Looks like I missed the ICv2 article on April sales when it first came out and maybe that was a good thing. Here is the link:
https://icv2.com/articles/markets/view/43193/top-500-comics-april-2019
I have been watching the sales on the main Supergirl title steadily erode for any issue not blessed with an Artgerm variant. The sales on
Supergirl #29 with it's charming Amanda Conner variant continue the trend.
After a whole arc in space and an unappetizing opening chapter in the
Superman Leviathan Rising special, I have to say that it might be time for DC to start thinking about who to let take over the book in Marc Andreyko's place. Or, more likely I fear, is waiting for the dreaded *Final Issue* label in some upcoming solicit post.
And that is because we once again find ourselves in the Dan Didio Supergirl Cycle of Death.
Step 1: Supergirl gets a creative team who wants to write her as angry and gritty.
Step 2: It doesn't sell.
Step 3: A new team comes on writing Supergirl as a young optimistic hero learning the ropes.
Step 4: Sales increase and stabilize in the middle of the pack.
Step 5: DC thinks it can do better.
Step 6: Cancel the book or go back to step 1
Proof is out there.
Step 1 folks: Loeb, Spencer, Green, Andreyko
Step 3 folks: Gates/Igle, Bedard, Johnson/Perkins, Orlando
Supergirl #29 came out in April.
In it an irate Supergirl seizes Rogol Zaar's axe and attacks.
Zaar's men call her The Queen, Lady of the Axe and swear allegiance.
The space-faring mystery behind Rogol Zaar is rushed to its ending in inane ways.
Not surprisingly, this dark Supergirl and stilted story didn't work for me.
But how did it sell?