powerhouses - writer Joshua Williamson and artist Dan Mora.
I'll start by saying this 'All In' initiative feels a bit like Rebirth/Anti-Rebirth. The Absolute Line, with the new dark Earth and the darker takes on our heroes, feels like a step away from Classic DC. But the new teams, the new books, heck even these new pin-up covers of our heroes looking heroic, all seems to be a step towards a more traditional feel to our heroes. Add in a few wrinkles (like a powered Lois) and you have a great jumping on point.
I will start out by saying I think Williamson crushes it on this issue. You want to bring in new readers? Maybe people coming here because of the new initiative or Mora's art, you give them big action and intriguing hooks. He does both. Incredibly, he somehow brings new life to three stories we have seen before - Doomsday, 'good' Lex, and Superwoman. Heck, I am pretty tired of the first two. But somehow, they work here. In particular, the Doomsday one has such a fantastic cliffhanger ending here that I want to read more. Trust me, I never want to read more Doomsday! So kudos to Williamson.
There is also one little 'blink and you'll miss it' exchange at LexCorp that really interests me. More below.
As for the art, Mora has crushed it on every issue I have seen him on and this is no different. Mora is great on character design. His versions of Superwoman, the Atomic Skull, the Time Trapper all glitter. But it is smaller moments, the expressive work, a throwback Daily Planet front page, a world weary Lex, that really grabbed me.
On to the book!
Wednesday, October 30, 2024
Review: Action Comics #1072 Superman Story
Action Comics #1072 came out last week, continuing the 'Phantoms' arc by writer Mark Waid.
Waid has been really firing on all cylinders with this arc so far and this chapter is no different. He had me at 'Superman battling Aethyr in the Phantom Zone'. But throw in Professor Xa-Du, Mon-El, and a crackling fun subplot with Kenan and Conner, and this book just sizzles.
This is a new Phantom Zone with pockets of solidity, crazy monsters, and new tortures present. He is giving us a Mon-El with a bit of an edge. So Waid is giving us something new. But, per usual, he is also leaning into DC history. Aethyr alone is a deep pull. But when I saw a quick retelling of Mon-El's origin and it is close to classic, I was thrilled. It is that perfect tightrope walk of old and new.
And the story, of a benevolent Aethyr turned by the vileness of the prisoners, is also interesting.
Clayton Henry is on art for the bulk of the story. His smooth style somehow works given the chaotic environment of the Zone. There is a very organic sort of fullness to everyone. But I am really taken by Michael Shelfer's work on the Kenan/Conner subplot. There is a dynamism therw.
On to the book.
Monday, October 28, 2024
Review: Batman/Superman World's Finest #32
Writer Mark Waid has used this book as a sort of team-up title with Superman, Batman, and a young Dick Grayson Robin interacting with some classic characters from the DCU. This is the second issue in an Eclipso storyline with our heroes teaming up with the JSA. The Satellite Era JLA have been trapped. Our heroes have been possessed and are now pawns of Eclipso. And so the JSA needs to step in and try to save the day and the World's Finest duo.
I have loved this title since its inception but this storyline seems a little bit looser than I am used to. Eclipso is pretty cool. Seeing the JSA, including many of my faves, is also fantastic. But I don't know if I understand how Eclipso is doing what he is doing. I have had to stop overthinking the insanity and just sort of roll with it. Waid usually feels 'tighter' than this. This is still a very good book and a good story. But the bar is high.
Adrian Gutierrez is on art, stepping into Dan Mora's huge shoes. I like the style as it has a little frenzied feel to it which works with the story. I admit I sometimes have a hard time following the action on certain scenes. But overall, I like what I am seeing and glad he has been named the ongoing artist here.
On to the book.
Friday, October 25, 2024
Review: Action Comics #1072 Supergirl Back-Up
Action Comics #1072 came out this week, the third weekly issue and therefore the third part in the Supergirl back-up feature by writer Mariko Tamaki and artist Skylar Patridge.